Even though you might not recognize his name, you are more than likely familiar with the work of Chris Butler. While his studio work with Tin Huey, Richard Lloyd, the dBs and other bands might have passed some of you by, you will most certainly recognize his higher profile recordings with The Waitresses. Chris Butler was the guitarist and songwriter for the Akron, Ohio-based quirky New Wave outfit and was responsible for penning their hit single “I Know What Boys Like,” as well as their theme song to the cult TV series Square Pegs and the perennial holiday favorite “Christmas Wrapping.” What some may not realize is that while his most high-profile band may have split in 1984, Chris Butler has continued to create experimental music that is entirely unique and charmingly quirky.
Sixty years ago, the journey began. From the humble barbershop beginnings of The Osmond Brothers quartet (Merrill, Jay, Alan and Wayne) in 1958 up through their Pop/Rock success in the early ‘70s with lil’ brother Donny on board, The Osmonds were far from a boyband created for teens and tweens. All throughout their career, their appeal has reached audiences of all ages. They wowed America during their appearances on The Andy Williams Show in the ‘60s and they’ve never really left the public eye since then. Who can forget their string of hits in the early ‘70s? On top of that, Donny’s solo career was equally successful. And we can’t talk about The Osmonds without mentioning the Donny & Marie Show. Or Jimmy Osmond’s career as a singer and clever businessman. Even when things got tough in the ‘80s, they would always bounce back. Their message of love and family permeated everything that they did. Regardless of what musical trends have come and gone over the last six decades, the Osmond family are still standing, still entertaining, and always moving forward while remaining proud of their legacy. They have a devoted fanbase that has stuck with them through thick and thin. And let’s be honest, the world would be a darker place had it not been for the Osmond family’s unwavering desire to bring joy into the music business.
Whether or not you immediately recognize her name, musician/author/activist Laura Jane Grace has been on the international music radar for over two decades. As leader of Punk outfit Against Me!, Laura has blended honesty, Punk, audio blunt force trauma and Rock ‘n’ Roll into a fiery brew. Originally hailing from Gainesville, Florida, Laura and her Against Me! mates may not sound like the Rock legends that emerged from her hometown – Tom Petty and The Eagles’ Don Felder and Bernie Leadon to name a few – but she has certainly become a force to be reckoned with.
K-Pop is one of the most popular genres in music today. And if you have no idea what K-Pop is, you really haven’t been paying attention. In a nutshell, K-Pop – an abbreviation of Korean Pop – originated two decades ago in South Korea and combines smooth R&B, sparkling Dance Music, pulsating Electro and shimmering Pop into one perfectly produced package. While the K-Pop landscape is littered with both male and female artists, boy bands dominate the genre. While artists like N*Sync, Backstreet Boys and One Direction kept the U.S. market interested over the past two decades, K-Pop’s popularity began to rise. In the last few years, K-Pop has infiltrated the U.S. market and bands like BTS and Super Junior have taken the charts by storm. One of the most beloved and respected K-Pop groups today is EXO, an eight member Korean-Chinese group that features the multi-million selling solo artist Lay as a core member. Lay is making his EXO return on DON’T MESS UP MY TEMPO after two years on his own.
“Christmas: the final frontier. This is the musical voyage of William Shatner. Its holiday mission: to explore strange yule music. To seek out and inject new life into old traditions. To boldly go where no Shatner album has gone before. This is SHATNER CLAUS!”
So, what do you do if you create music that is completely in step with what should be popular but is apparently out of step with what is actually popular? Playing great music that reaches a specific audience is definitely admirable but it can be frustrating – for the band and their fans – if a talented act continually releases outstanding albums that don’t immediately race to the top of the charts. Sadly, this type of situation is quite common. For example, for nearly 30 years, St. Louis’ The Bottle Rockets have released a series of albums that embrace the heart of American music while reinterpreting it in fresh, new ways. BIT LOGIC is their 13th album and might be the album that finally connects them with a larger audience.
If you go to Wikipedia and look up ‘Honky Tonk’, you’ll find the following description: “A Honky Tonk is both a bar that provides country music for the entertainment of its patrons and the style of music played in such establishments. In the 1950s, Honky Tonk entered its golden age, with the popularity of Webb Pierce, Hank Locklin, Lefty Frizzell, Ray Price, Faron Young, George Jones, and Hank Williams.” So, given that description, it’s no wonder that singer/songwriter J.P. Harris is often referred to as one of the finest purveyors of Honky Tonk music in America today. As ‘modern’ Country takes up space on the charts, it is refreshing – and dare I say it, exhilarating – to experience an artist so in tune with the roots of the genre’s pioneering artists. Harris ain’t no Americana bandwagoneer – he is as Country as Country Music gets.
Amy Ray is best known as one-half of Indigo Girls, the Grammy-winning Folk duo she formed with Emily Saliers. Formed in 1985, the duo released an EP before signing with Epic Records and becoming one of the most popular Folk-Rock duos of all time. Although they have remained active for over three decades, Amy would use her downtime between projects to follow her own path. Beginning with her 2001 solo debut, STAG, Amy has pursued a slightly different path than that of Indigo Girls. Her voice may be instantly identifiable but her solo releases tend to travel down different musical paths that eventually converge onto the same road that she travels down with Indigo Girls. HOLLER, her 2018 album, is no exception…
Forty years since the release of his debut album, ALIVE ON ARRIVAL, Steve Forbert remains one of the most honest and warm singer/songwriters in Folk, Rock and Americana. Unfairly declared ‘the new Dylan’ for a brief moment in the ‘70s thanks to that debut, Forbert proved himself to be more than just a guy strumming an acoustic guitar at the front of the stage. His hit single “Romeo’s Tune” (1979) became a Top 40 hit thanks to Forbert’s earnest performance, great songwriting and that incessant piano riff. But Forbert was not one to crank out formulaic Pop or Folk – he was always moving forward while still paying tribute to his past. With more than two dozen studio, live, and fan-club albums in his back pocket, Steve Forbert still remains a songwriter that finds inspiration in the every day. His Mississippi soul may have moved to New Jersey but this is one cat that understands and connects with every inch of America.
There’s just something about Soul music. It has a different effect on every listener. Where one person can hear joy and jubilation, another may sense a feeling of loss and sadness while listening to the very same recording. The listener’s differing opinions revolve around just how deeply they immerse themselves in the music. On the surface, Soul and R&B is engaging and powerful but once you allow yourself to be surrounded by the music, you feel the emotional depth and intensity that went into creating the music. Mike Farris’ SILVER & STONE album is one of those releases that shows both sides at the same time, offering up layers of powerful music that is both engaging and engrossing.