Why isn’t Fischer-Z one of the most popular bands in the universe? Since
their debut album, WORD SALAD, was released in 1979, band leader/singer/songwriter
John Watts has continued to grow as
a songwriter, often switching gears during his musical journey while still
maintaining artistic integrity. Perhaps even more importantly, his lyrics are
always honest and relevant, which is often reflected by the musical
arrangements that surround them. Watts is not a man who continues to recycle
the same musical ideas that initially brought the band to the public’s
attention four decades ago. F-Z’s catalog is not filled with carbon copies of “So
Long,” the band’s most recognizable hit from 1980. Instead, Watts has continued
to move forward, adding new layers to songwriting while thoughtfully stripping
other layers away. In some ways, he’s constantly reinventing himself without
abandoning what drew people to his talent in the first place.
While he’s released albums under
his own name as well as Watts, The Cry,
and J.M. Watts, he’ll always be best
remembered for his releases under the Fischer-Z moniker. While the band’s first
three albums may have been more of a ‘band’ project, John has been the sole
original member of any configuration of the band ever since. With a catalog
that is roughly 20 albums deep, it is sad that a majority of Americans have
absolutely no idea who John Watts and Fischer-Z are. Then again, it doesn’t
help that only the first two F-Z album were released in the U.S. At the very
least, the band should be cult heroes here in the States alongside fellow
British artists like The Jam, The
Motors, Interview, Nick Lowe, etc. Watts’ songs are sharp, melodic, and
wholly original. You can hear classic
influences (Pete Townshend, Ray Davies, etc.) but it goes much deeper
than that. Echoes of Folk, Avant-Garde, Post-Punk, Pure Pop, World Music, and
other genres can be detected inhabiting Watts’ songs. In short, John Watts writes
great Pop hooks and thought-provoking lyrics. Like Ian McNabb and a select few others, John Watts defies typical music
industry logic and continues to release albums that are just as good – if not
better – than anything he has released in the past.
2019 gives us SWIMMING
IN THUNDERSTORMS, the third F-Z album in a row (after 2016’s THIS
IS MY UNIVERSE and 2017’s BUILDING BRIDGES) and,
unsurprisingly, it is one of the finest of his career. It is an album that is
bold, confident, intelligent, heartfelt, hook-filled, and beautiful. While the
two previous albums set the bar pretty high, SWIMMING IN THUNDERSTORMS
leaps over that bar with ease. The album is both intimate and adventurous. If
you like Fischer-Z because of their Pop edge, there’s plenty here to enjoy. If
you love their musical depth, then dive in. If Watts’ lyrics speak to you, then
come in and listen. Filled with some truly mesmerizing tracks, SWIMMING
IN THUNDERSTORMS is a prime example of why full-length albums are still
works of art. Off the top of my head: “Big
Wide World” is a modern Pop gem with some subtle synth work that links the song
to the band’s early albums. “Stamp It Out” twists that formula with electronics
front and center, creating a bed for John’s stirring vocals. “The Islamic
American” is one of the most immediately catchy songs on the album, a vaguely Power
Poppy anthem that is far too short. “Wary” has an early ‘70s Soul vibe to it
and features a vocal performance from the soul (no pun intended). “Stolen”
revisits the Reggae rhythms that infiltrated some of their earlier songs. “No
Bohemia” is a touching – and quite powerful – piano ballad. “Half Naked Girl In
The Windowsill,” “Love Train Drama”… too
many great tunes to mention.
I have to admit that I expected SWIMMING
IN THUNDERSTORMS to be good, but it is much more than that. It is truly
magnificent. This has comfortably landed
in my Top 5 albums of the year with ease.
Keep on truckin’,
Stephen SPAZ Schnee
FISCHER-Z
SWIMMING IN THUNDERSTORMS
Available NOW!