This compilation offers a fascinating peek into the Japanese Folk and Rock movement of the late ‘60s and early ‘70s. Though influenced by Western music, the music contained on EVEN A TREE CAN SHED TEARS: JAPANESE FOLK & ROCK 1969-1973 is undeniably infused with a deep connection to their very own Japanese culture.
STEPHEN SPAZ SCHNEE: Your self-titled album is about to be released. How are you feeling about the journey to make this album and the reaction to it so far?
ROBYN HITCHCOCK: Well, the people that normally like my records like this one, so far. And that’s it really – if you like this one, you’ll probably like the others. If not, I’m not your flavor. That’s why the record is simply my name. The journey? Well it was the lucky coincidence of my moving to Nashville at the same point that Brendan Benson was getting in touch, asking if I’d like to come and record with him there.
Milwaukee’s Plasticland – founded by Glenn Rehse and John Frankovic (who has since left the band) – have remained unjustly overlooked for years… yet they have also been absolutely adored by critics off and on since they first formed some 36 years ago. The band has managed to stay on the fringe of the Alternative Rock scene but have never been fully treated like the Psych-Rock/Garage icons that they are. And I’m sure this review isn’t going to inspire a mass pilgrimage to the record store but if it piques the interest of a few of you, then we’re getting somewhere! Even though they signed to the esteemed Enigma Records in 1984, Plasticland couldn’t be bothered to cater to the mainstream. Their blend of Acid, Garage and Psych Rock wasn’t merely a tribute to the sounds that they loved – it was obvious that this music was part of their DNA. The band was capable of writing catchy songs with a built-in atmosphere that sounded both retro and modern at the same time. Perhaps that is why their recordings remain timeless today. Plasticland are to Psyche what The Fleshtones are to Frat/Garage Rock and The Cramps are to sweaty, swampy, primitive Rock ‘n’ Roll. They could have sold out in their early days and become ‘the new R.E.M.’ like a host of their contemporaries. Thankfully, they chose to stick to their guns and remain Plasticland.