It has been written many times elsewhere, but it must be said again: Robert Pollard is the most prolific artist in the history of Rock ‘n’ Roll. When you look back on bands like The Beatles, who put out two albums and a handful of singles per year in their early days, Pollard makes them look like slackers. While his main band, Guided By Voices, and all of his other projects may not have had the cultural impact that the Fab Four had, Robert has still made a huge impact on the Alternative and Indie music scenes. Not only has he influenced a new generation of singer/songwriters, he’s also inspired them to create music as art and music as expression. And while he may not have intended to be a DIY pioneer, he has certainly become one. I guess that is what happens when you’ve been making music on your own terms for four decades. While Pollard & Co. have been releasing music since the ‘80s, they don’t belong to any decade – the albums remain timeless.
Fourteen years after she released her handmade debut CD-R, singer/songwriter Sharon Van Etten is finally receiving the critical accolades that she has always deserved. While the long journey may have destroyed a more impatient artist, Van Etten has taken it all in good stride. In fact, she’s enjoyed the ride. “I’ve always been a fan of the slow build.” Sharon says. “Whether it be with my career, or my songs, or life.” Along the way, music hasn’t been the only thing on her plate – Van Etten has also pursued an acting career that landed her gigs on Netflix’s THE OA and on David Lynch’s TWIN PEAKS revival. In short, Sharon Van Etten has not been idle in recent times, she’s just been very, very patient.
STEPHEN SPAZ SCHNEE: TPC is just about to be released. How are you feeling about how the album turned out and the reaction to it so far?
DAVID MONKS: I’m only just beginning to get perspective on it now and it’s been done since May. As always, things turn out differently than you expect but I still like it. The fact that we made it was really a turning point for our band and it kinda already feels like a success in that respect. The reaction has been good, it’s my parents’ fave Tokyo album!
Born in Australia and now residing in Nashville, TN, singer/songwriter Bex Chilcott – better known as Ruby Boots – creates music that slightly betrays both her homeland and her adopted city. In fact, she manages to cross genres with ease, rarely standing still long enough to adopt any genre as her own. Her 2018 album DON’T TALK ABOUT IT that supports that claim.
comprised of Miles Zuniga (vocals/guitar), Tony Scalzo (vocals/bass) and Joey Shuffeld (drums), Fastball has nothing left to prove. They’ve achieved everything that all bands strive for when they first get together – a record deal, tours, hits (1998’s “The Way” is their biggest so far) and respect. Now that they’ve been able to step away from the spotlight for eight years, they sound refreshed, focused and re-energized. But please don’t call STEP INTO LIGHT a comeback album. Comebacks are often desperate attempts at replenishing the bank
accounts by taking advantage of fans’ fond memories. Fastball is merely picking up the bat, taking a swing and knocking another one out of the park. STEP INTO LIGHT is a fantastic album that reminds people just how good this band has always been. In fact, it may be their most consistent full-length platter to date. The boys have a home run on their hands and they’ve left their contemporaries – new and old – in the dust. Again.
SINCERELY, FUTURE POLLUTION
STEPHEN SPAZ SCHNEE: SINCERELY, FUTURE POLLUTION is about to be released. How are you feeling about the album and the reaction you’ve had to it so far?
TAYLOR KIRK: I’m extremely proud of the recording. I feel it’s without a doubt the best effort yet. Reactions are encouraging.