For half a century, Charley Pride has been one of Country Music’s hardest working and most beloved entertainers. Ever since his 1966 debut single on RCA, “The Snakes Crawl At Night,” he has forged a path that has been consistent and rewarding to his fans and those that love traditional Country Music. With over 50 Top Ten Country singles to his credit – 29 of those reaching #1 – Charley is one of the most successful Country vocalists of all time. Against all odds, he has outlasted nearly all his contemporaries from the ‘60s, ‘70s, ‘80s and ‘90s and he shows no signs of slowing down any time soon. MUSIC IN MY HEART, his first album in six years, is an album steeped in Country tradition yet still sounds fresh and invigorating. With this album, Charley has delivered one of the most consistently excellent albums of his career. Now, if only Country radio still celebrated the traditional sounds of artists like Charley Pride…
Produced by Billy Yates and featuring songs written by Merle Haggard (“The Way It Was In ‘51”), Bill Anderson (“You Lied To Me”) Ben Peters & Justin Peters (“Natural Feeling For You”) and many others, MUSIC IN MY HEART is an essential listen for those that love Charley’s classic recordings as well as his more recent output on the Music City Records label. Tracks like “It Wasn’t’ That Funny,” “New Patches,” “I Just Can’t Stop Missing You” and the previously mentioned titles will remind you of the days when Country Music was about life, love and loss and less about glamor and gloss. MUSIC IN MY HEART is an instantly lovable and timeless collection of songs that will no doubt be considered a classic in Charley’s catalog.
Stephen SPAZ Schnee was able to catch up with Charley Pride and spend a few minutes chatting about the album and more.
For nearly 20 years, Guilderland, NY-based Wounded Bird Records has been quietly reissuing a plethora of CD titles that are generally geared for collectors but most definitely appeal to causal music lovers as well. Not a label to focus on one genre, Wounded Bird has just about every musical style covered – from OC punks Agent Orange to Jazz legend Joe Zawinul. In between, you’ll find releases by the golly-ricious Jim Nabors, Hard Rock heroes Montrose, former Eagles members Don Felder, Joe Walsh and Timothy B. Schmidt and way too many others to list. In the early days, Wounded Bird was a straight reissue label – no bonus tracks or liner notes. However, over the years, they’ve started adding bonus material to some of the releases, which makes them even more exciting.
If your only encounter with Modern English is “I Melt With You,” then you need to sit down, kids, because there is more to this British outfit than meets the ear. The band’s moody and artsy Post-Punk beginnings were a perfect match for 4AD, the label that released their first three albums. However, by the second album, 1982’s AFTER THE SNOW, the band had matured and were writing better songs, moving away from their dark past and gaining a lot more confidence in the process. That second album contained some of their best moments to date including “Someone’s Calling,” “Life In The Gladhouse” and, of course, “I Melt With You.” The latter song became one of the tracks that truly defined the ‘80s and became a blessing and curse for the band. Modern English next album, RICOCHET DAYS, was nearly as good as AFTER THE SNOW but did not contain a hit like “I Melt With You” and the band found itself falling out of fashion. Another album – STOP START – came and went and the band split. Over the years, vocalist Robbie Grey and various line-ups of the band have recorded and toured as Modern English, even releasing some very fine albums along the way, In 2010, four of the five original members – Grey, Gary McDowell (guitar, vocals), Michael Conroy (bass, vocals) and Stephen Walker (keyboards – reunited for a few tours and received a hero’s welcome by fans. Seven years on, have finally delivered TAKE ME TO THE TREES, the first studio album since 1984’s RICOCHET DAYS to feature these four core members. While the band wisely continues to avoid attempting to re-write “I Melt With You,” they certainly haven’t lost the desire to re-explore dark places with melodic flair.
Pursuit Of Happiness), John Boutte and others – brings their own personality to the party, making each track feel different from the last. While Rundgren may be the name on the album cover, he allows every collaborator to make their presence known. Totally modern and relevant, WHITE KNIGHT still features Todd’s distinct musical thumbprint and is a pleasure from start to finish.