Pop music is a strangely wonderful artform. On the surface, it can sound deceptively simple and carefree. However, like a calm and inviting ocean, mystery lies beneath the windswept ripples. The melodies may dance around in the ether but there are a lot of moving parts that make them seem effortless. Every beat, every bass thump, every electronic whirl, every guitar strum, and every harmony is there for a reason. It is up to you, the listener, to realize what that reason is. Yes, you can read interviews and find out what the artists’ intents are but often times, they don’t fully realize the meaning of their songs until years later. On the other hand, one song can mean something different to nearly every person that listens to it. And that, in and of itself, is one of the great mysteries of Pop music.
TOKYO POLICE CLUB: An EXCLUSIVE Q&A
STEPHEN SPAZ SCHNEE: TPC is just about to be released. How are you feeling about how the album turned out and the reaction to it so far?
DAVID MONKS: I’m only just beginning to get perspective on it now and it’s been done since May. As always, things turn out differently than you expect but I still like it. The fact that we made it was really a turning point for our band and it kinda already feels like a success in that respect. The reaction has been good, it’s my parents’ fave Tokyo album!
An EXCLUSIVE Q&A with JILL BARBER: METAPHORICALLY SPEAKING
STEPHEN SPAZ SCHNEE: METAPHORA is just about to be released. How are you feeling about the way the album turned out and the reaction to it so far?
JILL BARBER: I feel wonderful. This record is different for me, it’s a more contemporary sound and addresses a lot of issues of my inner life that I have never brought to my music before. It feels very fresh, punchy and energetic. And that excites me.
AMPED™ FEATURED ALBUM OF THE WEEK: BUFFY SAINT-MARIE/MEDICINE SONGS
AMPED™ FEATURED ALBUM OF THE WEEK: BRUCE COCKBURN/BONE ON BONE
BONE ON BONE is the highly anticipated 2017 album from Canadian singer/songwriter Bruce Cockburn. The album is his first in six years and is the follow-up to 2011’s SMALL SOURCE OF COMFORT. His 25th studio album overall, BONE ON BONE finds Bruce Cockburn at ease as a musician but ill at ease with the world. For those familiar with Cockburn’s work over the years, this may seem like nothing new. However, BONE ON BONE finds Bruce at the top of his game. And for an artist that has been releasing albums for nearly 50 years, this is quite a feat. Mixing Folk and Blues, the album is warm, intimate and filled with songs that are destined to become Cockburn classics. Amongst the Folk Blues stomp of songs like “States I’m In” (the first single) and “Café Society” is “Forty Years In The Wilderness”, one of the loveliest songs he’s ever written.
TIMBER TIMBRE: An EXCLUSIVE Q&A with Taylor Kirk!
SINCERELY, FUTURE POLLUTION
STEPHEN SPAZ SCHNEE: SINCERELY, FUTURE POLLUTION is about to be released. How are you feeling about the album and the reaction you’ve had to it so far?
TAYLOR KIRK: I’m extremely proud of the recording. I feel it’s without a doubt the best effort yet. Reactions are encouraging.