CHRIS RAINBOW’s White Trails CD reissue reviewed!

Scottish singer/songwriter Chris Rainbow (1946-2015) is one of those artists that appeals to different groups of music fans depending on which projects they are more familiar with. His vocal work with The Alan Parsons Project has earned respect from legions of APP fans, his UK hit singles attracted attention in the ‘70s and his production work is highly respected. However, Beach Boys and vocal harmony fans have long held him in high esteem for his often-overlooked album output. 1979’s WHITE TRAILS was his final studio vocal release and shows that he was poised to bridge the gap between the wonders of his previous albums (1975’s HOME OF THE BRAVE and ‘78’s LOOKING OVER MY SHOULDER) and the promise of the ‘80s (i.e.: Electronic Music). Unfortunately, he turned his attention away from solo material and WHITE TRAILS remains his final foray as a front man.

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AMPED™ FEATURED ALBUM OF THE WEEK: SONS OF BILL/OH GOD MA’AM

It has been four years since Americana outfit Sons Of Bill released LOVE & LOGIC but the band have not been idle. This quintet – led by brothers Sam, Abe, and James Wilson – remained on the road, promoting their own brand of heartfelt heartland rock. However, touring wasn’t the only thing that slowed them down. The boys in the band took off a little time for themselves, too. Oh, and then there’s that little accident that James Wilson had – a fall on a champagne glass severed five tendons and the median nerve in his right hand. While this is definitely not a good thing for a guitarist to experience, it also hindered his ability to drive, dress himself, and other simple tasks we all take for granted. Thankfully, you can’t keep a good man down…

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999/The Albums 1977- 80 (4CDs) reviewed by THE CHANCELLOR

When talking about the original late ‘70s UK Punk scene, 999 seem to be one of the most overlooked bands of the era. Sex Pistols, The Clash, The Damned, Buzzcocks, The Jam, and The Stranglers are usually the bands that many folks think of first when praising the virtues of Punk and how it levelled and changed the musical landscape. While those bands grabbed the headlines, there were plenty of equally-worthy bands that deserved fame and fortune. As you would probably guess, 999 was one of those bands. 999 made music fueled by Punk yet firmly rooted in classic Rock ‘n’ Roll. The music they recorded may have been born during the Punk era but 40 years later, it remains timeless and essential.  If you need proof of that statement, Captain Oi/Cherry Red’s four CD box set THE ALBUMS 1977-80 is exactly what you need to make you believe. Again.

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KING/Remixes & Rarities reviewed by THE CHANCELLOR!

During the ‘80s, it seemed like you had to have a gimmick or make a unique fashion statement in order to attract the attention of Pop Music fans. Videos and TV performances were just as important as radio play and no matter how great your song was, if you didn’t stand out in a sea of Pop wannabes, you were very rarely noticed. However, once you grabbed everyone’s attention, you had to have the songs and talent to keep their attention. Pop quartet King may have had a short shelf life but they actually had more than enough talent to keep it going had they been given the chance to.  With Paul King’s soulful voice, colorful outfits and fancy Doc Martens footwear, King (the band) released a pair of albums in a chart career that lasted merely two years, but their talents ensured that they are still remembered today. Not quite Synthpop, Rock or Soul, King combined a few different genres and ended up sounding like… King!

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ANGELIC UPSTARTS: The Albums 1979-82 (5CD box) reviewed by The Chancellor

Somebody once told me that I should stop writing about Punk Rock. He said that I don’t ‘understand’ Punk and I should stick to writing about New Wave and other genres of music.

I beg to differ.

While I may not know enough about the politics that inspired the lyrics of various bands I listen to, I certainly understand my connection to the energy, the songwriting and the performances. In the late ‘70s and early ‘80s, I devoured as much British and American Punk as I could. While The Clash, The Jam, 999, Buzzcocks, The Stranglers, The Undertones, Sex Pistols and others had songs that were instantly melodic and catchy, there were certain bands that took a few extra spins to connect with. Angelic Upstarts were one of those bands.

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HOLLYWOOD BEYOND – IF (Deluxe 2CD Edition) reviewed by The Chancellor

The year 1987 was a transitional year for music. New Wave was no longer ‘new’, Prince had changed the Soul, R&B and Funk landscape and Rock ‘n’ Roll was in the clutches of the big hair brigade (Glam Metal). For some, it was depressing, but if you were the adventurous sort, you could find so many bright lights between all the nooks and crannies. Mark Rogers (AKA Hollywood Beyond) was one of those artists whose musical output shone brighter than most. His blend of Pop and R&B walked the thin line between both genres yet didn’t fall victim to either. Released in 1987, Hollywood Beyond’s only full-length album, IF, was an album that should have appealed to those that adored Terence Trent D’Arby and other like-minded artists that forged their own paths while paying homage to their influences.

