Sometimes, an artist’s career
trajectory is carefully planned. From label contracts and recording budgets to
marketing strategies and touring schedules, the build up to a debut album is
often less about music and more about business. However, there are always
exceptions to every rule and singer/songwriter Justin Vernon is one of those exceptions. The origins of his band, Bon Iver, and their 2007 debut album
started almost by accident and the subsequent commercial success of the band
has always been about the music and nothing else. Sure, critical success and
two Grammy Awards are always good for ‘business’ but for Vernon, it has always
been about the music. And to think that it all started in a cabin in Wisconsin…
In late 2006, after a rough
patch in his life that included the breakup of his band, the ending of a
relationship and illness, Justin Vernon escaped to his dad’s Wisconsin cabin
and spent that winter recovering. During that time period, he began writing
songs with no intention of releasing them.
Armed with some recording equipment and plenty of time to work on his
art, Justin pieced together a collection of songs that impressed and inspired
his circle of friends. He decided to shop the recordings as demos in order to
land a record deal. Realizing that this set of songs sounded great as they were,
he issued them in 2007 under the band name Bon Iver. FOR EMMA, FOREVER AGO became
a critical success and paved the way for a successful career that continues to
this day. Bon Iver’s self-titled sophomore album won Grammy Awards for Best New
Artist and Best Alternative Music Album in 2012.
I,I is Bon Iver’s fourth
album, which, in some ways, picks up where 2017’s 22, A MILLION left off.
While there are those that may have initially considered Bon Iver an Americana
band, I,I is the second album in a row that proves that it is very
difficult to pigeonhole Justin Vernon and Bon Iver. Sparse, atmospheric,
eclectic, melodic, and riveting. I,I is a unique beast that doesn’t
just need to be heard, it needs to be experienced. While it is easy to say that
the album is closer to modern Hip Hop than Rock – or Americana for that matter –
that statement is a little misleading. This is an album that pushes boundaries –
it is experimental without getting too strange. It is Pop-centric but also very
Soulful. And more often than not, the album is quite beautiful, which what we’ve
come to expect from a Bon Iver album. And Justin Vernon’s falsetto on the album
sound like it is coming straight from his soul. Pun intended I,I
is as warm as it is cold, as embracing as it is distant. It is an album to
explore – the more spins you give it, the deeper you fall into the Bon
Iver-verse. Not a bad place to be,
actually…
BON IVER
I,I
8.30.19