AMPED™ FEATURED ALBUM OF THE WEEK: CHRIS BUTLER/GOT IT TOGEHTER!

Even though you might not recognize his name, you are more than likely familiar with the work of Chris Butler. While his studio work with Tin Huey, Richard Lloyd, the dBs and other bands might have passed some of you by, you will most certainly recognize his higher profile recordings with The Waitresses. Chris Butler was the guitarist and songwriter for the Akron, Ohio-based quirky New Wave outfit and was responsible for penning their hit single “I Know What Boys Like,” as well as their theme song to the cult TV series Square Pegs and the perennial holiday favorite “Christmas Wrapping.” What some may not realize is that while his most high-profile band may have split in 1984, Chris Butler has continued to create experimental music that is entirely unique and charmingly quirky.

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AMPED™ FEATURED ALBUM OF THE WEEK: EXO/DON’T MESS UP MY TEMPO

K-Pop is one of the most popular genres in music today. And if you have no idea what K-Pop is, you really haven’t been paying attention. In a nutshell, K-Pop – an abbreviation of Korean Pop – originated two decades ago in South Korea and combines smooth R&B, sparkling Dance Music, pulsating Electro and shimmering Pop into one perfectly produced package. While the K-Pop landscape is littered with both male and female artists, boy bands dominate the genre. While artists like N*Sync, Backstreet Boys and One Direction kept the U.S. market interested over the past two decades, K-Pop’s popularity began to rise. In the last few years, K-Pop has infiltrated the U.S. market and bands like BTS and Super Junior have taken the charts by storm. One of the most beloved and respected K-Pop groups today is EXO, an eight member Korean-Chinese group that features the multi-million selling solo artist Lay as a core member. Lay is making his EXO return on DON’T MESS UP MY TEMPO after two years on his own.

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AMPED™ FEATURED ALBUM OF THE WEEK: TROPHY EYES/THE AMERICAN DREAM

Australia has always been a country that takes influences from the U.S. and UK, blending them together and creating something new and interesting.  This phenomenon has been happening for decades – most successfully in the ‘80s – and definitely sets bands Down Under apart from their American and British counterparts. Newcastle’s Trophy Eyes is no exception. Signed to Hopeless Records, the Punk-fueled Aussies fuse Punk-Pop, Emo, and Hard Rock together, sprinkling their musical confections with just the right amount of catchy hooks. The melodies soar, the powerhouse rhythm section pounds and the guitars slash and burn. While this might not be your grandad’s Punk Rock, it certainly checks all the boxes that inspired your older brother.

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AMPED™ FEATURED ALBUM OF THE WEEK: BEN RECTOR/MAGIC

It has been three years since the release of his last album BRAND NEW but singer/songwriter Ben Rector hasn’t been resting on his laurels. From writing and recording new material to the birth of his daughter in July of 2017, Ben has been busier than ever. Working with producers John Fields (Goo Goo Dolls, All Time Low) and Tony Hoffer (Beck, Air, M83), Ben has been inspired by all the positive changes in his professional and personal life and is now sharing his thoughts with the world. Although MAGIC is his seventh album, he approaches the material with a fresh, new outlook. In many ways, this album feels like Rector has re-energized and refocused his talents and now it is time to move forward and embrace the future.

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KING/Remixes & Rarities reviewed by THE CHANCELLOR!

During the ‘80s, it seemed like you had to have a gimmick or make a unique fashion statement in order to attract the attention of Pop Music fans. Videos and TV performances were just as important as radio play and no matter how great your song was, if you didn’t stand out in a sea of Pop wannabes, you were very rarely noticed. However, once you grabbed everyone’s attention, you had to have the songs and talent to keep their attention. Pop quartet King may have had a short shelf life but they actually had more than enough talent to keep it going had they been given the chance to.  With Paul King’s soulful voice, colorful outfits and fancy Doc Martens footwear, King (the band) released a pair of albums in a chart career that lasted merely two years, but their talents ensured that they are still remembered today. Not quite Synthpop, Rock or Soul, King combined a few different genres and ended up sounding like… King!

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FIELD MUSIC: An EXCLUSIVE Q&A with David Brewis

 

Field Music is a UK outfit formed by brothers David and Peter Brewis in 2004. The band’s clever and unique approach to Pop music set them apart from any and all of their contemporaries. Instead of following any ‘current’ musical trend, the band blended Psychedelic-era Beatles influences with C86 jangle, Synthpop swirl, Baroque Pop, Indie Twee and angular Post-Punk. Add some truly mesmerizing melodies, eclectic arrangements and a pure love of music making and you’ve got the recipe for great recordings. Embracing Pop music but ignoring the limitations of the standard Pop formula, Field Music is a band that can easily be compared to other music mirth-makers like 10cc and XTC. Even the brothers’ side projects School Of Language and The Week That Was are worthy additions to your collection.

Stephen SPAZ Schnee
was able to send off a few questions to David Brewis, who graciously took time to discuss the band’s new album OPEN HERE and more…

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AMPED™ FEATURED ALBUM OF THE WEEK: SHEILA E / ICONIC: MESSAGE 4 AMERICA

SHEILA E. may have become a household name thanks to her work in the mid-‘80s with Prince but she was – and is – much more than that! The daughter of iconic percussionist Pete Escovedo, she began her career in the mid-1970s as a percussionist and singer for The George Duke Band. After leaving the group in 1983, Sheila began a successful solo career that started with her critically acclaimed 1984 debut album The Glamorous Life. More than just a Prince-groomed diva, Sheila E. has continued to amaze and delight her fanbase with albums that blend a potpourri of styles into something that can only be described as ‘the Sheila E. sound’. This multi-talented musician – often referred to as The Queen of Percussion – is back with one of the most important albums of her career- ICONIC: MESSAGE 4 AMERICA.

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An EXCLUSIVE interview with SHEILA E!

COME TOGETHER:

Guided by the forces of family, faith, and music, Sheila E. has made a name for herself as one of the most talented musical icons over the decades. With a fearless nature and a passion for sharing her gifts with others, Sheila truly follows the beat of her own drum. In anticipation of the release of her new album, ICONIC: MESSAGE 4 AMERICA, Sheila took time to discuss her latest work, her hopes, and her legacy.

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OMD/The Punishment Of Luxury album reviewed!

     OK, let’s get this out of the way: anyone expecting a new Orchestral Manoeuvres In The Dark (OMD) full-length filled back to front with songs tailor-made for radio are going to be sorely disappointed.  However, if you are looking for a classic OMD album that blends commercial pop smarts with their darker experimental side are going to be over the moon.  THE PUNISHMENT OF LUXURY (TPOL) is that album and so much more! While their 1983 release DAZZLE SHIPS may have  pushed the experimental envelope too far for some of their fanbase, TPOL strikes the perfect balance between Synthpop maestros and Electronic Music pioneers.

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