A Trip Through THE THIRD MIND with DAVE ALVIN: An EXCLUSIVE Q&A


STEPHEN SPAZ SCHNEE: THE THIRD MIND is about to be released. How are you feeling about the way the album turned out and the reaction to it so far?
DAVE ALVIN: I am extremely happy about how THE THIRD MIND album sounds and the performances on it. It’s about the most musically experimental album I’ve ever been involved with so I’ve been keeping track of responses both from my longtime fans as well as from new listeners who are just discovering the group and album. So far, most people seem to really like it. There’s been a few folks who nicely say that they prefer my other, more roots-rock material but only one or two have told me that I suck.

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Have A Nice SUNDAZED: Spaz picks some classic releases from Sundazed Music!


Bob Irwin should be in the Rock & Roll Hall Of Fame. Or at least have his own star on the Hollywood Walk Of Fame. Or maybe have a star named after him. And the reason why is really quite simple. Over 30 years ago, he started a label called Sundazed and literally changed the world of CD reissues. From the label’s debut, THE FABULOUS KNICKERBOCKERS in 1989 to the label’s most recent releases, they’ve been handled with love and care. Great mastering, packaging, liner notes, and the addition of bonus tracks when available, every Sundazed release is a work of art and labor of love. The label has released catalog titles by The Velvet Underground, Buck Owens, Link Wray, Byrds, Meters, Bob Dylan, Love, MC5, Leonard Cohen, Johnny Cash, and many others. 

While steering the Sundazed ship, Bob also had a 25-year relationship as a producer for Sony Music. Bob curated and restored titles by Santana, Janis Joplin, The Byrds, Sly & The Family Stone, Simon & Garfunkel, Stevie Ray Vaughan, Jefferson Airplane, Donovan, and Carole King. Oh, and loads of others as well. There’s a pretty good chance that if you are a collector, you own at least 29 titles that Bob has worked his magic on!

I’ve collected Sundazed CDs throughout the years. And going through their catalog, I’ve decided to share my thoughts on some of my favorite titles on the label. Some are obscure while others are cult classics. All of them are very much worth your time. And some of them are even available on vinyl! However, I’m a CD man so that is what I’m focusing on below.

OK, let’s get this party started. Grab your favorite beverage and start taking notes!


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AMPED™ FEATURED ALBUM OF THE WEEK: DESTROYER/HAVE WE MET


Throughout the ‘70s, ‘80s, and ‘90s, American Rock critics found it necessary to treat the Canadian music scene like a bad joke. When, where, why, and how Canada become a punchline for music journalists remains a mystery, but our northern neighbors have had the last laugh. In the last two decades alone, bands like The New Pornographers, Arcade Fire, Bran Van 3000, Death From Above (1979), and Broken Social Scene have achieved great success in the U.S., both critically and commercially. The older music journalists that once roamed the halls of Rolling Stone, Creem, Circus, and other magazines have slipped away into the shadows, replaced by a new legion of critics who no longer have an aversion to Canadian music makers. The times they are a-changin’!

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AMPED™ FEATURED ALBUM OF THE WEEK: PET SHOP BOYS/HOTSPOT


In the Pop Music industry, longevity is a rare thing indeed. Most big-selling acts are in the spotlight for two to five years before sliding off the radar and fading into the shadows. Some acts split up and are never heard from again. Others lose a few members and spend the rest of their careers playing county fairs. And then you have and act like Pet Shop Boys, a British duo that formed 39 years ago and have been crafting hit records since 1985. And thankfully, they show no signs of abandoning the music world anytime soon. And for that, we should all be grateful…

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AMPED™ FEATURED ALBUM OF THE WEEK: BRIAN SIMPSON & STEVE OLIVER/UNIFIED

On paper, musical collaborations always seem to work. In the studio or on the stage, not so much. The intentions might be good, but ultimately, the music is uninspired and forgettable. From Rock to Jazz, Hip Hop to Country, collaborations are normally inspired by mutual respect between artists. However, bad chemistry, ego, or record label interference can sink the ship faster than a torpedo from a nuclear submarine. On the other hand, there are some collabs that exceed expectations. When magic happens, we really need to pay attention. Thankfully, UNIFIED, the 2020 release from Brian Simpson and Steve Oliver is a grand success! While this isn’t their first walk in the park together, it is a reminder that two talents can come together as one and create something new and exciting.

