The definition of a solo singer/songwriter has gone through many transformations throughout the years. Typically, one might think of a singer/songwriter as a lone troubadour/trobairitz armed with nothing more than an acoustic guitar and a catalog of sensitive, self-penned Folk-influenced songs that he/she is eager to share with their audience. From Woody Guthrie to Bob Dylan and Joan Baez, singer/songwriters were proof that you could converse with your audience through music and teach them something in the process. As music has evolved, we have come to realize that a singer/songwriter cannot be defined by a genre… or an instrument. Thanks to social media, singer/songwriters can reach well beyond their local coffeehouse. From South Korea to North Carolina, anyone with a computer or smart phone can have instant access to musical messages that just might change their lives forever.
Fourteen years after she released her handmade debut CD-R, singer/songwriter Sharon Van Etten is finally receiving the critical accolades that she has always deserved. While the long journey may have destroyed a more impatient artist, Van Etten has taken it all in good stride. In fact, she’s enjoyed the ride. “I’ve always been a fan of the slow build.” Sharon says. “Whether it be with my career, or my songs, or life.” Along the way, music hasn’t been the only thing on her plate – Van Etten has also pursued an acting career that landed her gigs on Netflix’s THE OA and on David Lynch’s TWIN PEAKS revival. In short, Sharon Van Etten has not been idle in recent times, she’s just been very, very patient.
STEPHEN SPAZ SCHNEE: LOVE LIVES ON is now available. How are you feeling about the way the album turned out and the reaction to it so far?
DANA FUCHS: I’m really thrilled with the way the album turned out! I was nervous about going in with an 11-day time frame and working with people I hadn’t met yet but it was the easiest and most pleasant studio experience I’ve ever had, and musically surpassed all of my expectations. The fan response seems to be overwhelming positive. Even those who like the tougher side of my Blues Rock edge are liking the whole Memphis and horn vibe!
Wouldn’t It Be Great, the new album from Loretta Lynn, highlights The Queen of Country Music’s original songwriting, as sharp as ever since her early days as a musical trailblazer in the 1960s. This third volume of recordings produced by Patsy Lynn Russell and John Carter Cash and recorded at the Cash Cabin Studio in Hendersonville, Tennessee features 13 tracks all written or co-written by Loretta.
Yes, the rumors are true: Meat Loaf’s voice is not what it used to be. Ravaged by health issues, age and time, the mighty bellower can bellow no more. On BRAVER THAN WE ARE, his distinctive and powerful voice is now a raspy rumble – more ‘Steve Forbert impersonating Leonard Cohen’ than the Meat Loaf of old. Many people are likely going to ask why Mr. Loaf decided to make this album in the first place. The answer, my friends, is passion and determination – you can’t keep an old Meat Loaf down. Remember, this is an artist that sold millions of copies of BAT OUT OF HELL (1977) a year or two after almost every label turned the project down. And then he did it again in 1993 with BAT OUT OF HELL II, an album that defied all the odds and became a huge success in the midst of the abysmal grunge invasion. In short, Meat Loaf doesn’t necessarily play it safe – he does what he does and we definitely pay attention.
John Watts is one of those rare gems in the music business – a singer/songwriter who continues to reinvent himself with each release and yet manages to retain his unique musical vision. Like any good art, his past releases still ‘feel’ contemporary even though they were created at another moment in time. Best of all, his musical output has continued to reach new heights with each album – he’s never released a bad full-length in a nearly forty year career. Whether he is operating under his own name or the Fischer-Z moniker, John Watts is undeniably the most under-rated artist to emerge from the Post-Punk/New Wave era of the late ‘70s.