SPAZ: When writing an album like SUN ON THE SQUARE, do you tend to let the compositions flow naturally and reveal the album’s direction over time? Or do you have a preconceived idea on where you want the album to head, musically?
KAREN PERIS: We don’t usually have a plan, especially in regards to writing songs. So many songs, for me, begin and then fall away. So, an album builds slowly out of the songs we remain close to after a period of time.
STEPHEN SPAZ SCHNEE: LOVE LIVES ON is now available. How are you feeling about the way the album turned out and the reaction to it so far?
DANA FUCHS: I’m really thrilled with the way the album turned out! I was nervous about going in with an 11-day time frame and working with people I hadn’t met yet but it was the easiest and most pleasant studio experience I’ve ever had, and musically surpassed all of my expectations. The fan response seems to be overwhelming positive. Even those who like the tougher side of my Blues Rock edge are liking the whole Memphis and horn vibe!
STEPHEN SPAZ SCHNEE: METAPHORA is just about to be released. How are you feeling about the way the album turned out and the reaction to it so far?
JILL BARBER: I feel wonderful. This record is different for me, it’s a more contemporary sound and addresses a lot of issues of my inner life that I have never brought to my music before. It feels very fresh, punchy and energetic. And that excites me.
STEPHEN SPAZ SCHNEE: 12 is just about ready to be released. How are you feeling about how the album turned out and the reaction to it so far?
CHRIS MURPHY: I’m not sure what the reaction is beyond people commenting on my Instagram account and anyone who finds themselves there is probably going to say something positive. Of course, I want to think that people care but regardless I am just happy to be creating an enormous body of work, which if people don’t acknowledge in the present, still makes me happy. I like to say we are making music for rock journalists in the future.
WHAT A TIME TO BE ALIVE:
Field Music is a UK outfit formed by brothers David and Peter Brewis in 2004. The band’s clever and unique approach to Pop music set them apart from any and all of their contemporaries. Instead of following any ‘current’ musical trend, the band blended Psychedelic-era Beatles influences with C86 jangle, Synthpop swirl, Baroque Pop, Indie Twee and angular Post-Punk. Add some truly mesmerizing melodies, eclectic arrangements and a pure love of music making and you’ve got the recipe for great recordings. Embracing Pop music but ignoring the limitations of the standard Pop formula, Field Music is a band that can easily be compared to other music mirth-makers like 10cc and XTC. Even the brothers’ side projects School Of Language and The Week That Was are worthy additions to your collection.
Stephen SPAZ Schnee was able to send off a few questions to David Brewis, who graciously took time to discuss the band’s new album OPEN HERE and more…
L7: PRETEND WE’RE DEAD
STEPHEN SPAZ SCHNEE: L7: PRETEND WE’RE DEAD is finally available. How are you feeling about the project and the reaction to it so far?
DONITA SPARKS: Well, I’m relieved it’s going out into the world because a lot of work went into it, especially from the producers Blue Hats Creative: getting the footage and photos together, interviews with the band members and guest stars, music clearances, etc. This has been years in the making. I’m touched by the reaction to the film by those you have seen it. It hits home with a lot of different people. In the screenings that I’ve attended there’s laughter where there should be, and complete silence during the heavier stuff. Musicians in particular relate to the ride.
Gene Loves Jezebel occupy a musical universe that is all their own. The distinct vocals of Jay Aston and the unique chemistry between his bandmates James Stevenson, Pete Rizzo and Chris Bell has led the band from the dungeons of Goth to the lofty highs of anthemic Rock and everywhere between. It doesn’t matter if they’re tackling a haunting ballad or a riff-roaring rocker, Gene Loves Jezebel remain one of the most riveting yet under-appreciated bands of our generation. And with DANCE UNDERWATER, their first studio album in years, it is time that you put that band back on your radar and pay attention.
TRUTH OR DARE:
STEPHEN SPAZ SCHNEE: TAKE ME APART is just about to be released. How are you feeling about the way the album turned out and the reaction to it so far?
KELELA: I feel great about the way the album turned out. I spent so much time on the album to make it be exactly what I wanted to hear so that’s been very gratifying. The reaction to the album has also been really positive but I definitely think of it as supplementary. I try to make things I like to hear myself and then hope somebody digs it. I’m trying to make something that is sincere and so it’s just an extra plus that anybody else is vibing with it.
STEPHEN SPAZ SCHNEE: Before starting Yep Roc, were you an avid music collector? Were there any particular genres that you focused on personally?
GLENN DICKER: I would say that I was very much a music collector since I was a little kid. I got very interested in collecting 45’s when I went around to garage sales with my parents and as I got older that spread to full albums when I could afford it. Early on I was into ‘60s music, mostly what would be considered classic rock these days like The Beatles, Stones, Who, Kinks, etc. But as I got a bit older I got caught up in the punk rock thing, mostly the English bands. My favorite was The Jam. When I got out of school and went to work for Rounder Distribution, I got turned onto so much more that really opened my mind to all kinds of great stuff that I had previously only dabbled in like World Music, Blues, Jazz, Folk, Bluegrass, etc. Once I get into an artist, I usually want everything.