STEPHEN SPAZ SCHNEE: TIDES OF A TEARDROP is just about to be released. How are you feeling about the album and the reaction to it so far?
ANDREW MARLIN: We have been sitting on a few of these songs for a while and there is always a little anxiety and a little relief in releasing new material. Folks seem to be digging the new tunes so far, so I guess some of the anxiety is giving way to relief!
Rockpile remains one of Rock ‘n’ Roll’s most respected but commercially overlooked bands. In terms of credibility, how could you go wrong with a band featuring Nick Lowe, Dave Edmunds, Billy Bremner and Terry Williams? While Rockpile recorded albums that were credited to either Edmunds or Lowe, they only recorded one proper studio album under their collective name – 1980’s SECONDS OF PLEASURE – before the band split up. Nick and Dave continued their successful solo careers while Terry joined Dire Straits. The band’s secret weapon – guitarist/vocalist Bremner – also pursued a solo career as well as working with The Pretenders (that’s him playing lead guitar on “Back On The Chain Gang”), Shakin’ Stevens, and many others. He did appear on Lowe and Edmunds’ solo albums as well. While not as high profile as his former bandmates, Bremner has released four solo albums over the years and worked with a multitude of other artists. Often overlooked on his own merits, the best of Billy’s solo material has finally been compiled on the excellent SINGLED OUT collection courtesy of RPM/Cherry Red.
When one thinks of Australian music, Rockabilly is not the first musical style that comes to mind. People outside of Oz may initially think of AC/DC’s Hard Rock riffage or Men At Work’s breezy New Wave/Pop but very few know about the Land Down Under’s affection for Country and Roots music. While many Aussie artists are influenced by traditional Australian Roots and Folk alongside ‘foreign’ sounds from the UK and America, there are those that go straight for the jugular and delve into the musical roots of American Country and Rock ‘n’ Roll. Singer/songwriter Scotty Baker is one of those artists.
Somewhere between the time Country & Western Music became a phenomenon in the early 1950s and the birth of Rock ‘n’ Roll at the midpoint of that decade, Rockabilly was born. Essentially a combination of the sounds of Rock and Hillbilly music (hence the name), Rockabilly became the breeding ground for hundreds of artists including Elvis Presley, Johnny Cash, Carl Perkins, Roy Orbison and other artists signed to Sun Records (and other independent labels across the U.S.). These are the artists that inform the music of Scotty Baker and his fabulous new album LADY KILLER, an emotionally charged slice of Rockabilly that feels authentic, passionate and full of energy. Like his first two albums – JUST LIKE THAT (2010) and I’M CALLING IT (2014) – LADY KILLER is filled with fantastic songs straight from the pen of Baker himself. While most would compare him to early Johnny Cash (and rightly so), his music also possesses the emotional depth of Roy Orbison, which is perhaps the most important aspect of his recordings. Scotty Baker doesn’t just play Rockabilly or Country – he lives within the music he creates. He is an artist that adds his own stamp to the tried and true Rockabilly formula and truly shines in the process. LADY KILLER is a Rockabilly treasure that comes from the heart and that is what makes it special.
Stephen SPAZ Schnee
was able to send off some questions to Scotty, who graciously took the time to answer them.
In the world of Rock ‘n’ Roll, it is rare for a band to hit the 31-year mark with all original members intact. Big Head Todd & The Monsters is one of those rare beasts. Formed in Boulder, Colorado in 1986, Todd Park Mohr, Rob Squires and Brian Nevin (along with longtime member Jeremy Lawton, who joined the original trio in 2003) have achieved commercial and critical success, sold boatloads of albums, traveled the world and built up a huge, devoted following. And on their 2017 album NEW WORLD ARISIN’, they prove that they still have something to say.