Tag: The Chancellor

THE CHANCELLOR reviews the 5CD box SAILOR: THE ALBUMS 1974-78

If you’ve never heard Sailor, then I feel pretty confident that you’ve never heard a band quite like Sailor.  One of the most unusual and original bands to emerge from the UK in the mid-‘70s, Sailor achieved great success in the UK, Holland and across Europe but never made much of a mark in the U.S. However, the band did attract the attention of American Rock and Pop legends like Bruce Johnston and Curt Boettcher (billed as Becher), both of whom produced their CHECKPOINT album. If you missed Sailor and their albums the first time around, 7Ts/Cherry Red Records is making it easy to catch up with a five CD set entitled SAILOR: THE ALBUMS 1974-78, a box that contains their first five albums including bonus tracks. Fans of band like 10cc, Deaf School, and City Boy should take note…

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KING/Remixes & Rarities reviewed by THE CHANCELLOR!

During the ‘80s, it seemed like you had to have a gimmick or make a unique fashion statement in order to attract the attention of Pop Music fans. Videos and TV performances were just as important as radio play and no matter how great your song was, if you didn’t stand out in a sea of Pop wannabes, you were very rarely noticed. However, once you grabbed everyone’s attention, you had to have the songs and talent to keep their attention. Pop quartet King may have had a short shelf life but they actually had more than enough talent to keep it going had they been given the chance to.  With Paul King’s soulful voice, colorful outfits and fancy Doc Martens footwear, King (the band) released a pair of albums in a chart career that lasted merely two years, but their talents ensured that they are still remembered today. Not quite Synthpop, Rock or Soul, King combined a few different genres and ended up sounding like… King!

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HOLLYWOOD BEYOND – IF (Deluxe 2CD Edition) reviewed by The Chancellor

The year 1987 was a transitional year for music. New Wave was no longer ‘new’, Prince had changed the Soul, R&B and Funk landscape and Rock ‘n’ Roll was in the clutches of the big hair brigade (Glam Metal). For some, it was depressing, but if you were the adventurous sort, you could find so many bright lights between all the nooks and crannies. Mark Rogers (AKA Hollywood Beyond) was one of those artists whose musical output shone brighter than most. His blend of Pop and R&B walked the thin line between both genres yet didn’t fall victim to either. Released in 1987, Hollywood Beyond’s only full-length album, IF, was an album that should have appealed to those that adored Terence Trent D’Arby and other like-minded artists that forged their own paths while paying homage to their influences.

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THE TOY DOLLS: The Chancellor reviews the 5CD set, THE ALBUMS: 1983-87

Looney tunes, indeed!

The chaps in The Dickies have a wicked sense of humor and The Adicts know how to have fun as well… but The Toy Dolls are the true court jesters of Punk Rock. So, if you are looking for a good time, you can either call one of those phone numbers written on the bathroom wall or you can do the right thing and hustle on down to your local Pop shop and grab THE ALBUMS: 1983-87, a delicious five CD box set that gathers together the first four albums by The Toy Dolls as well as a fifth disc of rarities!

Led by the always excitable Olga (AKA Michael Algar), The Toy Dolls has gone through several line-up changes over the years but they’ve never lost the spunk ‘n’ spittle that made them so fun when they released their debut album DIG THAT GROOVE BABY in 1983. While some may have thought of the band’s music as a parody or a humorous homage to Punk, there’s no doubt that Olga and the boys are true Punk rockers. However, they just chose to take Punk – and everything else for that matter – a lot less seriously than everyone around them. This debut includes classic tracks like “Glenda And The Test Tube Baby,” “Dougie Giro,” “Up The Garden Path,” “Stay Mellow”, the title track and “Nellie The Elephant.” While some may be put off by the over-the-top goofiness of the band’s approach to Punk, their catchy melodies and exceptional musicianship cannot be denied.

Two years later, the band released A FAR OUT DISC, another hook-filled Punk fiesta. Highlights include “My Girlfriend’s Dad’s A Vicar,” “We’re Mad” and so many others.  IDLE GOSSIP was released in 1986 followed a year later by BARE FACED CHEEK. On both albums, Olga leads his crew through some thrilling and entertaining Punk nuggets. No matter what, The Toy Dolls’ music was always refreshing, exciting and inspiring. The first album may be their most popular full-length but the band are always reliable when it comes to making great records and each and every one of these albums needs to be experienced.

The fifth disc here is chock full of non-album tracks including 7” version, songs from compilations and so much more. This final CD includes the ‘hit’ version of “Nellie The Elephant” that received the most airplay over here in the U.S. There’s more fun involved including the smile/dance/sweat-inducing “Everybody Jitterbug.” Crazy, cool and fun, The Toy Dolls may never get the same respect as bands like The Clash, but they certainly deserve your attention!

Look, if you prefer your Punk political and/or pretentious, go elsewhere.  If you want some hook-filled, shout-along Punk anthems with a sense of humor, then THE TOY DOLLS will satisfy all of your cravings. Ten fold. Captain Oi and Cherry Red have given us yet another set that should occupy a very sacred place in your collection!

(NOTE: The first four discs in this set represent the original albums when first released. They do NOT contain bonus tracks. However, all the bonus tracks from previous CD reissues of these albums are gathered on Disc Five).

Keep on truckin’,

Stephen THE CHANCELLOR Schnee

SLOAN: Spinning Our Wheels – An EXCLUSIVE Q&A

STEPHEN SPAZ SCHNEE: 12 is just about ready to be released. How are you feeling about how the album turned out and the reaction to it so far?
CHRIS MURPHY: I’m not sure what the reaction is beyond people commenting on my Instagram account and anyone who finds themselves there is probably going to say something positive. Of course, I want to think that people care but regardless I am just happy to be creating an enormous body of work, which if people don’t acknowledge in the present, still makes me happy. I like to say we are making music for rock journalists in the future.

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