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OMD/The Punishment Of Luxury album reviewed!

     OK, let’s get this out of the way: anyone expecting a new Orchestral Manoeuvres In The Dark (OMD) full-length filled back to front with songs tailor-made for radio are going to be sorely disappointed.  However, if you are looking for a classic OMD album that blends commercial pop smarts with their darker experimental side are going to be over the moon.  THE PUNISHMENT OF LUXURY (TPOL) is that album and so much more! While their 1983 release DAZZLE SHIPS may have  pushed the experimental envelope too far for some of their fanbase, TPOL strikes the perfect balance between Synthpop maestros and Electronic Music pioneers.

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BRONSKI BEAT: An EXCLUSIVE Q&A with Steve Bronski!

     It has been 33 years since Bronski Beat arrived on the music scene with their remarkably emotional debut single “Smalltown Boy.” Jimmy Somerville’s soaring falsetto was quite a wonder to behold but the music performed by Steve Bronski and Larry Steinbachek was equally enthralling. Equally enchanting, the band’s debut album THE AGE OF CONSENT was Synthpop at it’s finest. Inspired by classic Disco and the Electronic Music scene that was sweeping the UK, the trio blended their influences into a wondrous brew. Add in their thought-provoking lyrics that focused on gay-related issues and you had a band that not only made you dance but also made you think. Surprisingly, in 1985, at the height of the band’s popularity, Somerville abruptly quit, leaving Bronski and Steinbachek to carry on without him. The following year, the band returned with new vocalist John Foster and released the Pop-errific sophomore album TRUTHDARE DOUBLEDARE. Although “Hit That Perfect Beat” and “C’mon! C’mon!” were hits, the album didn’t fare as well as their debut and the band left their label (London Records). Foster left the fold and Bronski and Steinbachek’s continued to work together throughout the rest of the ‘80s and into the ‘90s. They released their third album, RAINBOW NATION, with new vocalist Jonathan Hellyer and additional musical assistance from Ian Donaldson. However, the band quietly split in 1995 shortly after that album’s release.

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HOWARD JONES/Best 1983-2017 (3CD) reviewed!

     While he  achieved a lot of chart success early in his career (1983 to 1989) and still tours and releases new music, Howard  Jones’ musical legacy has been somewhat overlooked since his heyday. While he certainly hasn’t been forgotten, he has become increasingly difficult to categorize… which is both a good and bad thing. He’s been labelled a Synthpop artist, a teen idol, a New Waver and an Electropop pioneer while also being  lumped into the Adult Alternative category. Some have even pointed out his Jazz-influenced  chord progressions and R&B leanings. In all honesty, Howard Jones is all of this and more.  And thankfully, Cherry  Red has just released the three CD BEST 1983-2017, which really  showcases Howard’s many talents. A set this comprehensive reminds the listener  that Howard Jones is much more than an “’80s relic”. He was never a one-trick  pony and this release backs that statement up.

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