AMPED™ FEATURED ALBUM OF THE WEEK: RITA COOLIDGE/SAFE IN THE ARMS OF TIME

Rita Coolidge has been an important piece of Rock’s tapestry for nearly 50 years. She’s been a muse, a mover and shaker, a songwriter, a performer, a humanitarian, an artist, an author and an icon ever since she was ‘discovered’ by Delaney & Bonnie all those years ago. From backup singer to uncredited songwriter of one of Rock’s greatest songs (she co-wrote the piano coda for Derek & The Dominos’ “Layla,” yet has never received proper credit) and from solo artist to wife of Kris Kristofferson, Rita has been a part of nearly every important musical movement since her arrival on the scene in 1969. She even scored many solo hits including her warm and wonderful interpretation of Boz Scaggs’ “We’re All Alone.” When she stepped away from the solo spotlight, she formed Walela, a Native American trio with her sister Priscilla and her daughter Laura Satterfield.

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THE TOY DOLLS: The Chancellor reviews the 5CD set, THE ALBUMS: 1983-87

Looney tunes, indeed!

The chaps in The Dickies have a wicked sense of humor and The Adicts know how to have fun as well… but The Toy Dolls are the true court jesters of Punk Rock. So, if you are looking for a good time, you can either call one of those phone numbers written on the bathroom wall or you can do the right thing and hustle on down to your local Pop shop and grab THE ALBUMS: 1983-87, a delicious five CD box set that gathers together the first four albums by The Toy Dolls as well as a fifth disc of rarities!

Led by the always excitable Olga (AKA Michael Algar), The Toy Dolls has gone through several line-up changes over the years but they’ve never lost the spunk ‘n’ spittle that made them so fun when they released their debut album DIG THAT GROOVE BABY in 1983. While some may have thought of the band’s music as a parody or a humorous homage to Punk, there’s no doubt that Olga and the boys are true Punk rockers. However, they just chose to take Punk – and everything else for that matter – a lot less seriously than everyone around them. This debut includes classic tracks like “Glenda And The Test Tube Baby,” “Dougie Giro,” “Up The Garden Path,” “Stay Mellow”, the title track and “Nellie The Elephant.” While some may be put off by the over-the-top goofiness of the band’s approach to Punk, their catchy melodies and exceptional musicianship cannot be denied.

Two years later, the band released A FAR OUT DISC, another hook-filled Punk fiesta. Highlights include “My Girlfriend’s Dad’s A Vicar,” “We’re Mad” and so many others.  IDLE GOSSIP was released in 1986 followed a year later by BARE FACED CHEEK. On both albums, Olga leads his crew through some thrilling and entertaining Punk nuggets. No matter what, The Toy Dolls’ music was always refreshing, exciting and inspiring. The first album may be their most popular full-length but the band are always reliable when it comes to making great records and each and every one of these albums needs to be experienced.

The fifth disc here is chock full of non-album tracks including 7” version, songs from compilations and so much more. This final CD includes the ‘hit’ version of “Nellie The Elephant” that received the most airplay over here in the U.S. There’s more fun involved including the smile/dance/sweat-inducing “Everybody Jitterbug.” Crazy, cool and fun, The Toy Dolls may never get the same respect as bands like The Clash, but they certainly deserve your attention!

Look, if you prefer your Punk political and/or pretentious, go elsewhere.  If you want some hook-filled, shout-along Punk anthems with a sense of humor, then THE TOY DOLLS will satisfy all of your cravings. Ten fold. Captain Oi and Cherry Red have given us yet another set that should occupy a very sacred place in your collection!

(NOTE: The first four discs in this set represent the original albums when first released. They do NOT contain bonus tracks. However, all the bonus tracks from previous CD reissues of these albums are gathered on Disc Five).

Keep on truckin’,

Stephen THE CHANCELLOR Schnee

AMPED™ FEATURED ALBUM OF THE WEEK: TOM RUSH/VOICES

With this 2018 release, Tom Rush doesn’t hesitate to get back to business. Now 56 years into his career as a Folk and Blues legend, Tom may not be prolific but he sure hasn’t lost any of his passion. Like a comfortable pair of overalls or a warm blanket on a chilly night, Tom’s music may be comforting but that doesn’t mean that he plays it safe. On VOICES – the first album in his career consisting almost entirely of originals – Tom Rush presents an album that embraces the spirit of his early recordings with the maturity that time has graced him with.

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AMPED™ FEATURED ALBUM OF THE WEEK: GUS G/FEARLESS

Konstantinos Karamitroudis is one of Rock’s hardest working musicians. However, you may not know him by that name. Konstantinos has wisely chosen to operate under the much-easier-to-pronounce stage name of Gus G as he makes his way through the Hard Rock universe. Formerly a member of Ozzy Osbourne’s band and the leader of Greek Power Metal band Firewind, Gus G was inspired to play guitar by listening to the classic live album FRAMPTON COMES ALIVE and the rest, as they say, is history.

