Keep on truckin’,
Stephen SPAZ Schnee
The definition of a solo singer/songwriter has gone through many transformations throughout the years. Typically, one might think of a singer/songwriter as a lone troubadour/trobairitz armed with nothing more than an acoustic guitar and a catalog of sensitive, self-penned Folk-influenced songs that he/she is eager to share with their audience. From Woody Guthrie to Bob Dylan and Joan Baez, singer/songwriters were proof that you could converse with your audience through music and teach them something in the process. As music has evolved, we have come to realize that a singer/songwriter cannot be defined by a genre… or an instrument. Thanks to social media, singer/songwriters can reach well beyond their local coffeehouse. From South Korea to North Carolina, anyone with a computer or smart phone can have instant access to musical messages that just might change their lives forever.
Nobody expected the 1983 motion picture BREAKIN’ to be a hit. At the time, breakdancing was quickly becoming a worldwide craze, rising from the urban neighborhoods and spilling into white-bread suburbia. Since Hollywood always loves to capitalize on current trends, TV commercials suddenly incorporated breakdancing and movies like BREAKIN’ and BEAT STREET (amongst others) were quickly put into production. BREAKIN’ was first out of the gate. The film was a commercial – and financial -success and was followed a year later by BREAKIN’ 2: ELECTRIC BOOGALOO. Highly entertaining some 35 years later, both films were light on plot and acting ability but heavy on music and fun. Regardless of how lightweight the films were, the soundtracks served up a healthy selection of R&B, Soul, and Funk music that was surprisingly light on the more dangerous sounds of Rap/Hip Hop. Regardless, the music introduced young movie goers to a sound and culture that they may not have experienced otherwise. The BREAKIN’ films were like extended versions of Michael Jackson’s “Beat It” video – every problem can be solved by a dance-off! And what is wrong with that?