STEPHEN SPAZ SCHNEE: OUT OF MY HEAD is about to be released. How are you feeling about the album and the reaction to it so far?
PAUL COLLINS: I’m very happy with the entire process of making this record. Usually, the making of a record is a lot more difficult – for some reason all the aspects of this recording came together relatively easy. The music, the recording and mixing, the artwork, we were so lucky to get Bob Gruen for the photos, and then, of course, our label Alive did a superb job of bringing it all together! The reaction has been great so far but as always there is a lot to do to promote a record.
STEPHEN SPAZ SCHNEE: 12 is just about ready to be released. How are you feeling about how the album turned out and the reaction to it so far?
CHRIS MURPHY: I’m not sure what the reaction is beyond people commenting on my Instagram account and anyone who finds themselves there is probably going to say something positive. Of course, I want to think that people care but regardless I am just happy to be creating an enormous body of work, which if people don’t acknowledge in the present, still makes me happy. I like to say we are making music for rock journalists in the future.
For nearly 20 years, Guilderland, NY-based Wounded Bird Records has been quietly reissuing a plethora of CD titles that are generally geared for collectors but most definitely appeal to causal music lovers as well. Not a label to focus on one genre, Wounded Bird has just about every musical style covered – from OC punks Agent Orange to Jazz legend Joe Zawinul. In between, you’ll find releases by the golly-ricious Jim Nabors, Hard Rock heroes Montrose, former Eagles members Don Felder, Joe Walsh and Timothy B. Schmidt and way too many others to list. In the early days, Wounded Bird was a straight reissue label – no bonus tracks or liner notes. However, over the years, they’ve started adding bonus material to some of the releases, which makes them even more exciting.
The Legal Matters personify the sound of Power Pop. Their music manages to include huge portions of Power Pop’s three key ingredients — melodic hooks, luscious harmonies and shimmering guitars. They also manage to squeeze in plenty of warmth, heart, and honesty. The band’s three members – Andy Reed, Chris Richards and Keith Klingensmith – are first and foremost music fans who just happen to be musicians. The three members have been making music separately for years (Andy as An American Underdog, Chris with The Subtractions and Keith and Chris with The Phenomenal Cats) but once they combined forces as The Legal Matters, they became arguably the finest indie Pop band in the U.S. Their self-titled 2014 debut album was damn near a masterpiece – a perfect blend of Beatles, Jellyfish, Teenage Fanclub and just about every other melodic Guitar Pop band you could think of. Add in some spine-tingling chord changes and lovely harmonies and it was a stunning tour-de-force-de-pop! But where do you go if you’ve already recorded one of the best indie Power Pop albums of the decade? Well, you’ll just have to ask CONRAD…