VAXXED: An EXCLUSIVE interview with producer DEL BIGTREE!

THE TRUTH IS OUT THERE:

     First things first: regardless of what you may have read elsewhere, VAXXED: FROM COVER-UP TO CATASTROPHE is not an anti-vaccination film. However, it is a very important documentary that does raise some interesting and often alarming facts about the relationship between the MMR (Measles-Mumps-Rubella) vaccine and autism. While this subject may not be new to older readers, there is a new generation of young parents who are completely unaware that this was even an issue in the recent past. And why don’t they know? The answer to that question can be found in VAXXED, one of the most controversial and misunderstood documentaries in recent memory.
Before discussing the focus of VAXXED, let’s go back a few years. In 1998, Dr. Andrew Wakefield, a British gastroenterologist, was falsely accused of starting the anti-vax movement when he – and eleven other authors – published an article in UK medical journal The Lancet. The article, which linked autism with the MMR vaccine (and not ALL vaccines), caused outrage and panic in equal measures. For reasons more complicated than I can go into (Google it!), The Lancet eventually retracted the feature, ten of the twelve authors retracted their support of the article, and Wakefield was eventually barred from practicing medicine in the UK. Flash forward to 2013 when biologist Dr. Brian Hooker received a call from Dr. William Thompson, a Senior Scientist at the U.S. Centers For Disease Control (CDC). Thompson, as it turns out, led the CDC’s 2004 study on the link between the MMR vaccine and autism. According to Thompson, the CDC omitted crucial data in their final report that revealed a “causal relationship” between the vaccine and autism. Hooker then reached out to Andrew Wakefield and the seeds of VAXXED were planted.
VAXXED: FROM COVER-UP TO CATASTROPHE is a fascinating film from beginning to end. Directed by Wakefield and produced by Emmy-winning producer (THE DOCTORS) and medical journalist Del Bigtree, the film focuses on William Thompson’s astonishing revelations about the truth behind the CDC’s findings. Thompson does not appear in the film, although his voice and the documents he turned over as evidence do, and these documents are quite startling.
The passion, belief, concern and love that went into making VAXXED is evident in every frame. However, writing about this film doesn’t do it justice. Although a documentary, VAXXED plays out like a political thriller and the viewer is left with many questions by the time the film ends. That may leave an audience angry and confused after watching a film of fiction, but for a documentary like VAXXED, it leaves the viewer with a different perspective…and the desire to see changes made. For Bigtree, Wakefield and all of those involved with this film, that is the type of reaction they are looking for. Intrigued now? Well, you SHOULD be.
Stephen SPAZ Schnee was able to chat with the film’s producer, Del Bigtree, and discuss the film’s goals, the controversy surrounding it and more…

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THE FLESHTONES: Exclusive Q&A with Peter Zaremba!

Hide The Beer, THE FLESHTONES Are Here: 

In 1976, a group of friends came together somewhere in New York to play primitive Rock ‘n’ Roll inspired by the sweaty, edgy underground Garage Rock scene of the ‘60s. They called themselves The Fleshtones and by 1980, they were signed to IRS Records. Their debut EP, UP-FRONT, introduced their musical mayhem to a young audience eager to feel the flames of true Rock ‘n’ Roll burning in their soul. The Fleshtones were instantly embraced by music fans and critics as the ultimate Garage Rock outfit – unpretentious, fun-loving and party-pleasing. Led by guitarist Keith Streng and vocalist Peter Zaremba, the band’s subsequent albums for IRS were the audio equivalent of the best frat parties you ever attended – sometimes unhinged but always memorable and entertaining. With their popularity rising and a few albums in their back pocket, frontman Zaremba was chosen in ‘84 to host THE CUTTING EDGE, an influential alternative music show that aired once a month on MTV until 1987.

By the latter part of the ‘80s, The Fleshtones had left IRS but were still a popular live band. Releasing a series of indie albums over the years and constant touring kept the band busy and their fanbase happy. With a line-up that has been stable for the last twenty six years – Streng, Zaremba, drummer Bill Hilhizer (since 1980) and bassist Ken Fox (since 1990) – The Fleshtones have released a series of albums that are still rooted in Garage Rock madness. However, the quartet are not merely one-trick ponies – they’ve expanded upon their sweaty Rock ‘n’ Roll foundation and dabbled in Soul, Pop, Psyche and whatever else floats their boat. This is most evident on their 2016 platter, THE BAND DRINKS FOR FREE. Normally, a band that is celebrating their 40th Anniversary would already be on automatic pilot and putting out the same album over and over. The Fleshtones, on the other hand, are actually better songwriters now than ever – the hooks may not always snag you on first listen but by the third spin, you’ll be singing along…probably with a beer in one hand and fist pumping the air with the other. With ten originals (written by Zaremba, Streng and Fox) and two cover versions, The Fleshtones have created a hook-filled fiesta for the senses. They may not possess the drug-fueled youthful energy of yore, but that doesn’t mean that they no longer have the passion – THE BAND DRINKS FOR FREE is proof that getting older doesn’t mean your albums have to start sucking. Let the party continue on…

Stephen SPAZ Schnee was able to toss a few questions over to Peter Zaremba, who graciously took time out to respond.

