Yes, the rumors are true: Meat Loaf’s voice is not what it used to be. Ravaged by health issues, age and time, the mighty bellower can bellow no more. On BRAVER THAN WE ARE, his distinctive and powerful voice is now a raspy rumble – more ‘Steve Forbert impersonating Leonard Cohen’ than the Meat Loaf of old. Many people are likely going to ask why Mr. Loaf decided to make this album in the first place. The answer, my friends, is passion and determination – you can’t keep an old Meat Loaf down. Remember, this is an artist that sold millions of copies of BAT OUT OF HELL (1977) a year or two after almost every label turned the project down. And then he did it again in 1993 with BAT OUT OF HELL II, an album that defied all the odds and became a huge success in the midst of the abysmal grunge invasion. In short, Meat Loaf doesn’t necessarily play it safe – he does what he does and we definitely pay attention.
TELL ME WHAT I DON’T KNOW:
“All rap music sounds the same.”
That is a statement uttered by the non-believers – those who don’t connect with the music and the messages found on the plethora of rap and hip hop releases that hit the streets throughout any given year. However, one listen to Danny Brown’s fourth album, ATROCITY EXHIBITION, will obliterate any notion that all rap/hip hop “sounds the same.” Released on the legendary Warp Records label and featuring guest appearances by Kendrick Lamar, Earl Sweatshirt, Petite Noir and B-Real (amongst others), this is one of the most original full-lengths of the year. While it may not sound like albums by acts like De La Soul and A Tribe Called Quest, ATROCITY EXHIBITION is just as groundbreaking – an album that will appeal to all music lovers who like to live on the edge. On the surface, it will intrigue the listener but as they dig a little deeper, the depths of this album will lead to amazement. Peel away the layers and you’ll discover a cornucopia of musical ideas fighting for a chance to be noticed. This is an album to explore. It is a listening adventure. This is emotion in motion. It is hard-hitting yet loving and embracing at the same time. ATROCITY EXHIBITION – named after a Joy Division song! – is art for art’s sake.
Stephen SPAZ Schnee was able to gather a few questions together and send them Danny Brown’s way. Danny was gracious enough to take time out of his busy schedule to answer them…
Invaders Of The Art:
From Post-Punk to Dub to Jazz and back to Dub again, there are very few musical genres that have not been touched by the genius that is Jah Wobble. Born John Wardle – and christened with his stage name by none other than Sid Vicious – Wobble has defied the odds and has remained one of the most innovative and forward-thinking musicians of the Rock era. He first came to prominence in John “Johnny Rotten” Lydon’s post-Sex Pistols outfit, Public Image Ltd. After a few years of knocking about and causing musical mayhem with Lydon & Co., Wobble struck out on his own. Working with artists such as The Edge (U2) and Holger Czukay and Jaki Liebezeit (Can), he was able to expand his resume while exploring new sounds and styles. During this period, Wobble also put together his own band, Invaders Of The Heart. By the end of the ‘80s and into the ‘90s, he had become one of the most respected British musicians of his generation – entirely unpredictable yet always riveting. With Invaders Of The Heart, Wobble was able to combine World Music, Ambient, Folk and Electronica, creating a sound that was both unique and commercially successful – not an easy feat for any artist. Scoring a hit album, RISING ABOVE BEDLAM, at the beginning of the ‘90s, was a little surprising but very welcome and well-deserved. With a line-up that has evolved over time, Jah and his Invaders Of The Heart have become one of the most exciting and inspiring musical outfits in modern music. One of the most prolific artists of his generation, Jah’s work with Invaders Of The Heart is only the tip of the iceberg. As a leader or collaborator, Jah Wobble’s catalog is as deep as the music he plays. A visit to www.jahwobble.com will catch you up to date.
EVERYTHING IS NO THING, Wobble and the Invaders’ 2016 release, takes the band into an exciting dimension – Spiritual Jazz. Produced by Youth and led by Jah’s warm and emotional bass playing, the album takes the listener to new and exciting levels of ecstasy. Anyone looking for Ambient, Dub or Post-Punk will not find them here. However, the attitude and excitement of those genres can be found lurking deep within the grooves of the album. Wobble’s never-ending musical journey means that he never makes a bad record. Spiritual Jazz may not be the direction some fans of “Visions Of You” may be expecting, but open your mind and you’ll most certainly enjoy the ride. This is not music that you’ll just listen to – it is music that you will feel.
Stephen SPAZ Schnee was able to toss a few questions over to Mr. Wobble, who kindly took time out to discuss EVERYTHING IS NO THING and much more…