A SILLY PHASE I’M GOING THROUGH:
It is quite possible that you have something by Eric Stewart in your music collection at this very moment without even realizing it. Eric was a member of Wayne Fontana & The Mindbenders, eventually singing lead on their 1966 hit “Groovy Kind Of Love” after Fontana had left the fold. By 1969, with the Mindbenders in his rear view mirror, Stewart was recording backing tracks for Bubblegum hits at his Strawberry Studios facilities. His recording mates included hit songwriter Graham Gouldman and multi-instrumentalists Lol Creme and Kevin Godley. In 1970, Stewart, Creme and Godley released the surprise hit “Neanderthal Man” under the group name Hotlegs. Two years later, American singer/songwriter Neil Sedaka arrived in the UK in hopes of recording new material and making a comeback. His backing band featured Stewart, Gouldman, Godley and Creme. Sedaka and this quartet of talented musicians recorded two albums together, both directly responsible for the enormous success that Sedaka and 10cc would achieve within a few short years.
Peggy Lee had been a successful jazz vocalist for 33 years before she went into the studio to cut LET’S LOVE for Atlantic Records in 1974. With a career dating back to 1941, Peggy was still a respected jazz vocalist even though her albums weren’t selling as well as they once had. When Capitol Records dropped her in 1972 after 15 years of continuous service (2-3 albums per year), some may have thought that Lee would have spent the rest of her career playing nightclubs and appearing on Jerry Lewis telethons, but luck was always on Peggy’s side. And this time, her lucky charm was the cute Beatle, Paul McCartney, who penned and produced the album’s title track. By this time, Peggy was in her mid-50s and her vocal performances were far more subdued and intimate, which lent themselves perfectly to this lovely, lilting melody. Sounding like something penned for the McCARTNEY or RAM album, the song is a haunting gem and definitely worth the price of the album alone. Thankfully, there are plenty of other great tracks to enjoy on LET’S LOVE. Melissa Manchester’s “He Is The One,” the Stylistics’ classic “You Make Me Feel Brand New” (penned by Thom Bell and Linda Creed), Irving Berlin’s “Always” and the Dave Grusin/Peggy Lee co-write “The Heart Is A Lonely Hunter” are other highlights. While the album might be classified as Jazz, there are definitely elements of Soul, Funk and Pop spread evenly over the tracks. Unlike many modern Jazz artists, Lee was open to taking chances and working outside the box during her career. In fact, her next album would consist of Leiber and Stoller covers! With musical assistance from Lee Ritenour, Dave Grusin, Harvey Mason, Chuck Rainey and others, LET’S LOVE is a fine addition to Lee’s vast catalog and certainly of interest to McCartney/Beatles collectors!
NOTE: This Wounded Bird reissue reproduces the Rhino Handmade edition and includes four bonus tracks from the same sessions including an alternate version of the title track.
Peace, love and pancakes,
Stephen SPAZ Schnee