AMPED™ FEATURED ALBUM OF THE WEEK: REIGNWOLF/HEAR ME OUT

Thanks to American Idol, The Voice and other like-minded TV shows plus the influence of YouTube, it is perfectly understandable that kids today think that the path to a successful musical career is easy and that nearly anyone can be a star overnight. However, reality paints a darker picture. It is often overlooked that nearly 90% of all TV talent show winners end up without a hit record to their name and they fade away into obscurity almost as quickly as they rose to fame. On the other hand, there are still plenty of modern artists who have toiled in relative obscurity for years before becoming ‘overnight sensations’. While not exactly obscure, indie Blues/Rock outfit Reignwolf has taken the long road and is finally releasing their debut album seven years after the band first formed.

Read More

AMPED™ FEATURED ALBUM OF THE WEEK: DAVID GRAY/GOLD IN A BRASS AGE

In the music industry, fame can be fleeting but true success is measured by the lasting impact the musician’s art has on the listener/consumer. For example, let’s look back at the year 2000. There were a lot of big worldwide hits that year by well-known artists (U2, Bon Jovi, Madonna, Britney Spears, etc.) and some long-forgotten artists as well (Darude, BBMak, Wheatus, MxPx). While many of the hits from that year are still fondly remembered, an equal amount of chart-climbers have been tossed aside like an old stick of bubble gum – chewed up and spit out once they were out of flavor. However, there are singles released in ’00 that were not only lovingly embraced by music fans but also inspired a new generation of musicians. A few of those – including “Babylon” – were released by British singer/songwriter David Gray. The success of his WHITE LADDER album took many by surprise yet it was far from an overnight success…

Read More

AMPED™ FEATURED ALBUM OF THE WEEK: STEVE POLTZ/SHINE ON

Nova Scotia, Canada has given us some fine musical talent over the years. Anne Murray, Denny Doherty (The Mamas & The Papas), Sarah McLachlan, Feist, members of April Wine and Sloan, Holly Cole, and Hank Snow are just a few of the native Nova Scotians that have made their mark in Rock history. There are many others, of course, and there will be many in the years to come. Singer/songwriter Steve Poltz hails from Nova Scotia as well. However, he kickstarted his musical career as a member of San Diego legends The Rugburns. For over two decades – and releases on Priority and Bizarre/Planet Records – The Rugburns has remained a sorely underappreciated outfit. Alongside The Rugburns’ trio of releases (two albums and an EP) and a dozen solo albums, Poltz is also known as the co-writer of his former girlfriend Jewel’s multi-platinum hit “You Were Meant For Me,” which reached #2 on Billboard. In short, Poltz has achieved quite a bit in a career that, by and large, has been under the radar. Perhaps it is time for more listeners to get to know Steve a bit more intimately with his 2019 album SHINE ON

Read More

AMPED™ FEATURED ALBUM OF THE WEEK: DALE WATSON/CALL ME LUCKY

The term ‘Honky-Tonk’ means different things to different people. For some, Honky-Tonk is raw and raucous sub-genre of Country Music. For others, it is a smoky bar with beer-stained floorboards, rowdy patrons, and the constant flow of Country Music. From juke boxes to live music performed by local and traveling musicians, Honky-Tonk bars gave birth to a distinctive style of Country Music. Then again, one can say that Honky-Tonk music helped establish the spirit of a Honky-Tonk bar. So, in this case, it doesn’t matter which came first – both the music and the drinking establishments are now intrinsically linked to each other. However, a bar cannot easily hitch itself to a truck and move from town to town like a Honky-Tonk musician can. This means that the spirit of Honky-Tonk must exist within the music and it is up to the many traveling minstrels to spread its ‘gospel’.  And this brings us to a man who preaches that gospel better than anyone out there: Dale Watson. 

Read More

AMPED™ FEATURED ALBUM OF THE WEEK: PARLIAMENT/MEDICAID FRAUD DOGG

George Clinton is the mad scientist of Funk. He assembles some of the most talented and unique musicians in R&B, Soul, Funk and Rock and creates a sound that is miles ahead of any contemporary Funk band on the scene. Case in point: musicians today are just catching up with what George was doing with Funkadelic nearly 50 years ago. And since Funkadelic always had a fluid line-up over the years, their sound was always evolving. However, Clinton was a prolific leader that felt the need to push his brand of Funk forward. Reaching back into formative years, he reformed his late ‘50s Doo Wop group The Parliaments, renamed them Parliament, and Cosmic Funk was born.

