LET’S DO THIS:
Todd Rundgren talks about WHITE KNIGHT
Todd Rundgren needs no introduction. His ‘legendary’/‘iconic’ status is well-deserved. End of story.
WHITE KNIGHT, Todd’s 2017 release, finds Rundgren continuing to move forward, but this time he’s brought a few of his musical friends with him. While technically an album of collaborations, WHITE KNIGHT is most certainly not a ‘duets’ album… in the traditional sense, anyway. Every guest on the album – including Daryl Hall, Robyn, Donald Fagen (Steely Dan), Joe Walsh, Trent Reznor, Joe Satriani, Moe Berg (The
Pursuit Of Happiness), John Boutte and others – brings their own personality to the party, making each track feel different from the last. While Rundgren may be the name on the album cover, he allows every collaborator to make their presence known. Totally modern and relevant, WHITE KNIGHT still features Todd’s distinct musical thumbprint and is a pleasure from start to finish.
Stephen SPAZ Schnee was able to track Todd down while on tour and have a chat about WHITE KNIGHT and the magic behind it…
WHERE THE LIGHT SHINES THROUGH: THE BIGGER PICTURE 1981-2017
If you are familiar with veteran UK band Sad Lovers & Giants
, then I am confident that you are already a fan. For those who have yet to experience SL&G, then pay close attention – they are soon to become your favorite new/old band. On May 5, 2017, the always-amazing Cherry Red
label will be releasing WHERE THE LIGHT SHINES THROUGH: THE BIGGER PICTURE 1981-2017,
a five CD set that is a must-have if you are a fan of SL&G and ‘80s Post-Punk and New Wave music in general. The band’s legacy is celebrated in this set which contains pretty much all the tracks from their albums EPIC GARDEN MUSIC
(1982), FEEDING THE FLAME
(1983), THE MIRROR TEST
(1990), TREEHOUSE POETRY
(1991) and MELTING IN THE FULLNESS OF TIME
(2002) plus singles, EP tracks, radio sessions and rarities. A stunning set to say the least.
Judy Collins is an American treasure. From her early Folk recordings – her debut album was released in 1961 – up through her brush with the Pop charts in the latter half of the ‘60s and into the ‘70s, she has possessed one of the most beautiful voices in Pop music. With hits like “Both Sides Now,” “Chelsea Morning” (both penned by Joni Mitchell) and Stephen Sondheim’s “Send In The Clowns,” Collins has built up a catalog of remarkably timeless recordings that never seem to age – much like the singer herself. Her gentle, moving performances have inspired generations of performers spanning all genres. Whether she is performing a song she composed or interpreting someone else’s musical creation, the song becomes Judy and Judy becomes the song. And fifty-six years after she made her recorded debut, Judy’s voice sounds better than ever. If you have ever fallen under the spell of Judy Collins, I’m fairly certain you are still hypnotized by her talent.