various-evenatreecanshedtears

AMPED™ FEATURED ALBUM OF THE WEEK: EVEN A TREE CAN SHED TEARS

 

This compilation offers a fascinating peek into the Japanese Folk and Rock movement of the late ‘60s and early ‘70s. Though influenced by Western music, the music contained on EVEN A TREE CAN SHED TEARS: JAPANESE FOLK & ROCK 1969-1973 is undeniably infused with a deep connection to their very own Japanese culture.

Read More

51ur8u-xaml

AMPED™ FEATURED ALBUM OF THE WEEK: NEIL FINN/OUT OF SILENCE

It has been forty years since Neil Finn made his recorded debut on Split Enz’s 1977 album DIZRHYTHMIA. Although he only provided guitar and backing vocals to that album, he certainly
made his presence known. His own compositions started showing up in 1979 on the band’s FRENZY album. While his big brother Tim handled a bulk of the Enz’s material, it was Neil who penned their first global hit, “I Got You,” which was released in 1980 on the TRUE COLOURS album. Over the course of the next few Enz albums, Neil wrote more highlights including “One Step
Ahead” and “Message To My Girl.”

Read More

albertcastiglia-upallnightcover

AMPED™ FEATURED ALBUM OF THE WEEK: ALBERT CASTIGLIA/UP ALL NIGHT

      While he may be classified as a Blues artist, Albert Castiglia will certainly appeal to more than just that genre’s enthusiasts. Fans of Alt-Country, Roots Rock and Americana will most certainly fall under the spell of Castiglia and his 2017 album UP ALL NIGHT, which hits stores on October 6. His name may not be familiar to some but he’s been raising the roof since 1990 when he joined Miami Blues Authority. Discovered six years later by Blues legend Junior Wells, Albert became his sideman until Wells’ death in 1998. Working as a sideman for a variety of other artists, Castiglia didn’t step into the solo spotlight until he released his debut album in 2004.

Read More

51qnwanxphl

THE INMATES/The Albums 1979-1982 (3CD set) reviewed!

     In the late ‘70s, the Rock world was being turned on it’s head by Punk and New Wave. The pretentious ‘old guard’ (i.e. Prog rockers, Folk singer/songwriters, Pop stars, etc.) were
handed their walking papers by the press, who latched onto the shouty, belligerent Punk kids. By ’79, you were more likely going to read about the exploits of Sex Pistols, The Damned and The Clash before you’d stumble upon a review of ELP’s latest live gig. And by that time, reviews of ELP, Yes and the like were leaning towards scathing.
     However, while the press fell over themselves to discover the latest Punk craze, Pub Rock and British Rhythm & Blues was also a happening thing.  Dr. Feelgood were already established and Nine Below Zero were on their way to becoming legendary. While not always recognized as such, The Inmates were certainly one of the best of the Pub/R&B bunch (in fact, they still are!). With Cherry Red’s three CD box set, THE ALBUMS 1979-1982, The Inmates are finally receiving the credit and attention that they deserve. Containing the band’s first three studio albums (plus bonus tracks), this is a long over-due look at the band’s excellent early output.
61tjqjfqy4l-_sl1000_

HOWARD JONES/Best 1983-2017 (3CD) reviewed!

     While he  achieved a lot of chart success early in his career (1983 to 1989) and still tours and releases new music, Howard  Jones’ musical legacy has been somewhat overlooked since his heyday. While he certainly hasn’t been forgotten, he has become increasingly difficult to categorize… which is both a good and bad thing. He’s been labelled a Synthpop artist, a teen idol, a New Waver and an Electropop pioneer while also being  lumped into the Adult Alternative category. Some have even pointed out his Jazz-influenced  chord progressions and R&B leanings. In all honesty, Howard Jones is all of this and more.  And thankfully, Cherry  Red has just released the three CD BEST 1983-2017, which really  showcases Howard’s many talents. A set this comprehensive reminds the listener  that Howard Jones is much more than an “’80s relic”. He was never a one-trick  pony and this release backs that statement up.

Read More

0016854_wounded-bird-records_350

Five MUST-HAVE releases on Wounded Bird Records!

      For nearly 20 years, Guilderland, NY-based Wounded Bird Records has been quietly reissuing a plethora of CD titles that are generally geared for collectors but most definitely appeal to causal music lovers as well. Not a label to focus on one genre, Wounded Bird has just about every musical style covered – from OC punks Agent Orange to Jazz legend Joe Zawinul. In between, you’ll find releases by the golly-ricious Jim Nabors, Hard Rock heroes Montrose, former Eagles members Don Felder, Joe Walsh and Timothy B. Schmidt and way too many others to list. In the early days, Wounded Bird was a straight reissue label – no bonus tracks or liner notes. However, over the years, they’ve started adding bonus material to some of the releases, which makes them even more exciting.

Read More

51anbnhroal1

LOS STRAITJACKETS/What’s So Funny… review!

     A few years back, it wasn’t a shock to see that British  singer/songwriter Nick Lowe would be touring with American instrumental Rock  combo Los Straitjackets.  Both Nick and  the ‘Jackets occupy the same musical universe although they are on opposite  ends of the galaxy.

Read More

713sc2zoucl-_sl1212_1

KASHIF/Help Yourself To My Love: The Arista Anthology review!

 
Kashif Saleem – formerly a member of Funk giants B.T. Express – was at the forefront of synth-fueled smooth R&B in the early ‘80s. He was one of the first artists to embrace modern technology when it came to creating Soul and Funk music yet he still managed to make it sound human and heartfelt. While his name may not be as well-known as many of his technology-loving contemporaries like Stevie Wonder, Kashif helped usher in a new kind of sound that changed the course of Soul and HELP YOURSELF TO MY LOVE: THE ARISTA ANTHOLOGY is all the proof that you need. Spanning the years 1983-89, this is ‘80s electronic Funk/Soul/R&B at its finest.

Read More

9142aedksal-_sl1500_

BMX BANDITS FOREVER review!

For over three decades, BMX Bandits has been creating some of the most melodic, thoughtful Pop  music of the Alt-Rock era.  From their humble independent beginnings in Scotland during the C86 movement up through their albums on Creation Records in the ‘90s and beyond, Duglas T. Stewart and the boys & girls in the band have never steered away from their Pop purpose. Unafraid to show their humor and sensitive sides, the Bandits’ albums could go from whimsical to reflective without batting an eyelid. The Bandits have always managed to play with your emotions using plenty of charm and wit. While their albums have been pretty eclectic affairs over the years, the band’s revolving line-up (with Duglas being the only constant member) has continued to shine even if they weren’t always in the spotlight. And with at least nine albums and a few dozen singles behind them, BMX BANDITS FOREVER might be their most truthful and honest musical statement to date.

Read More

71i8ulbni9l-_sl1200_

HAIRCUT 100/Paint And Paint (Deluxe Edition) review!

Haircut 100  was quite the band in 1982. Their debut album, PELICAN WEST, was the product of six very different personalities that came together to create one fantastic album. From Latin to Funk to Pure Pop, the album blended the band members’ musical influences perfectly. The thought that the album was created by a group of kids just barely into their 20s was quite astounding.  Even today, that timeless album is just as thrilling as it was when it came out 35 years ago. The lads in H100 were in the midst of recording their second album when lead singer/songwriter Nick Heyward left to pursue a solo career. For a brief moment, it seemed like that was the end of the line for H100 members Marc Fox, Les Nemes, Phil Smith, Graham Jones and Blair Cunningham. Thankfully, the lads still had something to say…