Casey Abrams was born in Austin, Texas and eventually made his way to Idyllwild, California. This multi-instrumentalist initially made a name for himself on the 10th season of American Idol – he finished in sixth place – and judging by his 2018 album PUT A SPELL ON YOU, he’s certainly learned a lot during his long and exciting journey. Unlike many other artists who are content to find a niche or genre they feel comfortable in, Abrams mixes and matches genres as he sees fit. This is not a former American Idol contestant that is going to fall in line and churn out a variation on today’s Top 40. Nope. Casey Adams is going to do whatever he damn well pleases!
AMPED™ FEATURED ALBUM OF THE WEEK: LEE DEWYZE/PARANOIA
PARANOIA is the seventh album from singer/songwriter Lee DeWyze, best known as the winner of the ninth season of AMERICAN IDOL. Paranoia is an atmospheric and highly passionate album that blends the warmth of acoustic instrumentation with cold yet emotional electronic textures, creating something that is unique yet still very commercial. PARANOIA is a highly emotional concept album that details the many facets of a romantic Relationship – a subject that all of us can relate to.
CHRIS COLLINGWOOD: An EXCLUSIVE interview with the LOOK PARK/FOUNTAINS OF WAYNE frontman!
An EXCLUSIVE interview with CHRIS COLLINGWOOD
When an artist attempts to alter their musical direction in even the slightest way, the final results are scrutinized by critics and hardcore fans alike. One of the few bands that were able to expand their artistic vision without losing their fan base was The Beatles. Since then, very few artists have been able to mature and grow without being lambasted on the internet by fans who felt betrayed by their beloved musical idols. Remember when Bob Dylan went electric in late 1965? One man yelled “Judas!” and the world spun off its axis. By the way, Dylan’s career recovered quite nicely, thank you! Even The Stranglers, one of the UK’s most popular Punk bands, was skewered once they became a bona-fide Pop/Rock outfit by the middle of the ‘80s. It would seem that their fan base wanted them to remain the scruffy, crabby crew they grew to loathe a decade before. So, what is an artist to do? Stay the same and lose fans because they don’t alter the formula, or alter the formula and lose fans because they didn’t stay the same? Chris Collingwood, he of Fountains Of Wayne (“Stacy’s Mom”) fame, has decided to do both – but with his new project, Look Park, he’s not in any danger of losing fans. At all.
Although it has been five years since Fountains Of Wayne released their last album, 2011’s SKY FULL OF HOLES, Collingwood has been working hard on mixing up his proven songwriting ‘formula’ and approaching the songs in new and more intimate ways. FOW bandmate Adam Schesinger has been busy with various projects, including the fab new Monkees album, but Chris has surprisingly kept a very low profile. One of the few times we’ve heard from him since 2011 was when he covered The Dream Academy’s “Life In A Northern Town” for the excellent ‘80s ‘tribute’ album HERE COMES THE REIGN AGAIN released in 2014. All the while, he has been working on new material and finally went into the studio with producer Mitchell Froom and recorded the most excellent LOOK PARK album. This ‘debut’ album is a collection of well-crafted songs that retain the melodic charm of FOW but takes Chris in new and exciting directions. One of producer Froom’s earliest claims to fame was his work with Crowded House, and Look Park travels a similar musical path as those albums from the Kiwi band led by Neil Finn. The album is filled with great melodic hooks, yes, but the album is warm and intimate. These are songs you fall in love with, and like true love, the album only gets better with time. The production is lush yet intimate and Collingwood approaches each track with a tenderness that was not as apparent as on his work with FOW. “Stars Of New York,” “Breezy,” “Minor Is The Lonely Key,” “You Can Come Round If You Want To,” and “Crash That Piano” are absolutely lovely without being maudlin or too mellow (not that either of those are bad things). Surprisingly, there is very little electric guitar on the album – acoustic guitar, piano and mellotron create an atmosphere that is inviting and melancholic. In essence, LOOK PARK is a beautiful piece of work. It is Pop and it is powerful – it’s just not Power Pop. Don’t fear, FOW fans, Chris has delivered the goods and they are glorious.
Stephen SPAZ Schnee was able to chat to Chris Collingwood about the making of the LOOK PARK album and much more…