STEPHEN SPAZ SCHNEE: You’ve just released two of the most beloved cult horror films of all time – ZOMBIE and MANIAC. How are you feeling about these projects and the reactions to them so far? The transfers are stunning and certainly much better than any versions I’ve seen before.
BILL LUSTIG: We did 4K-16 bit Arriscans of both films’ original camera negatives, so the results can’t be any better! Of the two, I consider MANIAC to be a miracle from the movie gods! Let me explain, although we always intended to use the title MANIAC, it was filmed under the title ON THE RUN for the purpose of having a less provocative title to secure city permits, insurance, locations, etc. We shot the film on 16mm then after editing did a 35mm blow-up negative. The 35mm negative was then used to strike the release prints and video transfers. 10 years ago, we could no longer use the 35mm negative due to its age and condition and thus began a search for the original 16mm, which was nowhere to be found. In April, I got a call from my producing partner Andrew Garroni, “I found a box in my deep film storage labeled ON THE RUN”.
STEPHEN SPAZ SCHNEE: The self-titled EURINGER album is now released. How are you feeling about the project and the reaction to it so far?
JIMMY URINE: I have been sitting on this album for two and a half years, not able to talk about it or tell anyone anything. Making sure nothing leaks ahead of time especially with the guest vocalists. So, it feels great to finally be able to show everyone all over the world what the fuck I’ve been working on. The reaction has been amazing. People really get the whole thing and it is a very complicated concept for a record. It’s more like an art installation or an avant-garde movie, so for people to understand it right out of the gate is awesome.
STEPHEN SPAZ SCHNEE: TPC is just about to be released. How are you feeling about how the album turned out and the reaction to it so far?
DAVID MONKS: I’m only just beginning to get perspective on it now and it’s been done since May. As always, things turn out differently than you expect but I still like it. The fact that we made it was really a turning point for our band and it kinda already feels like a success in that respect. The reaction has been good, it’s my parents’ fave Tokyo album!
STEPHEN SPAZ SCHNEE: AUTOBIOGRAPHY (MUSIC FROM WAYNE MCGREGOR’S AUTOBIOGRAPHY) is about to be released. How are you feeling about the project and the reaction you’ve had so far?
JLIN: I am very pleased with the reaction so far. It’s truly an honor. Composing the score for AUTOBIOGRAPHY was a life changing experience for me.
STEPHEN SPAZ SCHNEE: BAD MOUTHIN’ is just about to be released. How are you feeling about the album and the reaction you’ve had to it so far?
TONY JOE WHITE: You know….it has been really amazing. I honestly didn’t know what to expect but when we were cutting the album, I knew it felt right.
STEPHEN SPAZ SCHNEE: OUT OF MY HEAD is about to be released. How are you feeling about the album and the reaction to it so far?
PAUL COLLINS: I’m very happy with the entire process of making this record. Usually, the making of a record is a lot more difficult – for some reason all the aspects of this recording came together relatively easy. The music, the recording and mixing, the artwork, we were so lucky to get Bob Gruen for the photos, and then, of course, our label Alive did a superb job of bringing it all together! The reaction has been great so far but as always there is a lot to do to promote a record.
STEPHEN SPAZ SCHNEE: FLOW STATE is finally being released. How are you feeling about the project and the reaction you’ve had to it so far?
TASH SULTANA: Thank fuck it’s done ‘cos it was an ordeal. Like, making an album is hard work – I thought I’d just get in there and record songs I wanted to, and it’d be done, but it’s hard work. I can’t believe I can actually hold it in my hands now. The love is a bit surreal.
STEPHEN SPAZ SCHNEE: Your album, PERFORMANCE, is just about to be released. How are you feeling about how the album turned out and the reaction to it so far?
STEVE TEREBECKI: We are really excited about how the album turned out. This is the first album we’ve fully produced since LAST DAY OF SUMMER. I’ve enjoyed working with producers in the past, but being able to run with our own ideas feels the best. So far, people seem excited. “Magazine” was a different kind of style song for us, so it was cool to see it get picked up by so much radio.
SPAZ: When writing an album like SUN ON THE SQUARE, do you tend to let the compositions flow naturally and reveal the album’s direction over time? Or do you have a preconceived idea on where you want the album to head, musically?
KAREN PERIS: We don’t usually have a plan, especially in regards to writing songs. So many songs, for me, begin and then fall away. So, an album builds slowly out of the songs we remain close to after a period of time.
STEPHEN SPAZ SCHNEE: LOVE LIVES ON is now available. How are you feeling about the way the album turned out and the reaction to it so far?
DANA FUCHS: I’m really thrilled with the way the album turned out! I was nervous about going in with an 11-day time frame and working with people I hadn’t met yet but it was the easiest and most pleasant studio experience I’ve ever had, and musically surpassed all of my expectations. The fan response seems to be overwhelming positive. Even those who like the tougher side of my Blues Rock edge are liking the whole Memphis and horn vibe!