Read More

AMPED™ FEATURED ALBUM OF THE WEEK: SHARON VAN ETTEN/REMIND ME TOMORROW

Fourteen years after she released her handmade debut CD-R, singer/songwriter Sharon Van Etten is finally receiving the critical accolades that she has always deserved. While the long journey may have destroyed a more impatient artist, Van Etten has taken it all in good stride. In fact, she’s enjoyed the ride. “I’ve always been a fan of the slow build.” Sharon says. “Whether it be with my career, or my songs, or life.” Along the way, music hasn’t been the only thing on her plate – Van Etten has also pursued an acting career that landed her gigs on Netflix’s THE OA and on David Lynch’s TWIN PEAKS revival.  In short, Sharon Van Etten has not been idle in recent times, she’s just been very, very patient.

Read More

AMPED™ FEATURED ALBUM OF THE WEEK: THE KENTUCKY HEADHUNTERS/LIVE AT THE RAMBLIN’ MAN FAIR

Although their name might imply that they may be a Country or Southern Rock band, The Kentucky Headhunters defy categorization. Their sweaty, chest-pounding sound has it’s roots in classic Rock ‘n’ Roll, Country & Western, Blues, and R&B and sounds great in a beer-stained Country roadhouse, a dusty and dry Summer Bluesfest, and in the comfort of your own home. The Kentucky Headhunters play music that sounds like it was grown and harvested deep in the heart of America. The band never plays it safe and always comes out swinging. They are rowdy, rough, and rockin’… and not necessarily in that order. The Kentucky Headhunters are fearless at what they do. And no matter what you call it, The Kentucky Headhunters do it very well.

Read More

AMPED™ FEATURED ALBUM OF THE WEEK: ERIC LINDELL/REVOLUTION IN YOUR HEART

Originally from San Mateo, CA, singer, songwriter and guitarist Eric Lindell began his career playing the Bay Area live circuit in the late ‘80s and early ‘90s. Influenced by the Punk, Indie Rock, and Funk/Soul scenes, his music continued to morph into something that he could call his own. Seeking greener pastures and inspiration, he uprooted and moved to New York. After a short stint on the East Coast, he set his sights on New Orleans and moved there in the late ‘90s. It was in New Orleans that Eric Lindell found his own musical voice. Mixing Blues, Soul, Rock, Funk and a keen ear for a catchy melody, Eric released a few indie releases before signing with Alligator Records and releasing his first album for the label in 2006.

Read More

AMPED™ FEATURED ALBUM OF THE WEEK: CHRIS BUTLER/GOT IT TOGEHTER!

Even though you might not recognize his name, you are more than likely familiar with the work of Chris Butler. While his studio work with Tin Huey, Richard Lloyd, the dBs and other bands might have passed some of you by, you will most certainly recognize his higher profile recordings with The Waitresses. Chris Butler was the guitarist and songwriter for the Akron, Ohio-based quirky New Wave outfit and was responsible for penning their hit single “I Know What Boys Like,” as well as their theme song to the cult TV series Square Pegs and the perennial holiday favorite “Christmas Wrapping.” What some may not realize is that while his most high-profile band may have split in 1984, Chris Butler has continued to create experimental music that is entirely unique and charmingly quirky.

Read More

AMPED™ FEATURED ALBUM OF THE WEEK: DONNY OSMOND/ONE NIGHT ONLY

Sixty years ago, the journey began. From the humble barbershop beginnings of The Osmond Brothers quartet (Merrill, Jay, Alan and Wayne) in 1958 up through their Pop/Rock success in the early ‘70s with lil’ brother Donny on board, The Osmonds were far from a boyband created for teens and tweens. All throughout their career, their appeal has reached audiences of all ages. They wowed America during their appearances on The Andy Williams Show in the ‘60s and they’ve never really left the public eye since then. Who can forget their string of hits in the early ‘70s?  On top of that, Donny’s solo career was equally successful. And we can’t talk about The Osmonds without mentioning the Donny & Marie Show. Or Jimmy Osmond’s career as a singer and clever businessman.  Even when things got tough in the ‘80s, they would always bounce back. Their message of love and family permeated everything that they did. Regardless of what musical trends have come and gone over the last six decades, the Osmond family are still standing, still entertaining, and always moving forward while remaining proud of their legacy. They have a devoted fanbase that has stuck with them through thick and thin. And let’s be honest, the world would be a darker place had it not been for the Osmond family’s unwavering desire to bring joy into the music business.

Read More