Here in the U.S., veteran British Punk band The Vibrators are not held in the same high esteem as bands like The Clash, Sex Pistols, Buzzcocks, and a few other of their contemporaries. And I must say that is an oversight that must be corrected. Is it because they were too British? Were they too raw? Did they challenge the listener with stylistic changes to their core sound? Were they too Pop to Punk purists? So many questions, so few answers…
Australia has always been a country that takes influences from the U.S. and UK, blending them together and creating something new and interesting. This phenomenon has been happening for decades – most successfully in the ‘80s – and definitely sets bands Down Under apart from their American and British counterparts. Newcastle’s Trophy Eyes is no exception. Signed to Hopeless Records, the Punk-fueled Aussies fuse Punk-Pop, Emo, and Hard Rock together, sprinkling their musical confections with just the right amount of catchy hooks. The melodies soar, the powerhouse rhythm section pounds and the guitars slash and burn. While this might not be your grandad’s Punk Rock, it certainly checks all the boxes that inspired your older brother.
When talking about the original late ‘70s UK Punk scene, 999 seem to be one of the most overlooked bands of the era. Sex Pistols, The Clash, The Damned, Buzzcocks, The Jam, and The Stranglers are usually the bands that many folks think of first when praising the virtues of Punk and how it levelled and changed the musical landscape. While those bands grabbed the headlines, there were plenty of equally-worthy bands that deserved fame and fortune. As you would probably guess, 999 was one of those bands. 999 made music fueled by Punk yet firmly rooted in classic Rock ‘n’ Roll. The music they recorded may have been born during the Punk era but 40 years later, it remains timeless and essential. If you need proof of that statement, Captain Oi/Cherry Red’s four CD box set THE ALBUMS 1977-80 is exactly what you need to make you believe. Again.
Somebody once told me that I should stop writing about Punk Rock. He said that I don’t ‘understand’ Punk and I should stick to writing about New Wave and other genres of music.
I beg to differ.
While I may not know enough about the politics that inspired the lyrics of various bands I listen to, I certainly understand my connection to the energy, the songwriting and the performances. In the late ‘70s and early ‘80s, I devoured as much British and American Punk as I could. While The Clash, The Jam, 999, Buzzcocks, The Stranglers, The Undertones, Sex Pistols and others had songs that were instantly melodic and catchy, there were certain bands that took a few extra spins to connect with. Angelic Upstarts were one of those bands.
L7: PRETEND WE’RE DEAD
STEPHEN SPAZ SCHNEE: L7: PRETEND WE’RE DEAD is finally available. How are you feeling about the project and the reaction to it so far?
DONITA SPARKS: Well, I’m relieved it’s going out into the world because a lot of work went into it, especially from the producers Blue Hats Creative: getting the footage and photos together, interviews with the band members and guest stars, music clearances, etc. This has been years in the making. I’m touched by the reaction to the film by those you have seen it. It hits home with a lot of different people. In the screenings that I’ve attended there’s laughter where there should be, and complete silence during the heavier stuff. Musicians in particular relate to the ride.
The Doctors Of Madness Will See You Now:
Always the bridesmaids…
Like any genre, Punk was never about just one ‘thing’ – it was a movement made up of many moving parts. Behind the torn jeans, mohawks, leather jackets and missing teeth (thanks, mosh pits), Punk was first and foremost about the music. Initially, a reaction against the overblown pomp of Progressive Rock and Disco (and any other musical movement that the Punk kids deemed pretentious and worthy of a kick in the gonads), Punk became the most influential movement in Rock history since Elvis had his crown stolen by The Beatles in 1964. In 1976, Punk Rock scared people. However, it wasn’t meant to destroy and move on – Punk was about taking Rock back to ground zero and rebuilding it from the ground up. Punk stole the blueprint from Chuck Berry’s safe and brought Rock ‘n’ Roll back to its basic foundation. Sex Pistols was the first band to gain international notoriety, but the whole of England was soon swarming with equally important bands like The Clash, Buzzcocks, The Jam, The Damned, et al. It was a beautiful thing. These bands knew how to write a cracking tune and that is why they are still remembered 40 years after Punk broke wide open.