It has been 33 years since Bronski Beat arrived on the music scene with their remarkably emotional debut single “Smalltown Boy.” Jimmy Somerville’s soaring falsetto was quite a wonder to behold but the music performed by Steve Bronski and Larry Steinbachek was equally enthralling. Equally enchanting, the band’s debut album THE AGE OF CONSENT was Synthpop at it’s finest. Inspired by classic Disco and the Electronic Music scene that was sweeping the UK, the trio blended their influences into a wondrous brew. Add in their thought-provoking lyrics that focused on gay-related issues and you had a band that not only made you dance but also made you think. Surprisingly, in 1985, at the height of the band’s popularity, Somerville abruptly quit, leaving Bronski and Steinbachek to carry on without him. The following year, the band returned with new vocalist John Foster and released the Pop-errific sophomore album TRUTHDARE DOUBLEDARE. Although “Hit That Perfect Beat” and “C’mon! C’mon!” were hits, the album didn’t fare as well as their debut and the band left their label (London Records). Foster left the fold and Bronski and Steinbachek’s continued to work together throughout the rest of the ‘80s and into the ‘90s. They released their third album, RAINBOW NATION, with new vocalist Jonathan Hellyer and additional musical assistance from Ian Donaldson. However, the band quietly split in 1995 shortly after that album’s release.
NIGHT STALKERS, originally released in 1984, was Ingram’s third and final album. And before you jump to conclusions, this band of Ingram siblings was not related to Grammy-winning singer/songwriter James Ingram although there is a member of this act who goes by the named James/Jim! This album features the multi-talented former basketball player Norman AKA Butch Ingram (bass and trumpet) joined by his siblings James (vocals, keyboards, sax, flute), Barbara (vocals), Billy (guitar, bass, trombone), John (lead vocals, drums, tuba), Timmy (drums, percussion, trumpet) and Francis, Edith, and Virginia (vocals). Unlike most other family bands at that time, Ingram was a self-contained unit – writing, arranging and producing their own material.