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ODESZA: An EXCLUSIVE Q&A!

 
 
A MOMENT APART:
 
An EXCLUSIVE
Q&A with 
Harrison Mills
STEPHEN SPAZ SCHNEE: A MOMENT APART has just been released.  How are you feeling about the album and the reaction you’ve had so far?
HARRISON MILLS: This album represents the next chapter of our project.  We’ve wanted for so long to push our sound and mature as musicians. With A MOMENT APART we’ve accomplished a denser, more cinematic sound that incorporates a lot of organic, symphonic instruments. We’ve always considered ourselves an album band, so it’s hard to give people a song out of context, and even harder to choose those singles.  The advance releases cover a lot of styles and genres, so it’s been interesting to see listeners kind of pick and choose their favorites.  We’re excited for people to be able to listen to the album in full – the narrative of the album gives a lot of context to those songs.

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OMD/The Punishment Of Luxury album reviewed!

     OK, let’s get this out of the way: anyone expecting a new Orchestral Manoeuvres In The Dark (OMD) full-length filled back to front with songs tailor-made for radio are going to be sorely disappointed.  However, if you are looking for a classic OMD album that blends commercial pop smarts with their darker experimental side are going to be over the moon.  THE PUNISHMENT OF LUXURY (TPOL) is that album and so much more! While their 1983 release DAZZLE SHIPS may have  pushed the experimental envelope too far for some of their fanbase, TPOL strikes the perfect balance between Synthpop maestros and Electronic Music pioneers.

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PET SHOP BOYS: Spaz reviews the album SUPER!

   Super, the 13th studio album by British duo Pet Shop Boys, is a prime example of why the Electronic/Dance act will never be part of a nostalgic ‘80s package tour – they are too busy moving into the future to live in the past. When they scored their first big hit 31 years ago with “West End Girls,” PSB were a delicious mixture of smarmy Pop and then-modern Electronica. Vocalist Neil Tennant’s deadpan (and slightly campy) vocals and Chris Lowe’s melodic, percolating Euro/Electropop backdrop made for some exciting records back in the day, earning them worldwide success and hits in every corner of the world.  By the ‘90s, their star had faded a bit in the U.S. although they still released innovative and exciting albums that were snapped up by audiences In vastly different time zones than the States. Thankfully, PSB have continued to make fresh, forward-thinking records over the years. They’ve kept on top of Dance and Electronic music trends and have embraced them wholeheartedly.  You’ll still find elements of their ‘80s and ‘90s sound on Super but you’ll be sorely disappointed if you’re looking for “West End Girls 2016” because Neil and Chris have moved on.

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