This compilation offers a fascinating peek into the Japanese Folk and Rock movement of the late ‘60s and early ‘70s. Though influenced by Western music, the music contained on EVEN A TREE CAN SHED TEARS: JAPANESE FOLK & ROCK 1969-1973 is undeniably infused with a deep connection to their very own Japanese culture.
A SILLY PHASE I’M GOING THROUGH:
It is quite possible that you have something by Eric Stewart in your music collection at this very moment without even realizing it. Eric was a member of Wayne Fontana & The Mindbenders, eventually singing lead on their 1966 hit “Groovy Kind Of Love” after Fontana had left the fold. By 1969, with the Mindbenders in his rear view mirror, Stewart was recording backing tracks for Bubblegum hits at his Strawberry Studios facilities. His recording mates included hit songwriter Graham Gouldman and multi-instrumentalists Lol Creme and Kevin Godley. In 1970, Stewart, Creme and Godley released the surprise hit “Neanderthal Man” under the group name Hotlegs. Two years later, American singer/songwriter Neil Sedaka arrived in the UK in hopes of recording new material and making a comeback. His backing band featured Stewart, Gouldman, Godley and Creme. Sedaka and this quartet of talented musicians recorded two albums together, both directly responsible for the enormous success that Sedaka and 10cc would achieve within a few short years.
BONE ON BONE is the highly anticipated 2017 album from Canadian singer/songwriter Bruce Cockburn. The album is his first in six years and is the follow-up to 2011’s SMALL SOURCE OF COMFORT. His 25th studio album overall, BONE ON BONE finds Bruce Cockburn at ease as a musician but ill at ease with the world. For those familiar with Cockburn’s work over the years, this may seem like nothing new. However, BONE ON BONE finds Bruce at the top of his game. And for an artist that has been releasing albums for nearly 50 years, this is quite a feat. Mixing Folk and Blues, the album is warm, intimate and filled with songs that are destined to become Cockburn classics. Amongst the Folk Blues stomp of songs like “States I’m In” (the first single) and “Café Society” is “Forty Years In The Wilderness”, one of the loveliest songs he’s ever written.
Singer/songwriter Charlie Parr has returned with an album that mixes his Folk roots with plenty of heart and soul. Although he may sometimes write as an observer, his songs put him square in the eye of the storm. Parr writes songs that are extremely personal yet universal at the same time. Listening to DOG, you’ll stumble across people that you feel that you already know, places that you are sure you’ve been and feelings that you most definitely have experienced. This is a world where both feet are firmly planted on the ground. You can feel the heat of the sun and smell the beer-soaked floorboards. This is an album that pulls no punches. Life is hard and then you die but in between, there is light in the darkness. However, that light may be only fleeting at times. But that is understandable because Charlie experienced some truly dark moments before making the album.