According to Wikipedia, Jazz Fusion is “a musical genre that developed in the late 1960s when musicians combined jazz harmony and improvisation with Rock music, Funk, and Rhythm & Blues.” During the ‘70s, Fusion was often looked upon as music for ‘sophisticated’ listeners. Artists like Miles Davis, Weather Report, and Return To Forever sold plenty of records but seldom would you hear their music played in restaurants or department stores. However, by the end of the ‘70s, a change was a-comin’. Fusion was always a fluid genre so when certain artists began to take it in new directions, new ‘genres’ were born. Jazz Rock, Jazz Funk and Smooth Jazz were three of the most popular subgenres that emerged from Fusion’s womb. And this is where The Jeff Lorber Fusion (JLF) comes in…
In the U.S., Mungo Jerry only scored one hit song – “In The Summertime” – and most Americans are under the impression that there wasn’t much else by the Mungos beyond that one single. My review of the Cherry Red Records five CD boxset MUNGO JERRY: THE DAWN ALBUMS COLLECTION may have surprised people unaware of those releases. But guess what? I’ve got an even bigger surprise – Cherry Red has released a second Mungo Jerry boxset containing five more full length albums from the British act! Entitled THE ALBUMS 1976-81, this set veers into Blues/Rock/Glam genres and generally avoids the jug band Folk of their earlier releases.
SPAZ: When writing an album like SUN ON THE SQUARE, do you tend to let the compositions flow naturally and reveal the album’s direction over time? Or do you have a preconceived idea on where you want the album to head, musically?
KAREN PERIS: We don’t usually have a plan, especially in regards to writing songs. So many songs, for me, begin and then fall away. So, an album builds slowly out of the songs we remain close to after a period of time.
It has been four years since Americana outfit Sons Of Bill released LOVE & LOGIC but the band have not been idle. This quintet – led by brothers Sam, Abe, and James Wilson – remained on the road, promoting their own brand of heartfelt heartland rock. However, touring wasn’t the only thing that slowed them down. The boys in the band took off a little time for themselves, too. Oh, and then there’s that little accident that James Wilson had – a fall on a champagne glass severed five tendons and the median nerve in his right hand. While this is definitely not a good thing for a guitarist to experience, it also hindered his ability to drive, dress himself, and other simple tasks we all take for granted. Thankfully, you can’t keep a good man down…
It’s been nearly thirty years since the self-titled 1989 debut album by The Innocence Mission was released. The album was a slickly produced slice of Folk Pop that was filled with enchanting songs that shimmered regardless of the production value. Throughout the years, the band has continued to create albums filled with beautiful melodies plucked from the rain-soaked side of heaven. SUN ON THE SQUARE, their 10th studio album, is no exception. Tender, minimalistic and haunting, the album strikes the perfect balance between frail and strong, heartbreaking and hopeful, and love and loneliness. In essence, it is everything you’d expect from an album by The Innocence Mission.
STEPHEN SPAZ SCHNEE: LOVE LIVES ON is now available. How are you feeling about the way the album turned out and the reaction to it so far?
DANA FUCHS: I’m really thrilled with the way the album turned out! I was nervous about going in with an 11-day time frame and working with people I hadn’t met yet but it was the easiest and most pleasant studio experience I’ve ever had, and musically surpassed all of my expectations. The fan response seems to be overwhelming positive. Even those who like the tougher side of my Blues Rock edge are liking the whole Memphis and horn vibe!
Even if you don’t instantly recognize Jesse Dayton’s name, you have probably heard his work over the years. He has created music for some of Rob Zombie’s films (including THE DEVIL’S REJECTS and HALLOWEEN II), played on recordings by Johnny Cash, Waylon Jennings, Kris Kristofferson, the Supersuckers, and Willie Nelson, and even filled in for Billy Zoom during one of X’s U.S. tours. And that is just the tip of the proverbial iceberg. There’s much more to Jesse Dayton’s career than his work with other artists…
With this 2018 release, Tom Rush doesn’t hesitate to get back to business. Now 56 years into his career as a Folk and Blues legend, Tom may not be prolific but he sure hasn’t lost any of his passion. Like a comfortable pair of overalls or a warm blanket on a chilly night, Tom’s music may be comforting but that doesn’t mean that he plays it safe. On VOICES – the first album in his career consisting almost entirely of originals – Tom Rush presents an album that embraces the spirit of his early recordings with the maturity that time has graced him with.