Forty years ago, a Rock artist’s longevity was not something that was guaranteed. The first Rock ‘n’ Roll boom of the ‘50s had been swallowed by the late ‘50s/early ‘60s teen idols. Then those heart throbs were dethroned by the British Invasion. That joyful racket was overcome by the Summer Of Love/Hippy scene of 1967. And so on… Like any industry, the new kids were constantly replacing the old guard, who would then reluctantly slip into the shadows and wait for nostalgia to make them momentarily relevant again. The four Beatles (among others) made it work but a lot of their contemporaries had been left behind, lost in a time warp and destined to play the oldies circuit for the rest of their careers. By 1979, artists and the industry were more understanding when it came to making hit records and extending an artist’s career. However, the Punk movement was initially viewed as a novelty by the bigwigs and while the industry capitalized on Punk’s commercial appeal, they certainly didn’t expect any of the artists to last beyond a two or three-year window, just like any other musical movement that came along since the days of Buddy Holly and Elvis Presley. Over time, we have learned that nearly every artist from every genre was capable of something much more than their “15 minutes of fame”. As for the unruly Punk kids, Bob Mould was going to break the mold (semi-pun intended)…
STEPHEN SPAZ SCHNEE: TIDES OF A TEARDROP is just about to be released. How are you feeling about the album and the reaction to it so far?
ANDREW MARLIN: We have been sitting on a few of these songs for a while and there is always a little anxiety and a little relief in releasing new material. Folks seem to be digging the new tunes so far, so I guess some of the anxiety is giving way to relief!
It has been written many times elsewhere, but it must be said again: Robert Pollard is the most prolific artist in the history of Rock ‘n’ Roll. When you look back on bands like The Beatles, who put out two albums and a handful of singles per year in their early days, Pollard makes them look like slackers. While his main band, Guided By Voices, and all of his other projects may not have had the cultural impact that the Fab Four had, Robert has still made a huge impact on the Alternative and Indie music scenes. Not only has he influenced a new generation of singer/songwriters, he’s also inspired them to create music as art and music as expression. And while he may not have intended to be a DIY pioneer, he has certainly become one. I guess that is what happens when you’ve been making music on your own terms for four decades. While Pollard & Co. have been releasing music since the ‘80s, they don’t belong to any decade – the albums remain timeless.
George Clinton is the mad scientist of Funk. He assembles some of the most talented and unique musicians in R&B, Soul, Funk and Rock and creates a sound that is miles ahead of any contemporary Funk band on the scene. Case in point: musicians today are just catching up with what George was doing with Funkadelic nearly 50 years ago. And since Funkadelic always had a fluid line-up over the years, their sound was always evolving. However, Clinton was a prolific leader that felt the need to push his brand of Funk forward. Reaching back into formative years, he reformed his late ‘50s Doo Wop group The Parliaments, renamed them Parliament, and Cosmic Funk was born.
Fourteen years after she released her handmade debut CD-R, singer/songwriter Sharon Van Etten is finally receiving the critical accolades that she has always deserved. While the long journey may have destroyed a more impatient artist, Van Etten has taken it all in good stride. In fact, she’s enjoyed the ride. “I’ve always been a fan of the slow build.” Sharon says. “Whether it be with my career, or my songs, or life.” Along the way, music hasn’t been the only thing on her plate – Van Etten has also pursued an acting career that landed her gigs on Netflix’s THE OA and on David Lynch’s TWIN PEAKS revival. In short, Sharon Van Etten has not been idle in recent times, she’s just been very, very patient.
Even though you might not recognize his name, you are more than likely familiar with the work of Chris Butler. While his studio work with Tin Huey, Richard Lloyd, the dBs and other bands might have passed some of you by, you will most certainly recognize his higher profile recordings with The Waitresses. Chris Butler was the guitarist and songwriter for the Akron, Ohio-based quirky New Wave outfit and was responsible for penning their hit single “I Know What Boys Like,” as well as their theme song to the cult TV series Square Pegs and the perennial holiday favorite “Christmas Wrapping.” What some may not realize is that while his most high-profile band may have split in 1984, Chris Butler has continued to create experimental music that is entirely unique and charmingly quirky.
STEPHEN SPAZ SCHNEE: You’ve just released two of the most beloved cult horror films of all time – ZOMBIE and MANIAC. How are you feeling about these projects and the reactions to them so far? The transfers are stunning and certainly much better than any versions I’ve seen before.
BILL LUSTIG: We did 4K-16 bit Arriscans of both films’ original camera negatives, so the results can’t be any better! Of the two, I consider MANIAC to be a miracle from the movie gods! Let me explain, although we always intended to use the title MANIAC, it was filmed under the title ON THE RUN for the purpose of having a less provocative title to secure city permits, insurance, locations, etc. We shot the film on 16mm then after editing did a 35mm blow-up negative. The 35mm negative was then used to strike the release prints and video transfers. 10 years ago, we could no longer use the 35mm negative due to its age and condition and thus began a search for the original 16mm, which was nowhere to be found. In April, I got a call from my producing partner Andrew Garroni, “I found a box in my deep film storage labeled ON THE RUN”.
STEPHEN SPAZ SCHNEE: The self-titled EURINGER album is now released. How are you feeling about the project and the reaction to it so far?
JIMMY URINE: I have been sitting on this album for two and a half years, not able to talk about it or tell anyone anything. Making sure nothing leaks ahead of time especially with the guest vocalists. So, it feels great to finally be able to show everyone all over the world what the fuck I’ve been working on. The reaction has been amazing. People really get the whole thing and it is a very complicated concept for a record. It’s more like an art installation or an avant-garde movie, so for people to understand it right out of the gate is awesome.
Whether or not you immediately recognize her name, musician/author/activist Laura Jane Grace has been on the international music radar for over two decades. As leader of Punk outfit Against Me!, Laura has blended honesty, Punk, audio blunt force trauma and Rock ‘n’ Roll into a fiery brew. Originally hailing from Gainesville, Florida, Laura and her Against Me! mates may not sound like the Rock legends that emerged from her hometown – Tom Petty and The Eagles’ Don Felder and Bernie Leadon to name a few – but she has certainly become a force to be reckoned with.
Rockpile remains one of Rock ‘n’ Roll’s most respected but commercially overlooked bands. In terms of credibility, how could you go wrong with a band featuring Nick Lowe, Dave Edmunds, Billy Bremner and Terry Williams? While Rockpile recorded albums that were credited to either Edmunds or Lowe, they only recorded one proper studio album under their collective name – 1980’s SECONDS OF PLEASURE – before the band split up. Nick and Dave continued their successful solo careers while Terry joined Dire Straits. The band’s secret weapon – guitarist/vocalist Bremner – also pursued a solo career as well as working with The Pretenders (that’s him playing lead guitar on “Back On The Chain Gang”), Shakin’ Stevens, and many others. He did appear on Lowe and Edmunds’ solo albums as well. While not as high profile as his former bandmates, Bremner has released four solo albums over the years and worked with a multitude of other artists. Often overlooked on his own merits, the best of Billy’s solo material has finally been compiled on the excellent SINGLED OUT collection courtesy of RPM/Cherry Red.