According to Wikipedia, Jazz Fusion is “a musical genre that developed in the late 1960s when musicians combined jazz harmony and improvisation with Rock music, Funk, and Rhythm & Blues.” During the ‘70s, Fusion was often looked upon as music for ‘sophisticated’ listeners. Artists like Miles Davis, Weather Report, and Return To Forever sold plenty of records but seldom would you hear their music played in restaurants or department stores. However, by the end of the ‘70s, a change was a-comin’. Fusion was always a fluid genre so when certain artists began to take it in new directions, new ‘genres’ were born. Jazz Rock, Jazz Funk and Smooth Jazz were three of the most popular subgenres that emerged from Fusion’s womb. And this is where The Jeff Lorber Fusion (JLF) comes in…
STEPHEN SPAZ SCHNEE: Your album, PERFORMANCE, is just about to be released. How are you feeling about how the album turned out and the reaction to it so far?
STEVE TEREBECKI: We are really excited about how the album turned out. This is the first album we’ve fully produced since LAST DAY OF SUMMER. I’ve enjoyed working with producers in the past, but being able to run with our own ideas feels the best. So far, people seem excited. “Magazine” was a different kind of style song for us, so it was cool to see it get picked up by so much radio.
Why on earth didn’t anyone think of this sooner? While a collaboration between Robbie Fulks and Linda Gail Lewis may now make perfect sense, it took a hell of a long time for someone to figure it out. And the timing couldn’t be more perfect – the world has been waiting for a new dynamic duo and they’ve finally arrived. Like a musical time capsule that reaches all the way back to the mid-‘50s, Robbie and Linda’s 2018 album WILD! WILD! WILD! is everything the title of the album suggests… and a whole lot more. From Country & Western to Rockabilly, this is an album created by and artist who was influenced by it (Fulks) and an artist that lived through it (Lewis).
In the U.S., Mungo Jerry only scored one hit song – “In The Summertime” – and most Americans are under the impression that there wasn’t much else by the Mungos beyond that one single. My review of the Cherry Red Records five CD boxset MUNGO JERRY: THE DAWN ALBUMS COLLECTION may have surprised people unaware of those releases. But guess what? I’ve got an even bigger surprise – Cherry Red has released a second Mungo Jerry boxset containing five more full length albums from the British act! Entitled THE ALBUMS 1976-81, this set veers into Blues/Rock/Glam genres and generally avoids the jug band Folk of their earlier releases.
Australia has always been a country that takes influences from the U.S. and UK, blending them together and creating something new and interesting. This phenomenon has been happening for decades – most successfully in the ‘80s – and definitely sets bands Down Under apart from their American and British counterparts. Newcastle’s Trophy Eyes is no exception. Signed to Hopeless Records, the Punk-fueled Aussies fuse Punk-Pop, Emo, and Hard Rock together, sprinkling their musical confections with just the right amount of catchy hooks. The melodies soar, the powerhouse rhythm section pounds and the guitars slash and burn. While this might not be your grandad’s Punk Rock, it certainly checks all the boxes that inspired your older brother.
“You are about to enter another dimension, a dimension not only of sight and sound but of mind. A journey into a wondrous land of imagination. Next stop, THE ART OF THE SAMPLE!”
Best known in the U.S. for his work with Aboriginal band Yothu Yindi, blind multi-instrumentalist Geoffrey Gurrumul Yunupingu (AKA Gurrumul) is the best-selling Australian indigenous musician of all time. His 2009 debut solo album, GURRUMUL, hit #1 on the independent chart and peaked at #3 on the ARIA Charts. The album was eventually certified triple platinum. His sophomore album, RRAKALA, was awarded the Australian Independent Record (AIR) Award for Best Independent Blues and Roots Album in 2011. His third studio release, THE GOSPEL ALBUM, was released in July 2015 and debuted at #3 on the ARIA Charts. The album won him his third ARIA Award for Best World Music Album. And then suddenly, Gurrumul was gone, a victim of kidney and liver disease.
SPAZ: When writing an album like SUN ON THE SQUARE, do you tend to let the compositions flow naturally and reveal the album’s direction over time? Or do you have a preconceived idea on where you want the album to head, musically?
KAREN PERIS: We don’t usually have a plan, especially in regards to writing songs. So many songs, for me, begin and then fall away. So, an album builds slowly out of the songs we remain close to after a period of time.
Scottish singer/songwriter Chris Rainbow (1946-2015) is one of those artists that appeals to different groups of music fans depending on which projects they are more familiar with. His vocal work with The Alan Parsons Project has earned respect from legions of APP fans, his UK hit singles attracted attention in the ‘70s and his production work is highly respected. However, Beach Boys and vocal harmony fans have long held him in high esteem for his often-overlooked album output. 1979’s WHITE TRAILS was his final studio vocal release and shows that he was poised to bridge the gap between the wonders of his previous albums (1975’s HOME OF THE BRAVE and ‘78’s LOOKING OVER MY SHOULDER) and the promise of the ‘80s (i.e.: Electronic Music). Unfortunately, he turned his attention away from solo material and WHITE TRAILS remains his final foray as a front man.