OSCAR Update: “Stand Up” – from the HARRIET soundtrack – receives an Academy Award nomination!

TERENCE BLANCHARD
HARRIET
(Original Motion Picture Soundtrack)

NEWSFLASH:
“Stand Up” – from the highly-acclaimed HARRIET soundtrack – has received an Academy Award nomination for Best Original Song!

While not billed as a ‘super hero’ movie, HARRIET most certainly deserves that designation. Based on the life of slave-turned-abolitionist Harriet Tubman, the movie tells the story of a woman whose courage, ingenuity, and tenacity freed hundreds of slaves and changed the course of history. Directed by Kasi Lemmons, who wrote the screenplay with Gregory Allen Howard, HARRIET stars Cynthia Erivo as Tubman alongside Leslie Odom Jr., Joe Alwyn, and Janelle Monáe. A film about Tubman has been rumored in Hollywood for years and has now finally made its way to the big screen.

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AMPED™ FEATURED ALBUM OF THE WEEK: ALEXANDRA SAVIOR/THE ARCHER

Sometimes, an artist can just waltz into the music business and achieve massive commercial success within a year or two of their first recording session. That, however, is a rare occurrence. In all actuality, it can often take years of disappointment, detours, and mistakes before forward motion is achieved. Even then, commercial success isn’t guaranteed. The journey always begins with talent but luck is also a big part of the equation. The road to stardom is littered with true talents that have never caught a lucky break. Thankfully, Alexandra Savior made it through successfully, albeit with a few bumps in the road…

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AMPED™ FEATURED ALBUM OF THE WEEK: EDDIE MONEY/TAKE ME HOME TONIGHT: THE BEST OF…


In the late ‘70s and early ‘80s, Eddie Money was one of the biggest Rock stars in America. His singles were on constant rotation on AM radio stations and his album tracks received plenty of spins on the FM dial. The Pop kids dug him but the AOR/Classic Rock fans took him as their own. With hits like “Two Tickets To Paradise”, “Baby Hold On”, “Shakin’”, “Think I’m In Love”, and “Take Me Home Tonight”, Eddie created an impressive catalog of Rock and Pop gems that are still being played on terrestrial and satellite radio stations. Some think of him as a ‘singles’ artist but his fans know that Eddie’s albums were solid, filled with great songs and even better performances.

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AMPED™ FEATURED ALBUM OF THE WEEK: FINNEAS/BLOOD HARMONY


You’ve heard Finneas without realizing that you’ve heard Finneas. The L.A.-based singer, songwriter, multi-instrumentalist, and producer has performed on Saturday Night Live, topped the Billboard Hot 100, and produced and co-wrote the #1 album WHEN WE ALL FALL ASLEEP, WHERE DO WE GO. With all that going for him, it’d be OK if you are not quite familiar with his name. You see, his sister is Billie Eilish – you know, the enormously popular Pop singer – and hers is the name linked to all the aforementioned achievements. However, Finneas deserves a nice chunk of the praise being thrown in Billy’s direction because theirs is a truly collaborative relationship.

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NEW ENGLAND/Archives Box, Vol. 1 review!


Nobody can quite figure out why Boston-based rockers New England didn’t become massively successful back in the late ‘70s and early ‘80s. They had it all – the sound, the songs, the looks, the musicianship, the right producers (Mike Stone, Todd Rundgren, Paul Stanley), major label support, etc. For some reason, it just never happened. On the other hand, New England never quite fit comfortably into any genre. With early support from KISS’ Gene Simmons and Paul Stanley, NE wasn’t exactly KISS proteges, musically or visually. Touted as a Hard Rock band, New England was far more melodic than 90% of their Rock contemporaries. Their melodic hooks were tailored made for the Power Pop kids but the band rocked a little too hard to share bills with 20/20 and The Knack. Obviously, New England had EVERYTHING going for them… except a good marketing angle. Sadly, a band that ignored the rules of the game were ultimately doomed to sit on the sidelines while lesser players made it all the way to MTV. The irony is that, 37 years after their split, people are still talking about New England while a majority of the bands that became more successful are long-forgotten.

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