STEPHEN SPAZ SCHNEE: TPC is just about to be released. How are you feeling about how the album turned out and the reaction to it so far?
DAVID MONKS: I’m only just beginning to get perspective on it now and it’s been done since May. As always, things turn out differently than you expect but I still like it. The fact that we made it was really a turning point for our band and it kinda already feels like a success in that respect. The reaction has been good, it’s my parents’ fave Tokyo album!
DAVE RAYBURN: Gearbox Records is much more than a record label. As the founder, how would you describe the range of the company’s capacity and its dedication to the music?
DARREL SHEINMAN: The label was created from a sonic technical angle. Initially we were vinyl only, so the studio I built has a collection of the best vintage and modern mastering and lacquer cutting equipment. As the label has grown, we now do all formats, so we have taken our digital side up to being able to handle 192 khz on 64 channels simultaneously too! I also wanted to be able to offer all products from creation to playback, so we built a turntable packed with tech and with great sound at a sensible price point. My belief is that if the sonic quality is excellent, one will hear excellence in the music regardless of the genre and whether or not it is your thing.
STEPHEN SPAZ SCHNEE: BAD MOUTHIN’ is just about to be released. How are you feeling about the album and the reaction you’ve had to it so far?
TONY JOE WHITE: You know….it has been really amazing. I honestly didn’t know what to expect but when we were cutting the album, I knew it felt right.
STEPHEN SPAZ SCHNEE: OUT OF MY HEAD is about to be released. How are you feeling about the album and the reaction to it so far?
PAUL COLLINS: I’m very happy with the entire process of making this record. Usually, the making of a record is a lot more difficult – for some reason all the aspects of this recording came together relatively easy. The music, the recording and mixing, the artwork, we were so lucky to get Bob Gruen for the photos, and then, of course, our label Alive did a superb job of bringing it all together! The reaction has been great so far but as always there is a lot to do to promote a record.
STEPHEN SPAZ SCHNEE: FLOW STATE is finally being released. How are you feeling about the project and the reaction you’ve had to it so far?
TASH SULTANA: Thank fuck it’s done ‘cos it was an ordeal. Like, making an album is hard work – I thought I’d just get in there and record songs I wanted to, and it’d be done, but it’s hard work. I can’t believe I can actually hold it in my hands now. The love is a bit surreal.
STEPHEN SPAZ SCHNEE: Your album, PERFORMANCE, is just about to be released. How are you feeling about how the album turned out and the reaction to it so far?
STEVE TEREBECKI: We are really excited about how the album turned out. This is the first album we’ve fully produced since LAST DAY OF SUMMER. I’ve enjoyed working with producers in the past, but being able to run with our own ideas feels the best. So far, people seem excited. “Magazine” was a different kind of style song for us, so it was cool to see it get picked up by so much radio.
SPAZ: When writing an album like SUN ON THE SQUARE, do you tend to let the compositions flow naturally and reveal the album’s direction over time? Or do you have a preconceived idea on where you want the album to head, musically?
KAREN PERIS: We don’t usually have a plan, especially in regards to writing songs. So many songs, for me, begin and then fall away. So, an album builds slowly out of the songs we remain close to after a period of time.
STEPHEN SPAZ SCHNEE: LOVE LIVES ON is now available. How are you feeling about the way the album turned out and the reaction to it so far?
DANA FUCHS: I’m really thrilled with the way the album turned out! I was nervous about going in with an 11-day time frame and working with people I hadn’t met yet but it was the easiest and most pleasant studio experience I’ve ever had, and musically surpassed all of my expectations. The fan response seems to be overwhelming positive. Even those who like the tougher side of my Blues Rock edge are liking the whole Memphis and horn vibe!
STEPHEN SPAZ SCHNEE: METAPHORA is just about to be released. How are you feeling about the way the album turned out and the reaction to it so far?
JILL BARBER: I feel wonderful. This record is different for me, it’s a more contemporary sound and addresses a lot of issues of my inner life that I have never brought to my music before. It feels very fresh, punchy and energetic. And that excites me.
STEPHEN SPAZ SCHNEE: 12 is just about ready to be released. How are you feeling about how the album turned out and the reaction to it so far?
CHRIS MURPHY: I’m not sure what the reaction is beyond people commenting on my Instagram account and anyone who finds themselves there is probably going to say something positive. Of course, I want to think that people care but regardless I am just happy to be creating an enormous body of work, which if people don’t acknowledge in the present, still makes me happy. I like to say we are making music for rock journalists in the future.