I can only imagine (no pun intended) a Beatles fan spinning John Lennon and Yoko Ono’s THE WEDDING ALBUM for the first time. I mean, it most certainly isn’t THE WHITE ALBUM or ABBEY ROAD, is it? “Which cut is the single? Where are the hooks? Wait, never mind the hooks – where are the songs? And where on earth is the Rock ‘n’ Roll?” OK, so maybe fans weren’t exactly thinking those thoughts since THE WEDDING ALBUM was John and Yoko’s third release as a duo (and their first as a bona fide married couple) and their avant-garde recordings were certainly nothing new. Remember the UNFINISHED MUSIC NO. 1: TWO VIRGINS album featuring John and Yoko on the album cover in all of their nakedness? Then there was UNFINISHED MUSIC NO. 2: LIFE WITH THE LIONS, which featured a cover photo of John and Yoko in her hospital room shortly after a miscarriage. In essence, John and Yoko’s first three albums were far from light-hearted affairs. These were albums that expressed their emotions in unique ways – through experimental recordings. Yes, there were other artists who made avant-garde recordings… but they weren’t associated with the biggest Rock band in history!
In the U.S., Mungo Jerry only scored one hit song – “In The Summertime” – and most Americans are under the impression that there wasn’t much else by the Mungos beyond that one single. My review of the Cherry Red Records five CD boxset MUNGO JERRY: THE DAWN ALBUMS COLLECTION may have surprised people unaware of those releases. But guess what? I’ve got an even bigger surprise – Cherry Red has released a second Mungo Jerry boxset containing five more full length albums from the British act! Entitled THE ALBUMS 1976-81, this set veers into Blues/Rock/Glam genres and generally avoids the jug band Folk of their earlier releases.
When talking about the original late ‘70s UK Punk scene, 999 seem to be one of the most overlooked bands of the era. Sex Pistols, The Clash, The Damned, Buzzcocks, The Jam, and The Stranglers are usually the bands that many folks think of first when praising the virtues of Punk and how it levelled and changed the musical landscape. While those bands grabbed the headlines, there were plenty of equally-worthy bands that deserved fame and fortune. As you would probably guess, 999 was one of those bands. 999 made music fueled by Punk yet firmly rooted in classic Rock ‘n’ Roll. The music they recorded may have been born during the Punk era but 40 years later, it remains timeless and essential. If you need proof of that statement, Captain Oi/Cherry Red’s four CD box set THE ALBUMS 1977-80 is exactly what you need to make you believe. Again.
Looney tunes, indeed!
The chaps in The Dickies have a wicked sense of humor and The Adicts know how to have fun as well… but The Toy Dolls are the true court jesters of Punk Rock. So, if you are looking for a good time, you can either call one of those phone numbers written on the bathroom wall or you can do the right thing and hustle on down to your local Pop shop and grab THE ALBUMS: 1983-87, a delicious five CD box set that gathers together the first four albums by The Toy Dolls as well as a fifth disc of rarities!
Led by the always excitable Olga (AKA Michael Algar), The Toy Dolls has gone through several line-up changes over the years but they’ve never lost the spunk ‘n’ spittle that made them so fun when they released their debut album DIG THAT GROOVE BABY in 1983. While some may have thought of the band’s music as a parody or a humorous homage to Punk, there’s no doubt that Olga and the boys are true Punk rockers. However, they just chose to take Punk – and everything else for that matter – a lot less seriously than everyone around them. This debut includes classic tracks like “Glenda And The Test Tube Baby,” “Dougie Giro,” “Up The Garden Path,” “Stay Mellow”, the title track and “Nellie The Elephant.” While some may be put off by the over-the-top goofiness of the band’s approach to Punk, their catchy melodies and exceptional musicianship cannot be denied.
Two years later, the band released A FAR OUT DISC, another hook-filled Punk fiesta. Highlights include “My Girlfriend’s Dad’s A Vicar,” “We’re Mad” and so many others. IDLE GOSSIP was released in 1986 followed a year later by BARE FACED CHEEK. On both albums, Olga leads his crew through some thrilling and entertaining Punk nuggets. No matter what, The Toy Dolls’ music was always refreshing, exciting and inspiring. The first album may be their most popular full-length but the band are always reliable when it comes to making great records and each and every one of these albums needs to be experienced.
The fifth disc here is chock full of non-album tracks including 7” version, songs from compilations and so much more. This final CD includes the ‘hit’ version of “Nellie The Elephant” that received the most airplay over here in the U.S. There’s more fun involved including the smile/dance/sweat-inducing “Everybody Jitterbug.” Crazy, cool and fun, The Toy Dolls may never get the same respect as bands like The Clash, but they certainly deserve your attention!
Look, if you prefer your Punk political and/or pretentious, go elsewhere. If you want some hook-filled, shout-along Punk anthems with a sense of humor, then THE TOY DOLLS will satisfy all of your cravings. Ten fold. Captain Oi and Cherry Red have given us yet another set that should occupy a very sacred place in your collection!
(NOTE: The first four discs in this set represent the original albums when first released. They do NOT contain bonus tracks. However, all the bonus tracks from previous CD reissues of these albums are gathered on Disc Five).
Keep on truckin’,
Stephen THE CHANCELLOR Schnee
handed their walking papers by the press, who latched onto the shouty, belligerent Punk kids. By ’79, you were more likely going to read about the exploits of Sex Pistols, The Damned and The Clash before you’d stumble upon a review of ELP’s latest live gig. And by that time, reviews of ELP, Yes and the like were leaning towards scathing.
The Doctors Of Madness Will See You Now:
Always the bridesmaids…
When I bring up the name Rex Smith, many people – usually over 40 years of age – instantly remember him as a teen idol, soap actor, balladeer, hard rocker, TV host or stage actor. Oddly enough, they are all absolutely correct! While he may never have achieved ‘household name’ status all over the world, he is still fondly remembered for quite a few things. For the time being, I’m going to set aside his TV, film and stage work (Street Hawk, Grease, Solid Gold, As The World Turns, Pirates Of Penzance, etc) and focus on his Rock/Pop music career in the ‘70s and ‘80s, all of which is included in the six CD box set ROCK AND ROLL DREAM: 1976-1983.
The Turtles scored a handful of hits in the ‘60s – songs that are still played on oldies stations nearly fifty years later – yet they seldom receive the credit they deserve. As I prepared to write this review, I just could not figure out why they aren’t held in higher esteem by the public at large. Sure, us music guys love them to death but why do they get overlooked when people talk about the great bands from the ‘60s? I mean, come on, folks! “Happy Together” is an absolute classic and now that you’ve read that two word song title, that song’s chorus is bouncing around inside your head, isn’t it? If not, you need to stop what you’re doing and allow that song to careen down your cranial caverns and make you feel good all over before you continue reading…
To be fair, The Turtles do get some recognition but just not as much as they deserve. There seems to be two different tiers when people think about the most influential ‘60s Rock bands – the first is the Beatles/Beach Boys/Rolling Stones/Kinks/Who tier while the second tier consists of ‘everybody else’. And as you know, that second tier is definitely crowded: The Byrds, Buffalo Springfield and many others are up on top of that level, enjoying constant reappraisal and critical attention. However, buried amongst those fighting for a chance to breathe are The Monkees, Herman’s Hermits, Dave Clark Five, The Four Seasons and especially The Turtles.