shania-now

The return of SHANIA TWAIN!

NASHVILLE, Tenn. (Thursday, June 15, 2017) – International superstar Shania Twain is set to release her brand new album NOW on Sept. 29. Three decades into her storied career as the “top-selling female country artist of all-time,” Shania confidently embraces the moment on her triumphant fifth full-length album on Mercury Nashville and her first album since 2002. Assuming the role of sole songwriter for the first time and overseeing production as a co-producer, this is the woman the world knows and loves at her brightest, boldest and best. NOW, offered as both a 12-track standard and a 16-track deluxe, is available for preorder now and includes an instant download of the album’s lead single “Life’s About to Get Good.” The joyful new tune premieres today on country radio platforms around the globe.

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Five MUST-HAVE releases on Wounded Bird Records!

      For nearly 20 years, Guilderland, NY-based Wounded Bird Records has been quietly reissuing a plethora of CD titles that are generally geared for collectors but most definitely appeal to causal music lovers as well. Not a label to focus on one genre, Wounded Bird has just about every musical style covered – from OC punks Agent Orange to Jazz legend Joe Zawinul. In between, you’ll find releases by the golly-ricious Jim Nabors, Hard Rock heroes Montrose, former Eagles members Don Felder, Joe Walsh and Timothy B. Schmidt and way too many others to list. In the early days, Wounded Bird was a straight reissue label – no bonus tracks or liner notes. However, over the years, they’ve started adding bonus material to some of the releases, which makes them even more exciting.

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LOS STRAITJACKETS/What’s So Funny… review!

     A few years back, it wasn’t a shock to see that British  singer/songwriter Nick Lowe would be touring with American instrumental Rock  combo Los Straitjackets.  Both Nick and  the ‘Jackets occupy the same musical universe although they are on opposite  ends of the galaxy.

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KASHIF/Help Yourself To My Love: The Arista Anthology review!

 
Kashif Saleem – formerly a member of Funk giants B.T. Express – was at the forefront of synth-fueled smooth R&B in the early ‘80s. He was one of the first artists to embrace modern technology when it came to creating Soul and Funk music yet he still managed to make it sound human and heartfelt. While his name may not be as well-known as many of his technology-loving contemporaries like Stevie Wonder, Kashif helped usher in a new kind of sound that changed the course of Soul and HELP YOURSELF TO MY LOVE: THE ARISTA ANTHOLOGY is all the proof that you need. Spanning the years 1983-89, this is ‘80s electronic Funk/Soul/R&B at its finest.

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BMX BANDITS FOREVER review!

For over three decades, BMX Bandits has been creating some of the most melodic, thoughtful Pop  music of the Alt-Rock era.  From their humble independent beginnings in Scotland during the C86 movement up through their albums on Creation Records in the ‘90s and beyond, Duglas T. Stewart and the boys & girls in the band have never steered away from their Pop purpose. Unafraid to show their humor and sensitive sides, the Bandits’ albums could go from whimsical to reflective without batting an eyelid. The Bandits have always managed to play with your emotions using plenty of charm and wit. While their albums have been pretty eclectic affairs over the years, the band’s revolving line-up (with Duglas being the only constant member) has continued to shine even if they weren’t always in the spotlight. And with at least nine albums and a few dozen singles behind them, BMX BANDITS FOREVER might be their most truthful and honest musical statement to date.

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HAIRCUT 100/Paint And Paint (Deluxe Edition) review!

Haircut 100  was quite the band in 1982. Their debut album, PELICAN WEST, was the product of six very different personalities that came together to create one fantastic album. From Latin to Funk to Pure Pop, the album blended the band members’ musical influences perfectly. The thought that the album was created by a group of kids just barely into their 20s was quite astounding.  Even today, that timeless album is just as thrilling as it was when it came out 35 years ago. The lads in H100 were in the midst of recording their second album when lead singer/songwriter Nick Heyward left to pursue a solo career. For a brief moment, it seemed like that was the end of the line for H100 members Marc Fox, Les Nemes, Phil Smith, Graham Jones and Blair Cunningham. Thankfully, the lads still had something to say…
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MODERN ENGLISH/Take Me To The Trees review!

If your only encounter with Modern English is “I Melt With You,” then you need to sit down, kids, because there is more to this British outfit than meets the ear. The band’s moody and artsy Post-Punk beginnings were a perfect match for 4AD, the label that released their first three albums. However, by the second album, 1982’s AFTER THE SNOW, the band had matured and were writing better songs, moving away from their dark past and gaining a lot more confidence in the process. That second album contained some of their best moments to date including “Someone’s Calling,” “Life In The Gladhouse” and, of course, “I Melt With You.” The latter song became one of the tracks that truly defined the ‘80s and became a blessing and curse for the band. Modern English next album, RICOCHET DAYS, was nearly as good as AFTER THE SNOW but did not contain a hit like “I Melt With You” and the band found itself falling out of fashion. Another album – STOP START – came and went and the band split. Over the years, vocalist Robbie Grey and various line-ups of the band have recorded and toured as Modern English, even releasing some very fine albums along the way, In 2010, four of the five original members – Grey, Gary McDowell (guitar, vocals), Michael Conroy (bass, vocals) and Stephen Walker (keyboards – reunited for a few tours and received a hero’s welcome by fans. Seven years on, have finally delivered TAKE ME TO THE TREES, the first studio album since 1984’s RICOCHET DAYS to feature these four core members. While the band wisely continues to avoid attempting to re-write “I Melt With You,” they certainly haven’t lost the desire to re-explore dark places with melodic flair.

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