AMPED™ FEATURED ALBUM OF THE WEEK: BEN RECTOR/MAGIC

It has been three years since the release of his last album BRAND NEW but singer/songwriter Ben Rector hasn’t been resting on his laurels. From writing and recording new material to the birth of his daughter in July of 2017, Ben has been busier than ever. Working with producers John Fields (Goo Goo Dolls, All Time Low) and Tony Hoffer (Beck, Air, M83), Ben has been inspired by all the positive changes in his professional and personal life and is now sharing his thoughts with the world. Although MAGIC is his seventh album, he approaches the material with a fresh, new outlook. In many ways, this album feels like Rector has re-energized and refocused his talents and now it is time to move forward and embrace the future.

Read More

KING/Remixes & Rarities reviewed by THE CHANCELLOR!

During the ‘80s, it seemed like you had to have a gimmick or make a unique fashion statement in order to attract the attention of Pop Music fans. Videos and TV performances were just as important as radio play and no matter how great your song was, if you didn’t stand out in a sea of Pop wannabes, you were very rarely noticed. However, once you grabbed everyone’s attention, you had to have the songs and talent to keep their attention. Pop quartet King may have had a short shelf life but they actually had more than enough talent to keep it going had they been given the chance to.  With Paul King’s soulful voice, colorful outfits and fancy Doc Martens footwear, King (the band) released a pair of albums in a chart career that lasted merely two years, but their talents ensured that they are still remembered today. Not quite Synthpop, Rock or Soul, King combined a few different genres and ended up sounding like… King!

Read More

FIELD MUSIC: An EXCLUSIVE Q&A with David Brewis

 

Field Music is a UK outfit formed by brothers David and Peter Brewis in 2004. The band’s clever and unique approach to Pop music set them apart from any and all of their contemporaries. Instead of following any ‘current’ musical trend, the band blended Psychedelic-era Beatles influences with C86 jangle, Synthpop swirl, Baroque Pop, Indie Twee and angular Post-Punk. Add some truly mesmerizing melodies, eclectic arrangements and a pure love of music making and you’ve got the recipe for great recordings. Embracing Pop music but ignoring the limitations of the standard Pop formula, Field Music is a band that can easily be compared to other music mirth-makers like 10cc and XTC. Even the brothers’ side projects School Of Language and The Week That Was are worthy additions to your collection.

Stephen SPAZ Schnee
was able to send off a few questions to David Brewis, who graciously took time to discuss the band’s new album OPEN HERE and more…

Read More

AMPED™ FEATURED ALBUM OF THE WEEK: SHEILA E / ICONIC: MESSAGE 4 AMERICA

SHEILA E. may have become a household name thanks to her work in the mid-‘80s with Prince but she was – and is – much more than that! The daughter of iconic percussionist Pete Escovedo, she began her career in the mid-1970s as a percussionist and singer for The George Duke Band. After leaving the group in 1983, Sheila began a successful solo career that started with her critically acclaimed 1984 debut album The Glamorous Life. More than just a Prince-groomed diva, Sheila E. has continued to amaze and delight her fanbase with albums that blend a potpourri of styles into something that can only be described as ‘the Sheila E. sound’. This multi-talented musician – often referred to as The Queen of Percussion – is back with one of the most important albums of her career- ICONIC: MESSAGE 4 AMERICA.

Read More

An EXCLUSIVE interview with SHEILA E!

COME TOGETHER:

Guided by the forces of family, faith, and music, Sheila E. has made a name for herself as one of the most talented musical icons over the decades. With a fearless nature and a passion for sharing her gifts with others, Sheila truly follows the beat of her own drum. In anticipation of the release of her new album, ICONIC: MESSAGE 4 AMERICA, Sheila took time to discuss her latest work, her hopes, and her legacy.

Read More

OMD/The Punishment Of Luxury album reviewed!

     OK, let’s get this out of the way: anyone expecting a new Orchestral Manoeuvres In The Dark (OMD) full-length filled back to front with songs tailor-made for radio are going to be sorely disappointed.  However, if you are looking for a classic OMD album that blends commercial pop smarts with their darker experimental side are going to be over the moon.  THE PUNISHMENT OF LUXURY (TPOL) is that album and so much more! While their 1983 release DAZZLE SHIPS may have  pushed the experimental envelope too far for some of their fanbase, TPOL strikes the perfect balance between Synthpop maestros and Electronic Music pioneers.

Read More

BMX BANDITS FOREVER review!

For over three decades, BMX Bandits has been creating some of the most melodic, thoughtful Pop  music of the Alt-Rock era.  From their humble independent beginnings in Scotland during the C86 movement up through their albums on Creation Records in the ‘90s and beyond, Duglas T. Stewart and the boys & girls in the band have never steered away from their Pop purpose. Unafraid to show their humor and sensitive sides, the Bandits’ albums could go from whimsical to reflective without batting an eyelid. The Bandits have always managed to play with your emotions using plenty of charm and wit. While their albums have been pretty eclectic affairs over the years, the band’s revolving line-up (with Duglas being the only constant member) has continued to shine even if they weren’t always in the spotlight. And with at least nine albums and a few dozen singles behind them, BMX BANDITS FOREVER might be their most truthful and honest musical statement to date.

Read More

FASTBALL: An EXCLUSIVE Q&A with Miles Zuniga

Maximum Velocity:
The Return of FASTBALL
    Over two decades after the release of their  debut album, Austin-based trio Fastball is just getting started. Still
comprised of Miles Zuniga  (vocals/guitar), Tony Scalzo (vocals/bass) and Joey Shuffeld (drums), Fastball has nothing left to prove. They’ve achieved everything that  all bands strive for when they first get together – a record deal, tours, hits  (1998’s “The Way” is their biggest so far) and respect. Now that they’ve been  able to step away from the spotlight for eight years, they sound refreshed,  focused and re-energized. But please don’t call STEP INTO LIGHT a  comeback album. Comebacks are often desperate attempts at replenishing the bank
accounts by taking advantage of fans’ fond memories. Fastball is merely picking up the bat, taking a swing and knocking another one out of the park. STEP  INTO LIGHT is a fantastic album that reminds people just how good this band has always been. In fact, it may be their most consistent full-length  platter to date. The boys have a home run on their hands and they’ve left their  contemporaries – new and old – in the dust. Again.
    Stephen  SPAZ Schnee was able to pitch some questions to Fastball member Miles  Zuniga, who graciously took the time to throw back some answers…

Read More

GLEN CAMPBELL says ADIÓS with final studio album

Los Angeles – April 14, 2017 – Legendary singer and guitarist Glen Campbell’s final studio album, ADIÓS, , will be released June 9 on UMe, capping off an extraordinary career that has spanned more than five decades and 50 million albums sold. The album will be released on CD, vinyl and digitally and is available for pre-order beginning today.

Read More