So, what do you do if you create music that is completely in step with what should be popular but is apparently out of step with what is actually popular? Playing great music that reaches a specific audience is definitely admirable but it can be frustrating – for the band and their fans – if a talented act continually releases outstanding albums that don’t immediately race to the top of the charts. Sadly, this type of situation is quite common. For example, for nearly 30 years, St. Louis’ The Bottle Rockets have released a series of albums that embrace the heart of American music while reinterpreting it in fresh, new ways. BIT LOGIC is their 13th album and might be the album that finally connects them with a larger audience.
Americana is a modern name for a genre that has existed for decades. Back in the day, many artists were too hard to categorize because they were too Rock for Country, too Country for Folk or too Folk for Rock (or a mix of the three). While many artists today remain difficult to pigeonhole, at least there is the term Americana, which acts as an umbrella genre for bands that fall outside the Country, Rock and Folk guidelines. However, for a band like Murder By Death, it is best to toss any genre label out the window and start from scratch. Yes, they certainly fit comfortably into the Americana genre but they can also be filed in Rock, Country and Folk just as easily. Their latest album, THE OTHER SHORE, is proof of that…
Country Music has gone through a major metamorphosis over the years. Modern Country radio resembles Pop radio of the ‘90s and you’d be hard pressed to find a pedal steel guitar on any track gracing the Top 40. For those looking for a more traditional slice of Country Music, you’ll need to look outside of the charts and turn your attention to hard-working rootsy Americana outfits like Sarah Shook & The Disarmers in order to get your traditional Country fix.
Born in Australia and now residing in Nashville, TN, singer/songwriter Bex Chilcott – better known as Ruby Boots – creates music that slightly betrays both her homeland and her adopted city. In fact, she manages to cross genres with ease, rarely standing still long enough to adopt any genre as her own. Her 2018 album DON’T TALK ABOUT IT that supports that claim.