In the late ‘70s, the Rock world was being turned on it’s head by Punk and New Wave. The pretentious ‘old guard’ (i.e. Prog rockers, Folk singer/songwriters, Pop stars, etc.) were
handed their walking papers by the press, who latched onto the shouty, belligerent Punk kids. By ’79, you were more likely going to read about the exploits of Sex Pistols, The Damned and The Clash before you’d stumble upon a review of ELP’s latest live gig. And by that time, reviews of ELP, Yes and the like were leaning towards scathing.
However, while the press fell over themselves to discover the latest Punk craze, Pub Rock and British Rhythm & Blues was also a happening thing. Dr. Feelgood were already established and Nine Below Zero were on their way to becoming legendary. While not always recognized as such, The Inmates were certainly one of the best of the Pub/R&B bunch (in fact, they still are!). With Cherry Red’s three CD box set, THE ALBUMS 1979-1982, The Inmates are finally receiving the credit and attention that they deserve. Containing the band’s first three studio albums (plus bonus tracks), this is a long over-due look at the band’s excellent early output.
The Doctors Of Madness Will See You Now:
When I bring up the name Rex Smith, many people – usually over 40 years of age – instantly remember him as a teen idol, soap actor, balladeer, hard rocker, TV host or stage actor. Oddly enough, they are all absolutely correct! While he may never have achieved ‘household name’ status all over the world, he is still fondly remembered for quite a few things. For the time being, I’m going to set aside his TV, film and stage work (Street Hawk, Grease, Solid Gold, As The World Turns, Pirates Of Penzance, etc) and focus on his Rock/Pop music career in the ‘70s and ‘80s, all of which is included in the six CD box set ROCK AND ROLL DREAM: 1976-1983.
The Turtles scored a handful of hits in the ‘60s – songs that are still played on oldies stations nearly fifty years later – yet they seldom receive the credit they deserve. As I prepared to write this review, I just could not figure out why they aren’t held in higher esteem by the public at large. Sure, us music guys love them to death but why do they get overlooked when people talk about the great bands from the ‘60s? I mean, come on, folks! “Happy Together” is an absolute classic and now that you’ve read that two word song title, that song’s chorus is bouncing around inside your head, isn’t it? If not, you need to stop what you’re doing and allow that song to careen down your cranial caverns and make you feel good all over before you continue reading…
To be fair, The Turtles do get some recognition but just not as much as they deserve. There seems to be two different tiers when people think about the most influential ‘60s Rock bands – the first is the Beatles/Beach Boys/Rolling Stones/Kinks/Who tier while the second tier consists of ‘everybody else’. And as you know, that second tier is definitely crowded: The Byrds, Buffalo Springfield and many others are up on top of that level, enjoying constant reappraisal and critical attention. However, buried amongst those fighting for a chance to breathe are The Monkees, Herman’s Hermits, Dave Clark Five, The Four Seasons and especially The Turtles.
Gather ‘round, my friends and let me introduce you to the absolute best cure for your blues: sugar. Well, “Sugar Sugar” to be more precise.
Yes, one spin of The Archies’ mega-hit “Sugar Sugar” can wipe away any negative vibe that is inhabiting your universe. Even if you aren’t a fan of ‘60s Bubblegum, you’ve probably heard this gloriously happy tune many times since it was released in 1969. Figuratively (and perhaps literally) the missing link between The Monkees and The Partridge Family, this slice of Pop love has been played millions of times all around the world, used in advertising and has been both praised and ridiculed by music fans everywhere. The fact that you still remember it today – regardless of your personal feelings – is testament to the power that “Sugar Sugar” has had on the listener.