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AMPED™ FEATURED ALBUM OF THE WEEK: THE MYSTERY OF THE BULGARIAN VOICES/BOOCHEEMISH

While many musicians can wring emotion out of their instrumental weapon of choice, there’s no denying that the most emotional instrument of all is the human voice. The song’s melody and lyrics mean nothing if the voice does not connect with the listener. A notable example would be Gospel Music – the soaring voices of a church choir can melt the heart of the most hardened atheist. However, the best example belongs to The Mystery Of The Bulgarian Voices, a female choir that has mastered the art of the voice… and I don’t use the word ‘art’ lightly here. The sounds these voices make are soul-stirring and heartbreaking in equal measures.

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THE TOY DOLLS: The Chancellor reviews the 5CD set, THE ALBUMS: 1983-87

Looney tunes, indeed!

The chaps in The Dickies have a wicked sense of humor and The Adicts know how to have fun as well… but The Toy Dolls are the true court jesters of Punk Rock. So, if you are looking for a good time, you can either call one of those phone numbers written on the bathroom wall or you can do the right thing and hustle on down to your local Pop shop and grab THE ALBUMS: 1983-87, a delicious five CD box set that gathers together the first four albums by The Toy Dolls as well as a fifth disc of rarities!

Led by the always excitable Olga (AKA Michael Algar), The Toy Dolls has gone through several line-up changes over the years but they’ve never lost the spunk ‘n’ spittle that made them so fun when they released their debut album DIG THAT GROOVE BABY in 1983. While some may have thought of the band’s music as a parody or a humorous homage to Punk, there’s no doubt that Olga and the boys are true Punk rockers. However, they just chose to take Punk – and everything else for that matter – a lot less seriously than everyone around them. This debut includes classic tracks like “Glenda And The Test Tube Baby,” “Dougie Giro,” “Up The Garden Path,” “Stay Mellow”, the title track and “Nellie The Elephant.” While some may be put off by the over-the-top goofiness of the band’s approach to Punk, their catchy melodies and exceptional musicianship cannot be denied.

Two years later, the band released A FAR OUT DISC, another hook-filled Punk fiesta. Highlights include “My Girlfriend’s Dad’s A Vicar,” “We’re Mad” and so many others.  IDLE GOSSIP was released in 1986 followed a year later by BARE FACED CHEEK. On both albums, Olga leads his crew through some thrilling and entertaining Punk nuggets. No matter what, The Toy Dolls’ music was always refreshing, exciting and inspiring. The first album may be their most popular full-length but the band are always reliable when it comes to making great records and each and every one of these albums needs to be experienced.

The fifth disc here is chock full of non-album tracks including 7” version, songs from compilations and so much more. This final CD includes the ‘hit’ version of “Nellie The Elephant” that received the most airplay over here in the U.S. There’s more fun involved including the smile/dance/sweat-inducing “Everybody Jitterbug.” Crazy, cool and fun, The Toy Dolls may never get the same respect as bands like The Clash, but they certainly deserve your attention!

Look, if you prefer your Punk political and/or pretentious, go elsewhere.  If you want some hook-filled, shout-along Punk anthems with a sense of humor, then THE TOY DOLLS will satisfy all of your cravings. Ten fold. Captain Oi and Cherry Red have given us yet another set that should occupy a very sacred place in your collection!

(NOTE: The first four discs in this set represent the original albums when first released. They do NOT contain bonus tracks. However, all the bonus tracks from previous CD reissues of these albums are gathered on Disc Five).

Keep on truckin’,

Stephen THE CHANCELLOR Schnee

AMPED™ FEATURED ALBUM OF THE WEEK: TOM RUSH/VOICES

With this 2018 release, Tom Rush doesn’t hesitate to get back to business. Now 56 years into his career as a Folk and Blues legend, Tom may not be prolific but he sure hasn’t lost any of his passion. Like a comfortable pair of overalls or a warm blanket on a chilly night, Tom’s music may be comforting but that doesn’t mean that he plays it safe. On VOICES – the first album in his career consisting almost entirely of originals – Tom Rush presents an album that embraces the spirit of his early recordings with the maturity that time has graced him with.

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AMPED™ FEATURED ALBUM OF THE WEEK: THE RADIATORS/WELCOME TO THE MONKEY HOUSE

Celebrating their 40th Anniversary as a band, New Orleans’ The Radiators release WELCOME TO THE MONKEY HOUSE, their 20th album overall. Their first studio album in roughly a decade,  WELCOME TO THE MONKEY HOUSE is a welcome return for the band that also serves as a reminder of their much-missed talents. While the band no longer operates as a full-time outfit, all the original members reunite each year to play the New Orleans Jazz & Heritage Festival. Instead of letting their 40th Anniversary pass them by, the band decided to head back into the studio and record a handful of new tracks mixed with a healthy dose of songs that have littered their live set for decades but have never made it to an album!

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