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ALLIANCE ENTERTAINMENT in the news: NBC Miami – Record Store Day 2018

As many of you are aware, Record Store Day was conceived in 2007 at a gathering of independent record store owners and employees as a way to celebrate and spread the word about the unique culture surrounding nearly 1400 independently owned record stores in the US and thousands of similar stores internationally.  The first Record Store Day took place on April 19, 2008.  Today there are Record Store Day participating stores on every continent except Antarctica.

 

In honor of the RSD, which returns this Saturday, April 21st, we wanted to share with you a nice call out by one of our stores in the Miami area featured on the local NBC station today.

 

Mikey Ramirez, owner of Technique Records, mentioned our fundraising efforts for Stoneman Douglas High School located close to our Sunrise, FL office.  Ramirez also referenced two key AMPED titles for Record Store Day in which he is featuring the artists in the store on Saturday.

CLICK LINK TO VIEW VIDEO:

http://www.nbcmiami.com/on-air/as-seen-on/Record-Store-Day-Preview_Miami-480282653.html

 

 

 

AMPED™ FEATURED ALBUM OF THE WEEK: SNOOP DOGG/220

Snoop Dogg is a pop culture icon. He’s a Hip Hop pioneer with a distinctive style and three decades of hits.  No longer thought of solely as a rapper, Snoop has dipped his toes into every aspect of the entertainment business. He is one of the most recognizable figures in the music business and his reputation -if not his music – is known by pre-teens and grandparents alike. He’s topped the charts and sold millions of albums. He’s been nominated for Grammys, starred in motion pictures, logged in many TV appearances and invested in many business ventures (and not all of them marijuana- related!). However, just because Snoop has become a man for all seasons doesn’t mean that he’s playing it safe these days – far from it! From Reggae to Gospel, Mr. Dogg has expanded his musical vision and has successfully tackled a variety of styles yet he hasn’t turned his back on his Rap roots.

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AMPED™ FEATURED ALBUM OF THE WEEK: SARAH SHOOK & THE DISARMERS/YEARS

Country Music has gone through a major metamorphosis over the years. Modern Country radio resembles Pop radio of the ‘90s and you’d be hard pressed to find a pedal steel guitar on any track gracing the Top 40. For those looking for a more traditional slice of Country Music, you’ll need to look outside of the charts and turn your attention to hard-working rootsy Americana outfits like Sarah Shook & The Disarmers in order to get your traditional Country fix.

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AMPED™ FEATURED ALBUM OF THE WEEK: THE RADIATORS/WELCOME TO THE MONKEY HOUSE

Celebrating their 40th Anniversary as a band, New Orleans’ The Radiators release WELCOME TO THE MONKEY HOUSE, their 20th album overall. Their first studio album in roughly a decade,  WELCOME TO THE MONKEY HOUSE is a welcome return for the band that also serves as a reminder of their much-missed talents. While the band no longer operates as a full-time outfit, all the original members reunite each year to play the New Orleans Jazz & Heritage Festival. Instead of letting their 40th Anniversary pass them by, the band decided to head back into the studio and record a handful of new tracks mixed with a healthy dose of songs that have littered their live set for decades but have never made it to an album!

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AMPED™ FEATURED ALBUM OF THE WEEK: GUIDED BY VOICES/SPACE GUN

Remember back in the mid ‘80s when practically every R&B and Pop record released seemed to be performed or written by Prince? From his own albums and singles to songs by The Bangles, The Times, Cyndi Lauper, Vanity 6, The Three O’Clock, Sheena Easton and Sinead O’Connor, Prince was everywhere. It seemed as if he was the most prolific musician and songwriter in the world for at least the second half of the ‘80s… Well, folks, indie singer/songwriter Robert Pollard’s mega prolific output over the years makes Prince look like a lazy bastard!  But unlike Prince, the fruits of Pollard’s insane work ethic is not locked up in a dark vault somewhere, never to be heard by the public. In fact, just the opposite – Pollard has released hundreds of songs under his own name as well as under the names of the many side projects he’s been involved with including Circus Devils, Boston Spaceships, Ricked Wicky, Phantom Tollbooth, Teenage Guitar, and, most importantly, Guided By Voices.

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SLOAN: Spinning Our Wheels – An EXCLUSIVE Q&A

STEPHEN SPAZ SCHNEE: 12 is just about ready to be released. How are you feeling about how the album turned out and the reaction to it so far?
CHRIS MURPHY: I’m not sure what the reaction is beyond people commenting on my Instagram account and anyone who finds themselves there is probably going to say something positive. Of course, I want to think that people care but regardless I am just happy to be creating an enormous body of work, which if people don’t acknowledge in the present, still makes me happy. I like to say we are making music for rock journalists in the future.

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