Australian singer/songwriter Nick Cave is a music industry veteran and Rock icon. He’s been releasing albums for 40 years and shows no sign of slowing down, creatively. And after years of success, failure, tragedy, and triumph, Nick Cave remains a survivor. From his early days fronting The Boys Next Door through their transformation into The Birthday Party, Nick Cave became one of the most infamous Post-Punk musicians of the late ‘70s and early ‘80s. When The Birthday Party split, he formed Nick Cave and The Bad Seeds, gravitating towards a sound that was more atmospheric and less abrasive. For 35 years, Cave has become of the most respected songwriters and performers of his generation. In fact, his songwriting is now compared to greats like Leonard Cohen, Bob Dylan, Van Morrison, and Neil Young. And looking back over his catalog, those comparisons are well-deserved.
STEPHEN SPAZ SCHNEE: Strut Records is celebrating its 20th Anniversary in 2019. How does it feel knowing that you’ve come this far and your work is being embraced by music fans the world over?
QUINTON SCOTT: It does feel like a nice landmark – Strut has always been a labour of love and it is always really rewarding to see the reaction to the music. It’s also a better time than ever to be running the label, I think. There are so many other great labels around now and, as a result of that and the digital world, buyers have great choice and are much, much more open now to different niches and adventurous ideas.
DAVE RAYBURN: The release of JULIANA HATFIELD SINGS THE POLICE marks the second in a recent series of cover albums that puts the spotlight on another artist’s endearing catalog. Why The Police?
JULIANA HATFIELD: I sort of did it on a whim. Actually, I was preparing to do Phil Collins covers, and then sort of at the last minute… you know what, I don’t really have an emotional connection to Phil Collins. And, there’s just not enough depth there. So, I just went sort of automatically to The Police because I do have an emotional connection from childhood. They were a big, big thing for me during my adolescence. Same as with the Olivia Newton-John record. It’s like I’m being drawn toward artists that were very important to me at a certain time in my life. I mean, I have a plan to do more of these albums and I think that in the future I’ll be able to look back and say, “Oh yes, these all had something to do with what I became.”
STEPHEN SPAZ SCHNEE: THE HOLIDAY SOUNDS OF JOSH ROUSE is just about to be released. How are you feeling about the album and the reaction you’ve had to it so far?
JOSH ROUSE: I’m excited it’s coming out. Just the label and friends have heard it but the reaction has been superb. The first single was released in September and it seems the fans have been waiting for something more “merry” from me.
In a time when most bands prefer to stick to a proven formula, Cold War Kids continue to break new ground while forging their own musical path. Although they don’t make drastic changes, they push the boundaries by experimenting with new musical ideas and adding new layers to their sound. From Post-Punk to Soul, Cold War Kids are not afraid to take chances. Integrity intact, they’ve been critical darlings and achieved commercial success as they’ve navigated their way through an ever-changing musical landscape.
Alongside The Flying Burrito Brothers, Michael Nesmith & The First National Band, Rick Nelson & The Stone Canyon Band, and The Eagles, Poco was a pioneering band that laid the foundation for Country Rock and wrote the blueprint for Americana. Often overshadowed by Gram Parsons and The Eagles, Poco has never received the proper amount of respect and adulation that they so richly deserved. Remember, this is a band whose various line-ups have featured former members of Buffalo Springfield and future members of The Eagles (amongst others)! Sure, Poco has had hits, sold a lot of records, and continue to tour to this day, but their back catalog is often overlooked. Thankfully, Hine/Cherry Red Records is stepping up to the plate with the five CD box set THE EPIC YEARS: 1972-1976.
Bad Wolves is a supergroup of sorts. Vocalist Tommy Vext spent time in bands like Divine Heresy, Snot, and Westfield Massacre before the formation of Bad Wolves. Drummer John Boecklin was previously a member of DevilDriver, lead guitarist Doc Coyle once rocked with God Forbid, rhythm guitarist Chris Cain treaded the boards with both Bury Your Dead and For the Fallen Dreams, and bassist Kyle Konkiel has laid down the bottom end for In This Moment, Scar the Martyr, and Vimic. If you count their manager as an auxiliary band member, then it must be said that Five Finger Death Punch guitarist Zoltan Bathory – Bad Wolves’ manager – kicks the ‘supergroup’ claim up another notch.
John Carpenter is a renaissance man. Best known as a director, Carpenter is an equally talented screenwriter and composer. He’s had a hand in many projects over the years. From TV movies, theatrical motion pictures, and comic books, John Carpenter is a man who has a passion for the arts. He is also a man who has a unique vision and it comes through in every project he is involved with. Operating outside any industry formulas, Carpenter has written his own rules along the way. Unsurprisingly, there have been many imitators along the way but none of them have matched the master himself.