Australia has always been a country that takes influences from the U.S. and UK, blending them together and creating something new and interesting. This phenomenon has been happening for decades – most successfully in the ‘80s – and definitely sets bands Down Under apart from their American and British counterparts. Newcastle’s Trophy Eyes is no exception. Signed to Hopeless Records, the Punk-fueled Aussies fuse Punk-Pop, Emo, and Hard Rock together, sprinkling their musical confections with just the right amount of catchy hooks. The melodies soar, the powerhouse rhythm section pounds and the guitars slash and burn. While this might not be your grandad’s Punk Rock, it certainly checks all the boxes that inspired your older brother.
It has been three years since the release of his last album BRAND NEW but singer/songwriter Ben Rector hasn’t been resting on his laurels. From writing and recording new material to the birth of his daughter in July of 2017, Ben has been busier than ever. Working with producers John Fields (Goo Goo Dolls, All Time Low) and Tony Hoffer (Beck, Air, M83), Ben has been inspired by all the positive changes in his professional and personal life and is now sharing his thoughts with the world. Although MAGIC is his seventh album, he approaches the material with a fresh, new outlook. In many ways, this album feels like Rector has re-energized and refocused his talents and now it is time to move forward and embrace the future.
During the ‘80s, it seemed like you had to have a gimmick or make a unique fashion statement in order to attract the attention of Pop Music fans. Videos and TV performances were just as important as radio play and no matter how great your song was, if you didn’t stand out in a sea of Pop wannabes, you were very rarely noticed. However, once you grabbed everyone’s attention, you had to have the songs and talent to keep their attention. Pop quartet King may have had a short shelf life but they actually had more than enough talent to keep it going had they been given the chance to. With Paul King’s soulful voice, colorful outfits and fancy Doc Martens footwear, King (the band) released a pair of albums in a chart career that lasted merely two years, but their talents ensured that they are still remembered today. Not quite Synthpop, Rock or Soul, King combined a few different genres and ended up sounding like… King!
Stephen SPAZ Schnee was able to send off a few questions to David Brewis, who graciously took time to discuss the band’s new album OPEN HERE and more…
OK, let’s get this out of the way: anyone expecting a new Orchestral Manoeuvres In The Dark (OMD) full-length filled back to front with songs tailor-made for radio are going to be sorely disappointed. However, if you are looking for a classic OMD album that blends commercial pop smarts with their darker experimental side are going to be over the moon. THE PUNISHMENT OF LUXURY (TPOL) is that album and so much more! While their 1983 release DAZZLE SHIPS may have pushed the experimental envelope too far for some of their fanbase, TPOL strikes the perfect balance between Synthpop maestros and Electronic Music pioneers.
comprised of Miles Zuniga (vocals/guitar), Tony Scalzo (vocals/bass) and Joey Shuffeld (drums), Fastball has nothing left to prove. They’ve achieved everything that all bands strive for when they first get together – a record deal, tours, hits (1998’s “The Way” is their biggest so far) and respect. Now that they’ve been able to step away from the spotlight for eight years, they sound refreshed, focused and re-energized. But please don’t call STEP INTO LIGHT a comeback album. Comebacks are often desperate attempts at replenishing the bank
accounts by taking advantage of fans’ fond memories. Fastball is merely picking up the bat, taking a swing and knocking another one out of the park. STEP INTO LIGHT is a fantastic album that reminds people just how good this band has always been. In fact, it may be their most consistent full-length platter to date. The boys have a home run on their hands and they’ve left their contemporaries – new and old – in the dust. Again.