AMPED™ FEATURED ALBUM OF THE WEEK: ALTAN/THE GAP OF DREAMS

When a dream is born from love and passion, it will never fade away.  Altan, the traditional Irish outfit, is that dream come to life.  Formed three decades ago by Mairéad Ní Mhaonaigh (vocals/fiddle) and her husband Frankie Kennedy (flute/tin whistle), their shared musical vision became reality on a few duo recordings before forming a full-fledged band – Altan. Even though Kennedy passed away in 1994, Mairéad and her bandmates have continued to keep the musical dream alive. In 2018, they release the beautiful and inspiring THE GAP OF DREAMS.

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AMPED™ FEATURED ALBUM OF THE WEEK: SHEILA E / ICONIC: MESSAGE 4 AMERICA

SHEILA E. may have become a household name thanks to her work in the mid-‘80s with Prince but she was – and is – much more than that! The daughter of iconic percussionist Pete Escovedo, she began her career in the mid-1970s as a percussionist and singer for The George Duke Band. After leaving the group in 1983, Sheila began a successful solo career that started with her critically acclaimed 1984 debut album The Glamorous Life. More than just a Prince-groomed diva, Sheila E. has continued to amaze and delight her fanbase with albums that blend a potpourri of styles into something that can only be described as ‘the Sheila E. sound’. This multi-talented musician – often referred to as The Queen of Percussion – is back with one of the most important albums of her career- ICONIC: MESSAGE 4 AMERICA.

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An EXCLUSIVE interview with SHEILA E!

COME TOGETHER:

Guided by the forces of family, faith, and music, Sheila E. has made a name for herself as one of the most talented musical icons over the decades. With a fearless nature and a passion for sharing her gifts with others, Sheila truly follows the beat of her own drum. In anticipation of the release of her new album, ICONIC: MESSAGE 4 AMERICA, Sheila took time to discuss her latest work, her hopes, and her legacy.

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TODD RUNDGREN: An EXCLUSIVE interview!

LET’S DO THIS:
Todd Rundgren talks about WHITE KNIGHT
Todd Rundgren needs no introduction. His ‘legendary’/‘iconic’ status is well-deserved. End of story.
WHITE KNIGHT, Todd’s 2017 release, finds Rundgren continuing to move forward, but this time he’s brought a few of his musical friends with him. While technically an album of collaborations, WHITE KNIGHT is most certainly not a ‘duets’ album… in the traditional sense, anyway. Every guest on the album – including Daryl Hall, Robyn, Donald Fagen (Steely Dan), Joe Walsh, Trent Reznor, Joe Satriani, Moe Berg (The
Pursuit Of Happiness
), John Boutte and others – brings their own personality to the party, making each track feel different from the last. While Rundgren may be the name on the album cover, he allows every collaborator to make their presence known. Totally modern and relevant, WHITE KNIGHT still features Todd’s distinct musical thumbprint and is a pleasure from start to finish.

Stephen SPAZ Schnee was able to track Todd down while on tour and have a chat about WHITE KNIGHT and the magic behind it…

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SAD LOVERS & GIANTS/Box set reviewed!

WHERE THE LIGHT SHINES THROUGH: THE BIGGER PICTURE 1981-2017
     If you are familiar  with veteran UK band Sad Lovers &  Giants, then I am confident that you are already a fan. For those who have  yet to experience SL&G, then pay close attention – they are soon to become your  favorite new/old band. On May 5, 2017, the always-amazing Cherry Red label will be releasing WHERE THE LIGHT SHINES THROUGH: THE  BIGGER PICTURE 1981-2017, a five CD set that is a must-have if you are  a fan of SL&G and ‘80s Post-Punk and New Wave music in general. The band’s  legacy is celebrated in this set which contains pretty much all the tracks from their  albums EPIC GARDEN MUSIC (1982), FEEDING THE FLAME (1983), THE  MIRROR TEST (1987), HEADLAND (1990), TREEHOUSE POETRY (1991) and MELTING IN THE FULLNESS OF TIME  (2002) plus singles, EP tracks, radio sessions and  rarities. A  stunning set to say the least.

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ROBYN HITCHCOCK: An EXCLUSIVE interview!

Always Pistachio:

STEPHEN SPAZ SCHNEE: Your self-titled album is about to be released. How are you feeling about the journey to make this album and the reaction to it so far?
ROBYN HITCHCOCK: Well, the people that normally like my records like this one, so far. And that’s it really – if you like this one, you’ll probably like the others. If not, I’m not your flavor. That’s why the record is simply my name. The journey? Well it was the lucky coincidence of my moving to Nashville at the same point that Brendan Benson was getting in touch, asking if I’d like to come and record with him there.

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THE VIBRATORS: An EXCLUSIVE interview with John EDDIE Edwards!

GOOD VIBRATIONS:

 

     Like any genre, Punk was never about just one ‘thing’ – it was a movement made up of many moving parts. Behind the torn jeans, mohawks, leather jackets and missing teeth (thanks, mosh pits), Punk was first and foremost about the music. Initially, a reaction against the overblown pomp of Progressive Rock and Disco (and any other musical movement that the Punk kids deemed pretentious and worthy of a kick in the gonads), Punk became the most influential movement in Rock history since Elvis had his crown stolen by The Beatles in 1964. In 1976, Punk Rock scared people. However, it wasn’t meant to destroy and move on – Punk was about taking Rock back to ground zero and rebuilding it from the ground up. Punk stole the blueprint from Chuck Berry’s safe and brought Rock ‘n’ Roll back to its basic foundation. Sex Pistols was the first band to gain international notoriety, but the whole of England was soon swarming with equally important bands like The Clash, Buzzcocks, The Jam, The Damned, et al. It was a beautiful thing. These bands knew how to write a cracking tune and that is why they are still remembered 40 years after Punk broke wide open.

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An EXCLUSIVE interview with JUDY COLLINS

Love Letters:

     Judy Collins is an American treasure. From her early Folk recordings – her debut album was released in 1961 – up through her brush with the Pop charts in the latter half of the ‘60s and into the ‘70s, she has possessed one of the most beautiful voices in Pop music. With hits like “Both Sides Now,” “Chelsea Morning” (both penned by Joni Mitchell) and Stephen Sondheim’s “Send In The Clowns,” Collins has built up a catalog of remarkably timeless recordings that never seem to age – much like the singer herself. Her gentle, moving performances have inspired generations of performers spanning all genres. Whether she is performing a song she composed or interpreting someone else’s musical creation, the song becomes Judy and Judy becomes the song. And fifty-six years after she made her recorded debut, Judy’s voice sounds better than ever. If you have ever fallen under the spell of Judy Collins, I’m fairly certain you are still hypnotized by her talent.

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