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THE TURTLES: Spaz reviews the reissues on Manifesto Records

The Turtles scored a handful of hits in the ‘60s – songs that are still played on oldies stations nearly fifty years later – yet they seldom receive the credit they deserve. As I prepared to write this review, I just could not figure out why they aren’t held in higher esteem by the public at large. Sure, us music guys love them to death but why do they get overlooked when people talk about the great bands from the ‘60s? I mean, come on, folks! “Happy Together” is an absolute classic and now that you’ve read that two word song title, that song’s chorus is bouncing around inside your head, isn’t it? If not, you need to stop what you’re doing and allow that song to careen down your cranial caverns and make you feel good all over before you continue reading…

To be fair, The Turtles do get some recognition but just not as much as they deserve. There seems to be two different tiers when people think about the most influential ‘60s Rock bands – the first is the Beatles/Beach Boys/Rolling Stones/Kinks/Who tier while the second tier consists of ‘everybody else’. And as you know, that second tier is definitely crowded: The Byrds, Buffalo Springfield and many others are up on top of that level, enjoying constant reappraisal and critical attention. However, buried amongst those fighting for a chance to breathe are The Monkees, Herman’s Hermits, Dave Clark Five, The Four Seasons and especially The Turtles.

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LINDSEY STIRLING’s Brave Enough is available NOW!

LINDSEY STIRLING

BRAVE ENOUGH

8.19.16

This highly anticipated release features a number of high profile collaborations including Christina Perri, Dan + Shay, ZZ Ward, Andrew McMahon in the Wilderness, Rivers Cuomo, Grammy Award winning hip-hop artist Lecray, and critically acclaimed electronic musicians/producers Zedd and Robert DeLong.

Blending electronic music with a diverse number of musical genres that include pop, country, rap, alternative and rock, BRAVE ENOUGH displays Stirling’s impressive ability to push her own musical boundaries while continuing to embrace her own unique signature sound.

Lindsey Stirling is an American violinist, dancer, performance artist, singer and composer. She presents choreographed violin performances, both live and in music videos found on her eponymous YouTube channel, which she created in 2007.

Stirling performs a variety of music styles, from classical to pop and rock to electronic dance music. Aside from original work, her discography contains covers of songs by other musicians and various soundtracks. Her music video, “Crystallize” finished as the eighth-most watched video of 2012, and her cover version of “Radioactive” with Pentatonix won Response of the Year in the first YouTube Music Awards in 2013. Stirling achieved one million singles sold worldwide by August 2014. As of July 2016, her Lindseystomp YouTube channel exceeded 8 million subscribers and over a billion total views.

Stirling has been named in Forbes magazine’s 30 Under 30 In Music: The Class Of 2015. Forbes notes her quarter-finalist position on America’s Got Talent season five in 2010, a No. 2 position on the Billboard 200 for her second album Shatter Me in 2014, and her 8 million subscribers on YouTube.

Stirling’s debut album was nominated for the 2014 Billboard Music Awards for Top Dance/Electronic Albums. Stirling’s second album Shatter Me won the 2015 Billboard Music Awards for Top Dance/Electronic Album. Both albums are now certified GOLD

FISCHER-Z: An EXCLUSIVE Q&A with JOHN WATTS!

John Watts is one of those rare gems in the music business – a singer/songwriter who continues to reinvent himself with each release and yet manages to retain his unique musical vision. Like any good art, his past releases still ‘feel’ contemporary even though they were created at another moment in time. Best of all, his musical output has continued to reach new heights with each album – he’s never released a bad full-length in a nearly forty year career. Whether he is operating under his own name or the Fischer-Z moniker, John Watts is undeniably the most under-rated artist to emerge from the Post-Punk/New Wave era of the late ‘70s.

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THE ARCHIES: Spaz reviews SUGAR SUGAR: THE COMPLETE ALBUMS COLLECTION box!

Gather ‘round, my friends and let me introduce you to the absolute best cure for your blues: sugar. Well, “Sugar Sugar” to be more precise.

Yes, one spin of The Archies’ mega-hit “Sugar Sugar” can wipe away any negative vibe that is inhabiting your universe. Even if you aren’t a fan of ‘60s Bubblegum, you’ve probably heard this gloriously happy tune many times since it was released in 1969. Figuratively (and perhaps literally) the missing link between The Monkees and The Partridge Family, this slice of Pop love has been played millions of times all around the world, used in advertising and has been both praised and ridiculed by music fans everywhere. The fact that you still remember it today – regardless of your personal feelings – is testament to the power that “Sugar Sugar” has had on the listener.

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