I can only imagine (no pun intended) a Beatles fan spinning John Lennon and Yoko Ono’s THE WEDDING ALBUM for the first time. I mean, it most certainly isn’t THE WHITE ALBUM or ABBEY ROAD, is it? “Which cut is the single? Where are the hooks? Wait, never mind the hooks – where are the songs? And where on earth is the Rock ‘n’ Roll?” OK, so maybe fans weren’t exactly thinking those thoughts since THE WEDDING ALBUM was John and Yoko’s third release as a duo (and their first as a bona fide married couple) and their avant-garde recordings were certainly nothing new. Remember the UNFINISHED MUSIC NO. 1: TWO VIRGINS album featuring John and Yoko on the album cover in all of their nakedness? Then there was UNFINISHED MUSIC NO. 2: LIFE WITH THE LIONS, which featured a cover photo of John and Yoko in her hospital room shortly after a miscarriage. In essence, John and Yoko’s first three albums were far from light-hearted affairs. These were albums that expressed their emotions in unique ways – through experimental recordings. Yes, there were other artists who made avant-garde recordings… but they weren’t associated with the biggest Rock band in history!
Much has been written about Yoko Ono over the years and, sadly, not all of it positive. However, if you look back over the 50 years that she has been in the public consciousness, she has always been a force for good. A superhero of sorts. From being a positive light that guided John Lennon out of his darkness to being an outspoken advocate against gun violence, Yoko has lent her name, her money and her time to many great causes over the years. Yet, the press has dragged her name through the mud so many times that their personal agendas have been adopted by the public as facts. While I’m sure it has been hurtful and confusing to Yoko, she has stood tall and continues to be a strong force in activism and art.