TONY JOE WHITE: An EXCLUSIVE Q&A

STEPHEN SPAZ SCHNEE: BAD MOUTHIN’ is just about to be released. How are you feeling about the album and the reaction you’ve had to it so far?
TONY JOE WHITE: You know….it has been really amazing. I honestly didn’t know what to expect but when we were cutting the album, I knew it felt right.

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AMPED™ FEATURED ALBUM OF THE WEEK: BLAZE – ORIGINAL CAST RECORDING

The YouTube stars of today don’t understand the meaning of ‘paying your dues.’ Before American Idol and YouTube became the springboards for success, the artists of yesteryear rehearsed, played nightly in smelly clubs, and drove from city to city in a rickety van to build their audience. They wrote songs from the heart. They lived those songs before they even laid them down on tape. And the chance of them getting a record deal and achieving any level of success was slim to none. For many of them, sharing their music and baring their soul was the reason they created music. Fame was just a reward for their hard work. However, hard work doesn’t guarantee success without a little bit of luck thrown into the mix. Then again, there’s a long list of talented artists that never caught a break and have sadly faded into obscurity. Country/Americana singer/songwriter Blaze Foley spent many decades in in that sea of obscurity but now, nearly three decades after his death, this underground legend is finally getting the attention he has deserved since his humble beginnings in the mid- ‘70s.

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PAUL COLLINS: An EXCLUSIVE Q&A

STEPHEN SPAZ SCHNEE: OUT OF MY HEAD is about to be released. How are you feeling about the album and the reaction to it so far?
PAUL COLLINS: I’m very happy with the entire process of making this record. Usually, the making of a record is a lot more difficult – for some reason all the aspects of this recording came together relatively easy. The music, the recording and mixing, the artwork, we were so lucky to get Bob Gruen for the photos, and then, of course, our label Alive did a superb job of bringing it all together! The reaction has been great so far but as always there is a lot to do to promote a record.

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AMPED™ FEATURED ALBUM OF THE WEEK: STEVE FORBERT/THE MAGIC TREE

Forty years since the release of his debut album, ALIVE ON ARRIVAL, Steve Forbert remains one of the most honest and warm singer/songwriters in Folk, Rock and Americana. Unfairly declared ‘the new Dylan’ for a brief moment in the ‘70s thanks to that debut, Forbert proved himself to be more than just a guy strumming an acoustic guitar at the front of the stage. His hit single “Romeo’s Tune” (1979) became a Top 40 hit thanks to Forbert’s earnest performance, great songwriting and that incessant piano riff. But Forbert was not one to crank out formulaic Pop or Folk – he was always moving forward while still paying tribute to his past. With more than two dozen studio, live, and fan-club albums in his back pocket, Steve Forbert still remains a songwriter that finds inspiration in the every day. His Mississippi soul may have moved to New Jersey but this is one cat that understands and connects with every inch of America.

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AMPED™ FEATURED ALBUM OF THE WEEK: MIKE FARRIS/SILVER & STONE

There’s just something about Soul music. It has a different effect on every listener. Where one person can hear joy and jubilation, another may sense a feeling of loss and sadness while listening to the very same recording. The listener’s differing opinions revolve around just how deeply they immerse themselves in the music. On the surface, Soul and R&B is engaging and powerful but once you allow yourself to be surrounded by the music, you feel the emotional depth and intensity that went into creating the music. Mike Farris’ SILVER & STONE album is one of those releases that shows both sides at the same time, offering up layers of powerful music that is both engaging and engrossing.

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STEVE FORBERT: An EXCLUSIVE interview!

STEPHEN SPAZ SCHNEE: THE MAGIC TREE is about to be released. How are you feeling about the way it turned out and the reaction you’ve had to it so far?
STEVE FORBERT: I feel pretty good about it. We got the cat ears and legs and tail and whiskers – I think we got the cat in the bag. It’s hard to do.

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AMPED™ FEATURED ALBUM OF THE WEEK: COURTNEY HARTMAN & TAYLOR ASHTON/BEEN ON YOUR SIDE

Courtney Hartman and Taylor Ashton were already successful in their respective outfits before coming together as a duo. Hartman, the singer, songwriter and guitarist for Nashville-based Americana outfit Della Mae, met Canadian singer, songwriter and clawhammer banjo player Taylor Ashton when her band crossed paths with his band, Fish & Bird, while out on the road. The two began writing songs together and within four years, they decided that they had enough material for an album. Named after one of the first songs they wrote together, the duo is now releasing BEEN ON YOUR SIDE, their debut album as a duo. On paper, their collaboration may sound like a perfect match but, in reality, it is so much better than that.

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AMPED™ FEATURED ALBUM OF THE WEEK: MURDER BY DEATH/THE OTHER SHORE

Americana is a modern name for a genre that has existed for decades. Back in the day, many artists were too hard to categorize because they were too Rock for Country, too Country for Folk or too Folk for Rock (or a mix of the three). While many artists today remain difficult to pigeonhole, at least there is the term Americana, which acts as an umbrella genre for bands that fall outside the Country, Rock and Folk guidelines. However, for a band like Murder By Death, it is best to toss any genre label out the window and start from scratch. Yes, they certainly fit comfortably into the Americana genre but they can also be filed in Rock, Country and Folk just as easily. Their latest album, THE OTHER SHORE, is proof of that…

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THE VIBRATORS: ALBUMS 1979-85 reviewed!

Here in the U.S., veteran British Punk band The Vibrators are not held in the same high esteem as bands like The ClashSex Pistols, Buzzcocks, and a few other of their contemporaries. And I must say that is an oversight that must be corrected. Is it because they were too British? Were they too raw? Did they challenge the listener with stylistic changes to their core sound? Were they too Pop to Punk purists? So many questions, so few answers…

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TASH SULTANA: An EXCLUSIVE Q&A

STEPHEN SPAZ SCHNEE: FLOW STATE is finally being released. How are you feeling about the project and the reaction you’ve had to it so far?
TASH SULTANA: Thank fuck it’s done ‘cos it was an ordeal. Like, making an album is hard work – I thought I’d just get in there and record songs I wanted to, and it’d be done, but it’s hard work. I can’t believe I can actually hold it in my hands now. The love is a bit surreal.

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