Forty years ago, a Rock artist’s longevity was not something that was guaranteed. The first Rock ‘n’ Roll boom of the ‘50s had been swallowed by the late ‘50s/early ‘60s teen idols. Then those heart throbs were dethroned by the British Invasion. That joyful racket was overcome by the Summer Of Love/Hippy scene of 1967. And so on… Like any industry, the new kids were constantly replacing the old guard, who would then reluctantly slip into the shadows and wait for nostalgia to make them momentarily relevant again. The four Beatles (among others) made it work but a lot of their contemporaries had been left behind, lost in a time warp and destined to play the oldies circuit for the rest of their careers. By 1979, artists and the industry were more understanding when it came to making hit records and extending an artist’s career. However, the Punk movement was initially viewed as a novelty by the bigwigs and while the industry capitalized on Punk’s commercial appeal, they certainly didn’t expect any of the artists to last beyond a two or three-year window, just like any other musical movement that came along since the days of Buddy Holly and Elvis Presley. Over time, we have learned that nearly every artist from every genre was capable of something much more than their “15 minutes of fame”. As for the unruly Punk kids, Bob Mould was going to break the mold (semi-pun intended)…
Sony Music Entertainment/Legacy Recordings Sign Exclusive Distribution Deal with Prince Estate Covering 35 Essential Catalog Titles from 1978-2015
19 Prince Catalog Titles to Be Available Beginning in 2018
June 27, 2018-New York, NY-Sony Music Entertainment and the Estate of Prince Rogers Nelson have inked an exclusive distribution agreement covering 35 essential previously released album titles from the Prince catalog, it was announced today.
With this 2018 release, Tom Rush doesn’t hesitate to get back to business. Now 56 years into his career as a Folk and Blues legend, Tom may not be prolific but he sure hasn’t lost any of his passion. Like a comfortable pair of overalls or a warm blanket on a chilly night, Tom’s music may be comforting but that doesn’t mean that he plays it safe. On VOICES – the first album in his career consisting almost entirely of originals – Tom Rush presents an album that embraces the spirit of his early recordings with the maturity that time has graced him with.
For half a century, Charley Pride has been one of Country Music’s hardest working and most beloved entertainers. Ever since his 1966 debut single on RCA, “The Snakes Crawl At Night,” he has forged a path that has been consistent and rewarding to his fans and those that love traditional Country Music. With over 50 Top Ten Country singles to his credit – 29 of those reaching #1 – Charley is one of the most successful Country vocalists of all time. Against all odds, he has outlasted nearly all his contemporaries from the ‘60s, ‘70s, ‘80s and ‘90s and he shows no signs of slowing down any time soon. MUSIC IN MY HEART, his first album in six years, is an album steeped in Country tradition yet still sounds fresh and invigorating. With this album, Charley has delivered one of the most consistently excellent albums of his career. Now, if only Country radio still celebrated the traditional sounds of artists like Charley Pride…
Produced by Billy Yates and featuring songs written by Merle Haggard (“The Way It Was In ‘51”), Bill Anderson (“You Lied To Me”) Ben Peters & Justin Peters (“Natural Feeling For You”) and many others, MUSIC IN MY HEART is an essential listen for those that love Charley’s classic recordings as well as his more recent output on the Music City Records label. Tracks like “It Wasn’t’ That Funny,” “New Patches,” “I Just Can’t Stop Missing You” and the previously mentioned titles will remind you of the days when Country Music was about life, love and loss and less about glamor and gloss. MUSIC IN MY HEART is an instantly lovable and timeless collection of songs that will no doubt be considered a classic in Charley’s catalog.
Stephen SPAZ Schnee was able to catch up with Charley Pride and spend a few minutes chatting about the album and more.
NASHVILLE, Tenn. (Thursday, June 15, 2017) – International superstar Shania Twain is set to release her brand new album NOW on Sept. 29. Three decades into her storied career as the “top-selling female country artist of all-time,” Shania confidently embraces the moment on her triumphant fifth full-length album on Mercury Nashville and her first album since 2002. Assuming the role of sole songwriter for the first time and overseeing production as a co-producer, this is the woman the world knows and loves at her brightest, boldest and best. NOW, offered as both a 12-track standard and a 16-track deluxe, is available for preorder now and includes an instant download of the album’s lead single “Life’s About to Get Good.” The joyful new tune premieres today on country radio platforms around the globe.
Roger Waters, the creative power and songwriting force behind Pink Floyd, announces his first rock album in 25 years, Is This The Life We Really Want?. The album will be available for pre-order on April 21 and released globally on Friday, June 2 on Columbia Records.
Wouldn’t It Be Great, the new album from Loretta Lynn, highlights The Queen of Country Music’s original songwriting, as sharp as ever since her early days as a musical trailblazer in the 1960s. This third volume of recordings produced by Patsy Lynn Russell and John Carter Cash and recorded at the Cash Cabin Studio in Hendersonville, Tennessee features 13 tracks all written or co-written by Loretta.
STEPHEN SPAZ SCHNEE: Your self-titled album is about to be released. How are you feeling about the journey to make this album and the reaction to it so far?
ROBYN HITCHCOCK: Well, the people that normally like my records like this one, so far. And that’s it really – if you like this one, you’ll probably like the others. If not, I’m not your flavor. That’s why the record is simply my name. The journey? Well it was the lucky coincidence of my moving to Nashville at the same point that Brendan Benson was getting in touch, asking if I’d like to come and record with him there.